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Rosine Dubois est une mère célibataire de quarante-sept ans qui a survécu à un cancer du sein et qui a été abandonnée par son mari pendant le traitement. Les médecins ont été obligés de lui enlever la totalité du sein droit pour éviter qu'elle meure. Deux ans plus tard, elle tente de retrouver une vie normale, mais elle a du mal à supporter la pression que son entourage et la société font peser sur elle pour qu'elle ait de nouveau un corps normal. Son quotidien est chamboulé lorsqu'elle vient en aide à une jeune fille détenant un objet magique qui est poursuivie par une créature dangereuse. L'artefact choisit Rosine et la transforme en super-héroïne en lui donnant la force et les armes d'une guerrière amazone. Rosine Dubois is a forty-seven-year-old single mother who survived breast cancer and was dumped by her husband during treatment. Doctors were forced to remove her entire right breast to prevent her from dying. Two years later, she is trying to get her life back to normal, but she finds it difficult to cope with the pressure from people around her and from society to have a normal body again. Her life is turned upside down when she rescues a young girl with a magical object who is being chased by a dangerous creature. The artifact chooses Rosine and transforms her into a superhero, giving her the strength and weapons of an Amazon warrior.

Born in China in 1968 and living in France since 2001, Li Fang capture in her paintings the oscillations of the contemporary world. Although her work is figurative, her technique, which uses large flat areas of colour like blocks sculpted from pictorial matter, clearly forges a link with abstraction. This stylistic unity unfolds in a variety of series that reflect her life and our times : portraits of loved ones, scenes of swimming, anonymous urban crowds, resistance to Chinese censorship, the tragedy of migrants in the Mediterranean Sea... Despite being current or seemingly simple, her themes echo universal feelings : the loneliness of modern society, the choice of exile, the tenderness of childhood, the power of water or the vitality of bodies in nature. Whether light or profound, joyful or tragic, Li Fang's work is timeless and open-ended, and this first monograph reveals its full richness.

Jeremy Kay was left heartbroken when his sweetheart from college betrayed him the day he was going to propose to her. However he turned a new page and little did he know what destiny had planned for him... Iris, a carefree wild soul who only believed in her freedom is left mystified when she falls for her best friend. Roy, the 'Casanova' grows fed up of his lavish lifestyle ; suddenly everything becomes so meaningless and he craves for something greater...

Bu pratik ve özlü kitap size sadece 50 dakikada yeni isinizde nasil basarili olacaginizi ögretecek. Yeni bir isteki ilk birkaç hafta ve ay, güçlü profesyonel iliskiler gelistirmenize, güvenilirliginizi artirmaniza ve gerçekten etkileyebilmeniz için fikirlerinizi duyurmaniza olanak tanidigi için çok önemlidir. Deneme sürenizde basarili olmak ve yeni patronunuzu etkilemek istiyorsaniz, sirket kültürünü anlamaniz ve sizden tam olarak ne beklendigini bilmeniz çok önemlidir. Bu kitapta, mezun oldugunuz bir iste, izinden sonra is gücüne geri dönerken veya bir yönetim pozisyonuna adim atarken nasil iyi bir ilk izlenim birakacaginizi ögreneceksiniz. Ayrica yeni is arkadaslarinizla nasil etkili iletisim kuracaginiza dair faydali ipuçlari ve yabanci bir ortamda yolunuzu bulmaya yönelik tavsiyeler de içeriyor ; böylece yeni rolünüzde parlamak için ihtiyaciniz olan her seye sahip oluyorsunuz !

Marie was born around the end of World War II in a small village near Chaveniac-Lafayette where General Lafayette lived. It is the mountainous region of Auvergne known as the heart of France. Take Marie's hand and she will guide you through her humble childhood. Through her eyes you will see what it was like to live in the country in France. With Marie's many brothers end sisters you will participate in hay making, harvesting... At this time, they used traditional methods and tools. Her parents will demonstrate the making of bread, butter and cheese... It's here that you meet Mathias, a boy her age, who becomes her best friend. Later, their love story unfolds... Just after the war, it was a time when the French countryside was populated with farmers that still lived in economic self-sufficiency. In the story, the author makes these peasants from depths of France come alive. The feeling, the candor, and the authenticity of the book will remind you of the Little House on the Prairie

She was born in Mwumba, in the north of Burundi. Shy and hardworking, Denise Bucumi met a man, Pierre Nkurunziza. But in 1993, war broke out in this central African country formely known as "the Switzerland of Africa", taking with it the dream of a peaceful household. When the family's father left for the bush, Denise found herself face to face with her worst enemy : loneliness. What a lot of fighting and many tears to reunite her again with her family for a more beautiful destiny : the Presidential Palace.

