Summits of my life

J'avais envoye? [a? l'exposition du Boulevard des Capucines en avril 1874] une chose faite au Havre, de ma fene?tre, du soleil dans la bue?e et au premier plan quelques ma?ts de navire pointant... On me demande le titre pour le catalogue, c?a ne pouvait vraiment pas passer pour une vue du Havre ; je re?pondis : " Mettez Impression. " On en fit impressionnisme et les plaisanteries s'e?panouirent. / I sent a work that I painted in Le Havre to [the exhibition in Boulevard des Capucines in April 1874]. It's a view from my window, withthe sun in the mist and, in the foreground, some ships' masts... I was asked to provide a title for the catalogue. But the work couldn't really be considered as a view of Le Havre itself. "Well," I said, "let's make it Impression". So it became "impressionism", and the quip did the rounds. Maurice Guillemot, " Claude Monet ", La Revue Illustre?e, 15 mars 1898

Ce recueil de nouvelles en version bilingue retrace la volonté de nombreuses femmes libanaises, toutes confessions confondues, à retrouver confiance en elles, calme intérieur après les violences subies dans leurs cercles familiaux. Aidées par l'écoute attentive, la considération et la tendresse dont font preuve les accompagnantes de Beit et Hanane, certaines d'entre elles construisent de nouvelles bases solides et durables pour une autre vie. Face à un monde de conflits, d'urgences, dans lequel la pauvreté gagne chaque jour du terrain, ce recueil prend de nos jours une universalité permettant de le transposer dans bien d'autres pays, puisque nous savons tous que les femmes en sont les premières victimes. L'artiste Monique Loubet a bien saisi l'essence de ces nouvelles. These five short stories by Evelyn Accad in bilingual format, which recount various forms of violence experienced by women in Lebanon, may be seen as portraits of women seeking to overcome obstacles and rebuild themselves. The characters here seek assistance in the form of tenderness, which may lead them to understanding and reconstructing the inner house of the self. This search is a narrative thread, allowing the reader to discover a country where family ties sometimes destroy, and sometimes aid in healing both mental and physical trauma. The thematicessenceof the work ispowerfully rendered by artist Monique Loubet.

Some mysterious graffiti on the walls of the Castillet, a crowned reptile in Saint Jean Cathedral, the Campo Santo defiled : these are some of the bizarre clues in Lieutenant Dominique d'Astié's latest investigation. Is there a link between their symbolism, the enigmatic poems strewn all over the streets of Perpignan and the bloody assassination of "King Arthur Pendragon" ? The young Parisian police officer, newest member of La Police Judiciaire de Perpignan, will need to brush up on the old Arthurian legends if she is to solve this very non-Catalan murder !

The Italian Yearbook of Human Rights 2014, the fourth in the series, provides a dynamic and up-to-date overview of the measures Italy has taken to adapt its legislation and policies to international human rights law and to comply with commitments voluntarily assumed by the Italian Government at the international level. The 2014 Yearbook surveys the activities of the relevant national and local Italian actors, including governmental bodies, civil society organisations and universities. It also presents reports and recommendations that have been addressed to Italy by international monitoring bodies within the framework of the United Nations, the Council of Europe and the European Union. Finally, the Yearbook provides a selection of international and national case-law that casts light on Italy's position vis-à-vis internationally recognised human rights. "Italy and human rights in 2013 : the challenges of social justice and the right to peace" is the focus of the introductory section of the Yearbook. With a view on the second Universal Periodic Review of Italy before the Human Rights Council, the Italian Agenda of Human Rights 2014, intended to be an orientation tool with regards to immediate and longterm measures that should be taken to ensure human rights for all in the Country, is integrated by an analysis of the status of implementation of the recommendations made to Italy during the first Universal Periodic Review (2010).

This book documents the conversion and restoration project of the Grande Carrière Wincqz in Soignies, Belgium. Built in the 19th century to excavate the world-renowned Belgian blue stone, today, the quarry is home to an ambitious project : the Pôle de la Pierre, a training centre specialising in the stone industry. The book covers the transformation of the site in three essays : - a photographic essay by Marie Noëlle Dailly exploring the interior and exterior spaces and landscapes of the transformed site - a conceptual essay inscribing the Soignies project in the more general context of the reuse of industrial heritage ; - a graphic essay that reconstructs the transformation of the site as a process of place-making as well as a collective process of meaning-making by means of documents, photographs of the construction phases, drawings, and sketches.

This collection of 12 essays offers detailed and varied studies of the unique problematic construction of contemporary identities from a literary and cultural perspective. The Painful Chrysalis covers transcendental, relevant and polemic topics like the difficulty of growing up, classist and interracial struggles, narratives of displacement and exile, queering the world, power politics and the individual, troubling poetics of the self, politically contesting documentaries, or boredom and male anorexia. It ranges from British authors of very different origin (such as David Lodge, Radclyffe Hall, Paul Golding, Zadie Smith or Abdulrazak Gurnah) to Canadian and American women writers (such as P.K. Page, Lalitha Gandbhir, Anita Rau Badami, Chitra Bannerji Divakaruni, Denise Levertov, Audre Lorde, Linda Hogan, Janice Mirikitani, or Gloria AnzaldGloria Anzaldúa). The heterodoxy in the critical approaches, together with the diversity of the contents offered, serve to trace an ample mosaic of the urges and drives of artists living in modern multicultural societies and suffering from specific traumatic experiences. Ultimately, their disturbances and fractures help us elucidate the way in which human fragility is transformed into cathartic creativity.

Although the prominence of Matthew's anti-Jewish polemic has been widely recognized in recent years, curiously little attention has thus far been given to the contribution made by chapters 11 and 12 to this theme. Often dismissed as a loose compendium of controversy-stories, this narrative section actually displays a solid, thematic unity dealing with the tragic fact of Jesus'rejection by the covenant people, Israel. Matthew's usually thoughtful style is evident in these chapters as he proceeds in a quite independent manner to clarify the unexpectedly humble nature of the messianic mission, the consequences of its rejection and the identity of the true people of God.

Je vis dans une pièce. A moins que ce ne soit elle qui vive en moi. Régulièrement quelqu'un vient. Raclement de ferraille, craquement d'os, gémissements rauques, autant de bruits annonçant sa venue à chaque fois. Ses passages sont brefs. Il ne reste pas. Derrière lui, j'entends la porte qui se referme. Après sept années d'une guerre sanglante contre les légions romaines, Jugurtha mourut en prison, à Rome, vers l'an 104 avant Jésus-Christ. Avec lui s'éteignit la lignée des "Aguellid amokrane", ces grands rois numides qui ont écrit en lettres d'or l'Histoire ancienne de l'Afrique du Nord. Live in a room. Unless it is the room which lives in me. Regularly somebody comes. Scraping of scrap, crackle of bones, hoarse groans, so many noises announcing his coming every time. His passages are brief. He does not stay. Behind him, I hear the door which closes. After seven years of a bloody war against the Roman legions, Yugurthen died in prison, in Rome, at about the year 104 before Christ. With him went out the lineage of "Aguellid amokrane", these great kings Numides who wrote in gold letters the ancient History of North Africa.

For some years, street artworks have appeared across the walls of Casablanca. From the city's downtown to its outskirts, young people are expressing themselves and reinventing the face of their hometown. This book aims to recognise the work of these artists as well as the urban heritage of the city of Casablanca. This work retraces the development of street art in the city, its history, its artists, and its events. Separated into 16 sections illustrated by photos of wall murals, and accompanied by brief, dynamic texts. The latest work in the Vivacité collection, STREET ART, Casablanca's New Urban Energy follows in the footsteps of STREET FOOD IN MOROCCO, Authentic Flavour, Cafés du Maroc, Miroirs des cultures urbaines, and the upcoming HOMEFOOD, The Art of Moroccan Hospitality in Morocco.