THE WOMAN WHO KNEW TOO MUCH tells the engaging life story of the epidemiologist whose discoveries about radiation risk have revolutionized medical practice and challenged international nuclear safety standards. For more than forty years, Dr. Alice Stewart has warned that tow-dose radiation is far more dangerous than has been acknowledged. Although an outstanding scientist with more than 400 peer-reviewed papers to her name, her controversial work has only recently begun to receive significant attention, because it lies at the center of a political storm. In the 1950s when doctors would routinely x-ray pregnant women, she began research at Oxford that led to the discovery that fetal x-rays doubted a child's risk of developing cancer. When she was in her seventies, she again astounded the scientific world by showing that the U.S. nuclear weapons industry was far more dangerous than commonly believed, a finding that embroiled her in an international controversy over radiation risk. In recent years, she has become one of a handful of independent scientists whose work is a lodestone to the antinuclear movement. In 1990, the New York Times called her "perhaps the Energy Department's most influential and feared scientific critic." The Woman Who Knew Too Much traces Dr. Stewart's life and career from her early childhood in Sheffield and medical education at Cambridge to her research positions at Oxford and the University of Birmingham, where she still maintains an office. The book joins a growing number of biographies of pioneering women scientists such as Barbara McClintock, Rosalind Franklin, and Lise Meitner and will find a wide range of appreciative readers, including those interested in the history of science and technology and of the history of women in science and medicine. Activists and policymakers will also find the story of Alice Stewart compelling reading.

CLAIRE is in charge of a jewelry store. FRANK is a small time hood. A jeweler, who dreams of prince charming, holds up as hostage the man who attempted to break her jewelry. CLAIRE, head of jewelry who has just been let down by a lover she hardly knew, believes that work is her one and only way out. Disappointed, despite the late hour, and after a few drinks, she returns to her jewelry, breaking a store policy, she has disabled security and the guards by pretending that she wants to take advantage of the quiet of the night to update her work. At the same moment, a young ex-con who just got thrown out of a bistro and is passing in front of the jewelry store and decides to break in. Rather than call the police or security, CLAIRE let him in.

"Aimeho a 10 ans. Elle habite a Moorea et vous invite a partager son petit univers. A travers des images lumineuses et des textes courts, elle vous raconte son île et ses traditions, sa famille et sa vie quotidienne dans ce bel environnement des îles du Pacifique sud. Un témoignage d'amour pour son île natale". "Aimeho is 10 years old. She lives in Moorea and she invites you to share her small universe. Through bright images and short texts, she tells about her island and its traditions, her family and her daily life in this beautiful environment of the islands of the South Pacific. A testimony of love for her native island". Ho'e 10 ('ahuru) matahiti to Aimeho. E noho 'Oia 'i Moorea. Teie tona 'a'amu iti, na roto atu i te mau fa'ati'a e te mau hoho'a peni huru rau ; te huru teie o tona orara a i roto i tona utuafare feti'i, te mau peu tumu i tape'ahia mai, te he'euri o tona fenua e ti'a 'i ropu i te mau motu o te moana Patitifa 'apato'a. E tapa'o teie no tona here i tona motu iti.

This book examines the early work of Harriet Martineau (1802-1876), writer, journalist and woman of letters. She became famous in the 1830s with her Illustrations of Political Economy, a series of 25 short novels popularizing the basic principles of Political Economy. Also discussed are her two shorter series of tales from that period, Poor Laws and Paupers Illustrated and Illustrations of Taxation. With these works Martineau took part in an intense debate about the role of economic theory in English society. Drawing on such authorities as Adam Smith Martineau offered her readers the possibility of understanding the impact of the Industrial Revolution and its concomitant changes.

The scarlet haze embody a door opening onto a world of sadness and joy, where everyone can find themselves. In this collection of poems written according to her inspiration and significant events, the author recounts the sorrow of a one-sided love, the angst felt during a deep depression or the happiness caused by the single view of her heart's desire.