Julien VERMEULEN : Hugo Claus à New York (1959) In 1959-1960, Hugo Claus spent six months in the US, Mexico and Cuba. In the course of his trip he wrote down a number of impressions and experiences which he later turned into a cycle of poems, entitled "Reportage" (1961). In terms of contents and style these poems differ from his previous work. Claus now uses a style which is less hermetical : apart from this remarkable transparency, a wide range of ironic expressions, ambivalent idioms, contrasting registers and playful characterisations constitute a lexicological diversity. The great number of assonances and the use of non-literary text registers also characterize these poems. In this way this cycle anticipates later work in which Claus systematically applies diverse collage techniques. The poems "N. Y. 1" and "N. Y. 2" are also an exceptional testimony of the feelings of isolation and vulnerability of the lyrical "I". In 1959-1960 bracht Hugo Claus zes maanden door in de VS, Mexico en Cuba. Tijdens zijn verblijf noteerde hij enkele indrukken en ervaringen die hij later in de gedichtenreeks "Reportage" (1961) uitwerkte. Inhoudelijk en stilistisch wijkt deze poëzie af van zijn vroeger werk. Claus hanteert hier immers een stijl die minder hermetisch is : naast een opmerkelijke transparantie constateren we ook lexicografische diversiteit met allerlei ironische en ondermijnende dubbele bodems, kritische en contrastieve registers, ludieke en spottende typeringen. Ook het grote aantal assonanties en het gebruik van niet-literaire tekstregisters karakteriseren deze gedichten. In die zin anticipeert deze cyclus op zijn later werk waarin hij talrijke collagetechnieken op een systematische wijze toepast. De openingsgedichten "N. Y. 1" en "N. Y. 2" getuigen ook op een uitzonderlijke wijze van het isolement en de kwetsbaarheid van de ik-figuur. Sarah BEEKS : Masscheroen ou trois messieurs nus. L'engagement artistique de Hugo Claus dans les années soixante In the spring of 1968 Hugo Claus was officially charged with public indecency. The fact that he had staged three naked men in his play Masscheroen, could not be tolerated by to the conservative judiciary in Flanders. The lawsuit caused a great fuss within the artistic milieu : art and literature had regularly been censored and something had to be done. Inspired by the activist élan of May '68, Claus and his colleagues chose to act upon their artistic commitment. Through cheerful happenings and poetic protest evenings they fought for the autonomy of art and literature. In het voorjaar van 1968 werd Hugo Claus aangeklaagd wegens openbare zedenschennis. In zijn toneelstuk Masscheroen had hij drie naakte mannen laten optreden en dat kon volgens de conservatieve rechterlijke macht in Vlaanderen niet door de beugel. De zaak leidde tot veel ophef binnen het artistieke milieu : kunst en literatuur werden eind jaren zestig veelvuldig gecensureerd en dat werd niet langer geaccepteerd. Aangestoken door het activistische elan van mei '68 besloten Claus en zijn collega's zich artistiek geëngageerd te tonen. Door middel van vrolijke happenings en poëtische protestavonden bevochten zij de autonomie van kunst en literatuur. Pieter VERSTRAETEN : Le corps du Christ. Le roman A propos de Dédé et le catholicisme Hugo Claus's short novel Omtrent Deedee [With regard to Deedee], which appeared in 1963, can be read in a variety of ways. In general, two slightly antagonistic interpretative models have been dominant so far : whereas the early literary analysis by Julien Weverbergh focuses on the symbolic dimension of the story, a commentator such as Bert Vanheste emphasizes the novel's connection with contemporary social discussions, such as the debates on the democratization of Catholic faith in the context of Vaticanum II (1962-1965). In this article I want to further develop the latter perspective by reading the book primarily as a commentary on Catholic faith, understood in its institutional as well as its ideological dimensions. In particular, I focus on the kind of priesthood the main character Deedee is embodying, on the relation between the priest Deedee and the young homosexual Claude, who seems to represent an alternative kind of priesthood, and on the process of transubstantiation, which plays a major role in all this. Finally, I relate the motif of transubstantiation to Claus's conception of meaning and symbolism. It appears that the religious sacrament as well as the signifying process are based on the interaction between the concrete and material on the one hand and the abstract and ideal on the other. In the end, in Omtrent Deedee, both categories are unmasked as mere social constructs, failing to do what they promise : restoring an original, sacral union or wholeness. Van Hugo Claus' korte roman Omtrent Deedee, verschenen in 1963, zijn heel verschillende interpretaties mogelijk. Grosso modo staan daarbij twee verschillende lectuurmodellen tegenover elkaar. Terwijl de vroege analyse van Julien Weverbergh vooral inzet op de symbolische dimensie van het verhaal, vraagt iemand als Bert Vanheste expliciet aandacht voor de betrokkenheid van de roman op contemporaine maatschappelijke problemen, zoals de discussies rond de democratisering van het katholieke geloof die plaatsvinden in de context van Vaticanum II. In dit artikel wil ik dat tweede perspectief verder uitwerken door Omtrent Deedee in de eerste plaats te lezen als een commentaar op het katholieke geloof, zowel op de institutionele als op de ideologische dimensie ervan. Ik focus daarbij op de aard van het priesterschap van het hoofdpersonage Deedee, op de relatie tussen de geestelijke Deedee en de jonge homoseksueel Claude, die een alternatieve priesterrol op zich neemt, en op het sacrale proces van de transsubstantiatie, dat bij dit alles een cruciale rol lijkt te spelen. Tenslotte verbind ik het motief van de transsubstantiatie met Claus' visie op betekenis en symboliek. Zowel het religieuze sacrament als het proces van betekenisgeving zijn immers gebaseerd op de interacties tussen het concrete en materiële enerzijds en het abstracte en ideële anderzijds. Finaal worden beide categorieën in Omtrent Deedee ontmaskerd als louter sociale constructies die er niet in slagen hun belofte waar te maken en een oorspronkelijke, sacrale eenheid en heelheid te herstellen. Tom SINTOBIN : Raconter en bafouillant, bafouiller en racontant. Traumatisme et narrativité chez Hugo Claus In this article two novels by Hugo Claus are analysed from the perspective of Trauma theory : Desire (1978) and The sorrow of Belgium (1983). Trauma destroys an individual's life-narrative and results in a Post Traumatic Stress Disorder. In Desire it is Didi that seems to suffer from it : she lost her human identity and her awareness of time, she is barely able to speek - which means that she has lost the plot that can give her life meaning and coherence. The reader is never told what exactly is the matter : all he gets are flashes, which are not sufficient to tell him the whole story. Moreover, he is confronted with the fact that the language of the novel is very ambiguous. These two characteristics - the unability to get to a fullblown story and the loss of language - the reader shares with a PTSD-patient, which suggests that this novel has a performative aspect : the reader lives through the same drama as that of the characters. In The sorrow of Belgium, uncle Omer is confronted with a malfunctioning language and ability to narrate. His problem manifests itself in repetition and in misunderstandings due to the ambiguity of words. The reader encounters exactly the same problem at the end of the novel, when a passage that seemed rather superficial at first sight in reality turns out to be full of meaning. However, there are characters in this novel whom one would expect to be traumatised that nevertheless do not show the typical characteristics. Above all the father, Staf, talks endlessly about the terrible things that happened to him, even so much that the members of his family are no longer interested. The feeling of the "surplus" of narratives, that are as a consequence not healing any more but aim at hiding something, is a feeling shared by the reader while he is reading this strange novel, which gets in its turn a performative aspect. In dit artikel worden twee romans van Hugo Claus, Het verlangen (1978) en Het verdriet van België (1983) bestudeerd vanuit het perspectief van traumastudies. Daarbij wordt een trauma gedefinieerd als datgene wat het levensnarratief van een individu vernietigt, met een Post Traumatic Stress Disorder tot gevolg. In Het verlangen blijkt Didi's pathologie daar nogal wat kenmerken van te hebben : ze is haar menselijke identiteit kwijt, haar tijdsbesef is ontregeld, ze kan amper nog spreken - zij heeft dus niet langer de beschikking over een levensnarratief dat haar bestaan zinvol en coherent kan maken. De lezer verneemt echter nooit precies wat er aan de hand is : hij krijgt slechts flitsen te zien en komt niet tot een sluitend verhaal. Bovendien wordt hij ermee geconfronteerd dat de taal van de roman wel heel meerzinnig wordt. Deze beide kenmerken - het onvermogen om tot een verhaal te komen en het verlies van taal - deelt de lezer met een PTSD-patiënt, zodat het verhaal in overdrachtelijke zin performatief is geworden : de lezer ondervindt het drama van de personages aan den lijve. Ook in Het verdriet van België komt er een personage voor wiens taal en verhalend vermogen hapert : Nonkel Omer. Zijn aandoening uit zich onder meer in herhaling en in misverstanden door dubbelzinnige woorden en blijkt ook de lezer parten te spelen wanneer die zich tegen het einde van de roman met een ogenschijnlijk anekdotische maar in werkelijkheid uitermate beladen passage geconfronteerd ziet. Nochtans zijn er ook personages waarvan men zou kunnen aannemen dat ze getraumatiseerd zijn zonder dat ze de kenmerken van een PTSD vertonen : vooral vader Staf vertelt honderduit over wat hem is overkomen, zelfs in die mate dat zijn verhalen niet meer interessant gevonden worden door zijn huisgenoten. Het gevoel van de overdaad aan verhalen, die niet langer heilzaam zijn maar iets verbergen, maakt zich ook van de lezer meester bij zijn lectuur van deze vreemde roman. Het verdriet van België heeft zodoende op zijn beurt iets performatiefs. Dirk VAN HULLE : Claus et la narratologie exogénétique. La cognition externe (extended mind) et les notes de lecture autour du Chagrin des Belges This article combines genetic criticism with a post-Cartesian approach to cognitive narratology, notably to the examination of literary evocations of the fictional mind. The case study is the genesis of Hugo Claus' novel Het verdriet van België. The exogenetic analysis of two extant notebooks shows how the author's reading notes contribute not just to the fictional cosmology of the novel, but also to the cognitive cosmology of the characters' 'extended' minds. The article argues that for Claus, as for many twentieth-century authors, the materiality of the avant-texte served as a cognitive model for the evocation of the workings of the fictional mind. Dit artikel combineert tekstgenetisch onderzoek met een post-Cartesiaanse benadering van de cognitieve narratologie, in het bijzonder het onderzoek naar vormen van literaire bewustzijnsrepresentatie. De gevalstudie is de genese van Hugo Claus' roman Het verdriet van België. Uit de exogenetische analyse van twee bewaard gebleven notitieboeken blijkt hoe de lectuurnotities bijdragen, niet alleen tot de fictionele kosmologie van de roman, maar ook tot de cognitieve kosmologie van personages en hun "extended mind" . Het artikel argumenteert dat voor Claus, net als voor heel wat twintigste-eeuwse auteurs, de materialiteit van de avant-texte heeft gefungeerd als cognitief model voor literaire bewustzijnsrepresentatie. Malgorzata DUBROWSKA : Die mythische Welt Anna Seghers'. Literarische Bilder aus dem französischen Exil Alongside her journalistic undertakings, literary works by Anna Seghers left trajectories of her residence as an immigrant in France between the years 1933-1941. In her literary works, the writer often depicted in a metaphorical way the world of immigration experiences : Sense of instability, isolation, life intimidations and also consciousness of replication of the immigrant' destiny. She brought a universal literary vision that corresponded to the biblical tradition and the world of the Greek and Roman mythologies. The author of this article, based on the selected literary works of Anna Seghers that were created in France, catalogues the universal experiences of the existence of the human kind, that in Seghers' works become mythical. Les textes littéraires d'Anna Seghers, qui complètent son activité publicistique, où elle décrit d'une manière métaphorique ses expériences d'expatriée, en disent long sur les années de son exil en France (1939-1941). La précarité, l'isolement, le danger de mort et la conscience de réitération de l'existence d'exilé font naître une vision littéraire universelle qui puise tant dans la tradition biblique que dans les mythologies grecque et romaine. A travers les textes littéraires retenus, issus de la période française, l'auteur de la présente contribution tente de concrétiser cette expérience atemporelle de l'existence humaine à laquelle Seghers donne une dimension mythique.