Picture a resolute heroine from a seventeenth-century French romance who has been unknowingly teleported to mid-eighteenth-century Britain. Equipped with her worldview fashioned by the beliefs and values of those romances, how would she navigate this unfamiliar world ? Would her journey be a seamless progression from one comically ridiculous error to the next ? How would she assess the morals and customs of her newfound society, and how would its members perceive her ? In The Female Quixote, Charlotte Lennox embarks on this imaginative experiment. Her Cervantean parody fosters a dynamic reading experience, swinging between complicity and detachment. It projects an image of the parodied romances but also of the social world of eighteenth-century Britain. Encouraging readers to contemplate the fluid interplay between fiction and the real, the novel prompts reflection on the disparities between the social norms of both realms. This study takes a multifaceted approach to Lennox's novel, situating the work in its literary-historical context and examining the narrative features aligning it both with realist novels and romances. Additionally, it analyses key themes and provides summaries of characters and chapters. The study also offers a selection of texts that shed light on the debates accompanying the transition from an older codification of prose fiction to a new contender : the realist novel. The overarching objective is to showcase The Female Quixote's significance in shaping the modern novel's early history.

1989, a 23-year-old French woman, an English student with a burdensome family background, leaves for Northern Ireland. She's on her way to start her French assistant job. She discovers this unknown part of Ireland, so underestimated and still plunged into civil war. There, she settles down and blossoms until she decides she actually wants to live there. An unexpected event will bring her back to France in 1991, but the link with this country will carry on until the Brexit announcement in 2016, and well beyond. An intimate journey to the core of Irish History, that reaches the depths of its wars, its men, its women, a journey at the very heart of the past. "A page of history - and of my history - is turning and it throws me off."

Découvrez en VO de nouvelles aventures de Agatha Raisin, avec des traductions en marge pour vous aider à bien comprendre le texte original. When a series of mysterious assaults on the town's finest gardens is followed by a shocking murder, Agatha gets her wish. Seizing the moment, she immediately starts yanking up village secrets by their roots and digging up details about the victim-who, as it turns out, may just have some hidden dirt of her own...

Traditionally, the feminist movement in England is dated at the threshold of the eighteenth century. A close reading of The Book of Margery Kempe has revealed irrefutable evidence of much earlier roots. To her reputation as a minor mystic and the author of the first autobiography in the English language can be added a greater claim. The Book, Margery Kempe's record of her struggle for self-definition, demands inclusion among the serious contributions to feminist literature.

Carla déteste la routine et change de vie tous les six mois. Nouvelle maison, nouveaux amis, nouveaux collègues, rien ne reste mais rien ne part vraiment. Elle n'oublie aucun lieu ni aucune âme. Partout où elle passe, elle raconte des histoires nourries de sa riche expérience. Carla est douée mais paresseuse. Alors elle a mis au point une technique infaillible. Régulièrement, elle fait des promesses à son entourage et comme elle est très fière, elle arrive toujours à les tenir. Carla hates routine and changes her life every six months. A new house, new friends, new colleagues, nothing stays the same but then nothing is really left behind either. She doesn't forget any of the places or people she has known. Wherever she goes, she tells stories based on her rich experience. Carla is gifted but somewhat lazy, so she has developed a technique that never fails. She regularly makes promises to those around her, that, because of her pride in herself, she always somehow manages to keep. Ouvrage de fiction conçu, annoté et commenté avec le concours de collaborateurs d'une entreprise de logistique. This is a work of fiction designed, annotated and commented with the contribution of supply chain professionals.

L'artiste britannique Rebecca Warren est une des figures majeures de l'art contemporain. Sa palette déploie toute une gamme d'influences modernistes et de cultures pop, montrant une attention singulière à la figure, à la chair, à la matière et à la disposition des pièces. Dans ASensitiv, Warren analyse les correspondances révélatrices, voire hallucinatoires entre son oeuvre et l'art et la personnalité de Giacometti. Associant sculptures, peintures et dessins sélectionnés dans la collection de la Fondation Giacometti à ses propres oeuvres (dont certaines sont exposées pour la première fois), cette exposition est l'occasion de mettre son travail en relation avec l'un des maîtres de l'art moderne. British artist Rebecca Warren is one of contemporary art's leading protagonists. Her broad creative palette incorporates an array of modernist and pop culture influences, showing an unusual attention to the figure, flesh, matter and the arrangement of parts. In ASensitiv, Warren analyses the revealing and possibly hallucinatory connections when her work meets the art and personality of Alberto Giacometti. Combining sculptures, paintings and drawings selected from the Giacometti Foundation alongside her own (some shown here for the first time), this exhibition presents an opportunity to consider her work in relation to one of the masters of modern art.

Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. Songs of Love was first published in 1904. No evidence survives of any public performance in Kashperova's lifetime although it is very likely that they were performed at her regular 'musical evenings at home on Tuesdays' mentioned in her Memoirs. The transparency of the piano writing strongly suggests that she would accompany herself singing. Kashperova, by all accounts, possessed a fine voice, and in the summer of 1906 she decided 'to learn from the artistry', as she put it, of the tenor Raimond von Zur-Mühlen who was widely celebrated for having developed (with Clara Schumann) the Lieder-Abend tradition. His summer-schools on the Baltic coast were frequented by aspiring singers from all over Europe, even Japan and India. Kashperova herself was responsible for the poetic lyrics of Songs of Love (in both Russian and German), which may well have emerged from her own bittersweet experience of life and love ; she was not to marry until 1916 at the age of forty-four. That Kashperova is the author of both the music and the lyrics of Songs of Love would suggest that they express very personal sentiments. Instrumentation : soprano (tenor) and piano

Cet ouvrage retrace l'histoire d'une jeune malienne de 17 ans partie étudier à Richmond, en Virginie. Le long de son récit autobiographique, l'autrice décrit les difficultés qu'elle a rencontrées aux USA ainsi que les belles expériences vécues sur place. This autobiographical work retraces the story of a 17 years-old Malian girl who went to study in Richmond, Virginia. Throughout her story, the author describes the difficulties she encountered living in the USA as well as her beautiful experiences.

I started writing "Acacia thorn in my heart" after reading the book of a white South African woman about her childhood in the same region as mine but relating a completely different experience. She had maids, her father drove her to school and she played with real toys. I lived in the heart of the country, away from everything and had to walk five miles to go to school. I was born in Natal. My father rented a plot of land from a white owner to do market gardening. Although Indian families tended not to educate daughters, our parents decided that education was a priority for us. Despite financial difficulties, they were able to send us to school. We had to get up at five o'clock in order to catch the school train. In winter, as we were scantily clad, we shivered all the way to the station.

'In April when the sweet showers fall... then people want to go on pilgrimages.' A group of pilgrims travelling from London to the shrine of Thomas Becket in Canterbury decide that each traveller should tell a story. The Knight tells a tale of high romance. The Pardoner tells a story of death. And the Wife of Bath tells the story of her five husbands and her fight to control the men in her life. But The Tales end with the story of the perfect marriage and how, if we are generous to one another, we can find the perfect society. A selection of stories from Chaucer's masterpiece depicting life in fourteenth century England is presented here in modern English. There is a wide range of activities and special informative sections on Chaucer and his times. The accompanying cassette contains the complete story and the extra listening activities.

A series of intertextual short stories by Joyce Carol Oates, published in 1972, constitutes the subject-matter of the present work. Having entered into ‘literary marriages' with beloved masters, such as Kafka, Joyce, Thoreau, Flaubert, James and Chekhov, Oates has ‘re-imagined' their classic masterpieces. This study aims at finding out whether Oates remains ‘faithful' to the original versions. What elements besides the titles are retained, or added ? Why does a young American woman writer undertake a dialogue with deceased authors and their texts ? Why the short story genre ? What is Oates's relationship to intertextuality, literary tradition, or the very aesthetics of her own art ? Grounded in theories of intertextuality, comparative analyses show that Oates remains ‘faithful' in some of her spiritual unions, while committing ‘infidelities' in others. For a woman writer in the 1970s transgression was a necessity for survival ; these stories thus belong to the revisionary movement. While assimilating and engendering a strongly Eurocentred male literary tradition, Oates manages to unlock energy from the original stories transforming them into expressions of her very own distinct literary voice.