The Christian theology of religions at present faces a crisis. What precisely is the task of the theology of religions ? Does it merely consist in interpreting the non-Christian religions as steps, phases or contributions in the light of Christianity ? Has one from the theological side conceded the maximum to the non-Christian religions by acknowledging them as anonymous Christianity (Karl Rahner)? This study is an exploration on how one shall liberate the religion of the other from anonymity : how one shall leave the other with his/her own name. The model of thought employed in this study is gained through an analysis of the intercultural process of understanding, explained with instances from Africa and South America.

Depuis ses origines en 1940, la Justice Society of America a accueilli de nombreux super-héros, prêts à tout pour défendre les plus démunis. Malgré tout, avec le temps, la vieillesse de ces héros a fait perdre de sa puissance à la JSA. Elle a su renaître de ses cendres plus d'une fois et aujourd'hui, c'est à une nouvelle génération de héros de renouveler cet espoir. Pour autant, n'est-ce pas étrange que la chute de la JSA commence toujours par la mort de Doctor Fate ?

This catalogue of the "Cartier, Arts of Islam and Modernity" exhibition at the Louvre Abu-Dhabi (LAD) illustrates the influence of the artistic wonders of Islam on the sumptuous jewels of the House of Cartier, from the early 20th century to the present day. Manuscripts, arabesques, vases, tunics and mosaics provide a constellation of extraordinary and inspiring patterns. By creating masterpieces of emeralds and sapphires, Cartier pays glorious homage to the arts of Islam. This catalogue, which ends with pieces of contemporary jewellery, is a celebration of the conviction that cultural dialogue is an inexhaustible source of creation and beauty.

The book analyses the attitudes of non-EU countries towards European integration in historical and contemporary perspectives. The authors study a range of actors in Europe and beyond to explain the impact of the creation of the European Communities on the international system and how the EU is perceived in the world. The book further shows the significance of the institutional interplay within the EU, and between EU institutions, member states and external actors led by their own internal dynamics to explain policy outcomes. It investigates to what extent the perceptions of the international community towards the European Communities and the EU have been influenced by the complexity of their decision-making and the difficulty of reconciling the views of member states on key external relations issues. The authors also study the interplay of non-EU countries and the EU within the broader context of international and regional institutions and forums for international cooperation.

We thought we had gone through the topic in the first volume, those two games opened new pists of reflexions. The in-depth analysis of Hidetaka Miyazaki's Dark Souls saga continues with this volume 2, decoding the Bloodborne and Dark Souls III episodes. An indinspensale ebook for all the fans of the game Dark Souls !EXTRACT"The project, christened Project Beast, began soon after the Astorias of the Abyss DLC was released in August 2012. At the time, FromSoftware was also beginning to build Dark Souls II, its cash cow. Miyazaki kept his distance from this sequel, which was handed off to Tomohiro Shibuya and Yui Tanimura, with support from the FromSoftware president and creator of King's Field, Naotoshi Zin, who supervised the game system. On his end, Hidetaka Miyazaki formed a trusted team of regular collaborators, such as lead programmer Jun Itô (who had already filled this role for Demon's Souls and Dark Souls), composer and lead sound designer Tsukasa Saitô (Armored Core games), and most of his regular artists: Daisuke Satake, Masanori Waragai and Hiroshi Nakamura. The success of Demon's Souls, and the even greater success of Dark Souls, allowed FromSoftware to grow its ranks significantly. In total, no fewer than fifty programmers participated in the project, along with around twenty game system designers and fifty people working on visual creation (animation, scenery, characters, etc.). Thanks to financial support from Sony, many Japanese, Chinese and Taiwanese studios were sub-contracted during the production to help with graphics and visuals."ABOUT THE AUTHORSPassionate about films and video games, Damien Mecheri joined the writers team of Gameplay RPG in 2004, writing several articles for the second special edition on the Final Fantasy saga. He continued his work with the team in another publication called Background, before continuing the online adventure in 2008 with the site Gameweb.fr. Since 2011, he has come aboard Third Éditions with Mehdi El Kanafi and Nicolas Courcier, the publisher's two founders. Damien is also the author of the book Video Game Music: a History of Gaming Music. For Third Éditions, he is actively working on the "Level Up" and "Année jeu vidéo" collections. He has also written or co-written several works from the same publisher: The Legend of Final Fantasy X, Welcome to Silent Hill: a journey into Hell, The Works of Fumito Ueda: a Different Perspective on Video Games and, of course, the first volume of Dark Souls: Beyond the Grave. Curious by nature, a dreamer against the grain and a chronic ranter, Sylvain Romieu is also a passionate traveler of the real and the unreal, the world and the virtual universes, always in search of enriching discoveries and varied cultures. A developer by trade, he took up his modest pen several years ago to study the characteristics and richness of the marvelously creative world of video games. He writes for a French video game site called Chroniques-Ludiques, particularly on the topic of RPGs, his preferred genre.

Au-delà de la carte postale, découvrez le californian way of life, ses marchés foisonnants, ses producteurs, ses produits phares et son melting pot culinaire, à travers 100 recettes originales et délicieuses. Donnez à vos repas la saveur décontractée, saine et ensoleillée de la Californie !

Elena Kats-Chernin wrote Afterwards for the 18th birthday of a young acquaintance, Guy Knopke, who had just started playing the bassoon. The title refers to "the new adventures and changes that can lie ahead after a significant milestone", according to the composer. She created a solo [also duo] piano version for herself, which is published in the anthology Piano Village (BB 3409). The final version of the original for bassoon and piano, which is no longer quite suitable for beginners, was recorded on CD by Elena Kats-Chernin together with the soloist Lorelei Dowling on Chromart Classics in 2017. Instrumentation : bassoon and piano

This study provides, in the notion of transcendence, a framework for interpreting Heidegger's thinking in regard to language, one of his major preoccupations. It both locates his thinking in its historical context, and, while still remaining faithful to it, frees it for discussion and evaluation in a horizon beyond Heidegger's own, by showing how heideggerian insights are crucial to the development of Karl-Otto Apel's linguistically-based transcendental philosophy. The full import of Heidegger's thinking for the central concerns and problems of philosophy is thus revealed by tracing how, in Apel's work, it is made both ethically relevant and capable of fruitful dialogue with Anglo-American philosophical discourse, represented by such thinkers as Wittgenstein and Peirce.

An introduction to the French art of baking bread-including ingredient selection, levain cultivation, and bread-making techniques-with more than one hundred illustrated recipes. The humble baguette is the quintessential staple of French cuisine, but the country has a vast and diverse bread-baking tradition. With an introduction to the history of French bread, guidelines to help the home baker select the right ingredients - grain and flour varieties, water, salt, and levain-this book details the step-by-step techniques and fundamentals of bread making : from feeding the levain, kneading and preparing the dough, and baking, to more than 100 recipes. Eighteen expert bakers and pastry chefs share the sweet and savory recipes that have forged the French bakery's enviable reputation-from rounds of rustic pain de campagne or loaves of olive and oregano bread to regional favorites like fougasse or the Basque taloas tortillas. A new generation of bakers has expanded the classic French repertoire to include original creations-such as charcoal-sesame baguettes ; matcha swirl bread ; buckwheat and seaweed rolls ; and fig, hazelnut, and honey rye bread. In their French style, they also reinterpret heritage breads from across the world-including pita, focaccia, bagels, cheesy Georgian khachapuri, Swedish crispbread, and Indian chapati. Additional bread-based recipes include "surprise bread" finger sandwiches, croque monsieur, onion soup with cheese croutons, and desserts such as French toast and kouign-amann. For each recipe, pictograms indicate the level of difficulty, time and material required, and whether a recipe is gluten-free. This is the ultimate reference book for baking homemade bread the French way.

This book is an invitation to informed and critical participation in the current debate on the role of digital technology in education and a comprehensive introduction to the most relevant issues in this debate. After an early wave of enthusiasm about the emancipative opportunities of the digital "revolution" in education, recent contributions invite caution, if not scepticism. This collection rejects extreme interpretations and establishes a conceptual framework for the critical questioning of this role in terms of concepts, assessments and subversions. This book offers conceptual tools, ideas and insights for further research. It also provides motivation and information to foster active participation in debates and politics and encourages teachers, parents and learners to take part in the making of the future of our societies.

The logistician plays a critical role in the growth of his or her company - in this third edition of Essentials of Logistics, the conceptual framework in which all the stakes and themes of logistics is systematically analyzed, with a strong focus on the role of the supply chain. Indeed, many elements are critical to the successful logistical strategy : customer relation management, interactive information support, production optimization and process development, vision, strategy and operations management, and human resources and resource allocation. Growing out of a successful course given by the International Institute for the Management of Logistics (IML) of the Swiss Federal Institute of Technology (EPFL), in Lausanne, and by the Ecole des Ponts-ParisTech (ENPC), the purpose of this book is to present a methodology allowing the reader to understand and act based on the critical factors embedded in the design of strategy. Concepts are thus combined with practical examples. Transversal vision and detailed case studies highlight the main themes of modern logistics and daily preoccupations of logisticians. The book is addressed to all professionals of logistics : managers, planners and engineers ; as well as to graduate students specializing in the field.

Planning in this century has been largely influenced by the appeal of scientific activity on the one hand and by reform movements on the other. As a result of this influence, two roles of planning developed with one predominating : an advisory role which adheres to the scientific canon of deta ched objectivity and which is the prevailing version, and an active role where intervention into the development of society is promoted. This duality creates problems for planning theory and practice, especially since the positivist foundation of planning has proven to be inadequate. An examination of logical positivism indicates that a correct social theory can only be critical. This suggests that planning should use critical theory as new epistemological framework.

This fully illustrated catalogue is the first of its kind to examine the relationship between money, power, resistance and dissent. It accompanies major exhibitions at The Fitzwilliam Museum in Cambridge and the Art Gallery of Ontario in Toronto. War, revolution and protest are defining themes in all periods of world history, shaping national identities and influencing material and visual culture in myriad ways. The ubiquity of money makes it a powerful vehicle for diseminating the messages of the state to the public, but the symbolic and nationalistic iconography of currency could also be subverted or mutilated in powerful acts of defiance, rebellion and propaganda. Beginning in Britain in the wake of the American and French Revolutions, the exhibition explores the political and social tensions present in society, and communicated through the production or defacement of money, over the past 200 years. It contrasts the use of money by the radicals of the nineteenth and early twentieth century, such as Thomas Spence, and the Suffragette movement, with the money produced by European empires as they scrambled to dominate the rest of the world. The currency histories of the two World Wars reveal the subversion of the very nature of what money is, and highlight the role of money as the tool of occupation, imprisonment, resistance and remembrance. The coins countermarked during the Troubles in Northern Ireland hint at the polarised nature of political discourse and sectarian violence. The exhibition culminates with the work of contemporary artists and activists who use money to highlight the challenges of the modern world, both locally and globally - as a canvas, as a raw material, or as a powerful means of communication. From a unique coin commemorating the Peterloo Massacre of 1819 to a Syrian banknote refashioned to raise awareness of the refugee crisis, this publication showcases many newly acquired objects from the Fitzwilliam Museum collection, alongside materials from the Archive of Modern Conflict. These objects are enhanced by a number of important loans from museums and private collections, including the cannon used at the Battle of Mafeking, an exploded transit van and contemporary art works that take money, its authority and destruction as their theme. Each object constitutes a witness statement to its time and its conflict, and each section has its own story to tell. The chapters - by archaeologists, historians, curators, and artists - create a rich context for the more than 130 objects in the catalogue, most of which have never been studied in depth or published before.

Far from the crowds and the well-worn clichés, Seville still has many hidden gems it only reveals to locals and visitors who head off the beaten track. An essential guide for those who thought they knew Seville well or are seeking to discover another side of the city. Why is there a stone relief of Grace Kelly on the wall of Seville Town Hall and how can you track down the railway from the Ibero-American Expo of 1929 ? Where might you find the legacy of Christopher Columbus' son, a medieval Jewish cemetery in a car park, the oddest of barbershops, forgotten souvenirs from the Guadalquivir steamboats, Masonic symbols in a church, the last remaining vestiges of the Andalusian pavilions from the '29 Expo, a little-known Modernist electric power station, an example of the Nazi Enigma machine, a collection of Chinese and Japanese art in a Renaissance mansion or the pillars of a medieval synagogue ?

Rembrandt van Rijn (1606-69) transcends any period or social milieu: he is one of the world's great masters and though his works reflect the confidence of newly independent Holland, his vision extends fat beyond these narrow confines. A deeply perceptive artist (his many self-portraits show his continued interest in the study of human nature), he sought to go beyond superficialities, to endow his biblical paintings, historical narratives, genre scenes and portraits with psychological depths hitherto unknown in Dutch painting. Impatient with conventionally stiffly posed group portraits, he produced such masterpieces as The Night Watch, The Anatomy Lesson of Dr Tulp and The Staal Meesters, while his studies of Saskia, his wife, and his mistress Hendrickje Stoffels reveal his deeply sensuous, compassionate nature. For this new, updated edition, Michael Kitson, Director of the Paul Mellon Centre in London, has revised his highly successful book in the light of the most recent scholarship on Rembrandt, making this the ideal survey of the career of a much-loved genius.

From serious illness to natural disasters, humans turn to communication as a major source of strength to help us bounce back and to keep growing and thriving. Communicating Hope and Resilience Across the Lifespan addresses the various ways in which communication plays an important role in fostering hope and resilience. Adopting a lifespan approach and offering a new framework to expand our understanding of the concepts of "hope" and "resilience" from a communication perspective, contributors highlight the variety of "stressors" that people may encounter in their lives. They examine connections between the cognitive dimensions of hope such as self-worth, self-efficacy, and creative problem solving. They look at the variety of messages that can facilitate or inhibit experiencing hope in relationships, groups, and organizations. Other contributors look at how communication that can build strengths, enhance preparation, and model successful adaptation to change has the potential to lessen the negative impact of stress, demonstrating resilience. As an important counterpoint to recent work focusing on what goes wrong in interpersonal relationships, communication that has the potential to uplift and facilitate responses to stressful circumstances is emphasized throughout this volume. By offering a detailed examination of how to communicate hope and resilience, this book presents practical lessons for individuals, marriages, families, relationship experts, as well as a variety of other practitioners.

The ideological background and the deficiencies of the concept of representation are being analyzed. It is shown that the present crisis of the Western democratic system is to be attributed to the form of oligarchy which has developed as a result of the "dogma of representation". The fictitious character of representation is being elaborated on the ontological, psychological and normative levels. An analysis of present and historical forms of parliamentary systems (as examples for the ideology of representation) is followed by a reflection on possible alternatives to this traditional system of power. Various forms of direct democracy are examined in regard to their practicability.

This beautiful publication presents for the first time the Eveillard Gift of drawings to The Frick Collection, the most important gift of drawings and pastels in its history. It accompanies an exhibition at the Frick and includes a catalogue of the works and commentaries by noted scholars. Twenty-six works of art promised to The Frick Collection by Elizabeth and Jean-Marie Eveillard dramatically advance the museum's commitment to the research and display of European drawings. Included in this transformative gift from two longtime supporters of the Frick are exquisite drawings, pastels, prints, and one oil sketch by François Boucher, Gustave Caillebotte, Edgar Degas, Eugène Delacroix, Jean-Honoré Fragonard, Thomas Lawrence, Francisco de Goya y Lucientes, John Singer Sargent, Elisabeth Vigée Le Brun, and Jean-Antoine Watteau, among others. The works include fi gurative sketches, independent studies, portraits, and landscape scenes, each either deepening the museum's celebrated holdings or bringing the work of an artist who is not-but should be-represented in the collection. This lavishly illustrated publication, which accompanies an exhibition at the Frick, includes a catalogue of the works, as well as comprehensive commentaries on each of promised gifts written by noted scholars in their fi eld.

The monastery of Port-Royal has been a favorite subject of scholarly research mainly because of its involvement with the founder of Jansenism in France, St-Cyran, and its family connections with Antoine Arnauld who was the theologian of the movement. Less studied, but also significant, was the role played by the reform of port-Royal by Mère Angélique Arnauld, and its continuance by her niece, Soeur Angélique de St-Jean Arnauld d'Andilly, in the Cistercian reforms of the Seventeenth Century. F. Ellen Weaver, who completed her doctorate at Princeton University and is now teaching Church History at the University of Notre Dame in Indiana, has traced the evolution of this important reform from its Cistercian beginnings to its emergence as a model of Jansenist ideal and practice, pointing toward its final enduring influence in French Catholicism as a mythic symbol of heroic resistance of a community to oppressive authority in the name of freedom of conscience. She has done a careful textual analysis of the development of the Constitutions de Port-Royal during the period in which the controversies were raging (1948-1684) to illustrate this evolution fromCistercian to Jansenist character of the reform, and to point out continuities which have semetimes been overlooked in the polemic against the Jansenists. This work represents a significant contribution to studies in the religious history of modern France in general, and to monastic and counter-reformation studies in particular. Une étude neuve, unique en son genre, sur la place tenue par Mère Angélique Arnauld à Port-Royal et sur le rôle joué par sa nièce dans les réformes cisterciennes du dix-septième siècle. L'examen approfondi des Constitutions de Port-Royal révèle l'idéal janséniste et fournit une contribution non négligeable aux recherches sue l'histoire religieuse de la France moderne.

"Neuf jours avec Marie qui refait les couples" est l'occasion d'ouvrir quelques dossiers chauds de la vie conjugale en présence de Notre Dame ; les aborder sans Elle serait voué à l'échec, car trop périlleux. Avec Elle, tout est rendu possible : Marie répare ce qu'elle effleure. Un baume de douceur, une onction de tendresse s'échappent de ses mains et de son coeur, pour venir consoler et guérir les époux. Au milieu des épreuves et de la tempête regardons l'Etoile, invoquons Marie... Si nous la suivons nous ne craignons rien... Ne brille-t-elle pas de la lumière de Jésus, source et terme de notre espérance ? Un volume pour consolider son couple réunissant une neuvaine dédiée à Marie, une proposition pratique, un atelier de temps d'écoute et un recueil d'anecdotes relatives à Louis et Zélie Martin, les parents de sainte Thérèse de Lisieux.