Diana Armfield RA Hon RWS NEAC a un attachement personnel pour ses sujets et une affinité subtile et distincte avec les rythmes de formes et de tons. Ces qualités font d'elle une personne influente et populaire dans l'art moderne britannique. Ses représentations de fleurs lui ont valu de grands éloges mais ce livre (créé pour marquer son 100ème anniversaire), représente pleinement sa sensibilité pour les paysages et les lieux. Sa vie fascinante d'artiste est actualisée dans ce livre qui regroupe un nombre exaltant de ses oeuvres les plus récentes. 'I think I was born making things', Diana comments to Andrew Lambirth, whose absorbing interview with her forms the narrative thread of Diana Armfi eld : A Lyrical Eye. Diana's was a creative childhood steeped in experiments with drawing, pottery and embroidery, played out against the backdrop of a picture-fi lled house, a lovely garden and an artistic family. She studied at Bournemouth, Slade and Central art schools, starting out as a talented textile designer - a legacy that lent her a unique approach to the geometry, cadences and colour qualities of a painting. After organising cultural activities for workers and troops in World War II, Diana became one half of a successful partnership designing textiles and wallpaper, whose work featured in the Festival of Britain in 1951. The 1960s brought a turn to painting and from 1966 Diana has been a regular exhibitor at the prestigious Royal Academy Summer Exhibition. She has continued to paint and draw throughout her life and, as this book clearly demonstrates, always thinks afresh about each subject she tackles in order to respond to it with a close, warm sincerity. Diana Armfield : A Lyrical Eye charts Diana's personal and artistic journey with over 200 beautiful reproductions of her work, tracing favourite subjects and events - from a Welsh landscape to an informal flower display or the much-loved location of a painting trip in Italy or France. Andrew Lambirth's interview also explores the unique bond with her husband, painter Bernard Dunstan, who died in 2017, looking at how two leading artists interwove their personal and creative lives over a marriage of almost 70 years. As well as this interview, Andrew has contributed an essay on Diana's work to the book. Diana's standing and popularity have led to regular exhibitions, especially at prominent London gallery Browse & Darby. Her work is held in private and public collections worldwide, from London's V&A to the Yale Center for British Art.

On Friday, November 24, 1944 in Cologne, Private Robert Bradley, posted as a scout from the Sixteenth Corps, Third US Army, Twelfth American Army Group, submachine gun in hand, his ears pricked and his eyes alert, discovered the dislocated body of what seemed to be a girl, her waist fixed flat by a wide leather belt to an upside down bed, lying across it, her head thrown back and her arms dangling. Motionless, with hollow eyes. On the first day of the year 2005, there was an unpleasant surprise in store for the inhabitants of the peaceful Provençal village of Les Valats. In one of the houses, the first rays of bright, cold sunshine came in through the southern skylight and lit the living room wall where the blurred and grey shadow of a body was swinging. Alternating between the history of Ukraine and the landscapes of Provence as backdrop, the authors invite the reader to delve into an intriguing destiny where local anecdotes are blended with authentic events, right to the tormented depths of their characters. In this narrative ride through space and time, is it possible to determine who the culprits are the victims of ?

If married in church, medieval women vowed before God and their husbands to be ‘bonoure and buxum', that is, meek and obedient in bed and at table. This book is a study of wives in a variety of fourteenth- and fifteenth-century romance, fabliaux, cycle drama, life-writing, lyrics and hagiography. The volume examines key moments that defined life as a married woman : her eligibility to become a wife, the wedding ceremony, her conjugal rights and duties, childbirth and her contribution to the family economy. The book explores the way in which the literary representation of wives is in dialogue with discourses that strove to construct and regulate the role of ‘wife'; canon and secular law, marriage liturgy, medical treatises on the female body, sermons, manuals of spiritual instruction, biblical paradigms, conduct books and misogamous writings. Moreover, the volume examines the possibilities for subversion of these paradigms by listening to literary wives speak both within and against these discourses. Real women's attitudes, and strategies of subversion, are woven into the volume throughout, as recorded in church and manorial court records, in their wills and in their writing.

Le bancJ'aurais un banc avec mon nom. Mais Russell SquareNonobstant son voisinage pour logicien(Herbrand, Montague streets) ne me paraît pas bienProtégé contre les coups de quelque arbitraireLondon Council (le banc de mrs AnstrutherJane, érigé "to her memory, by her friends" N'est plus, où je lisais le Times, avant d'atteindreThe British Library's Reading Room). Donc, que faire ?Comme Franck Venaille acheter à Kew GdnsUn emplacement, s'il en est de disponibles, Sous un grand hêtre où habitent des écureuilsJe voudrais, de mon vivant m'y asseoir, la BibleDu Roi James sur mes genoux, pieds dans les feuillesLire : que tout est vain. Et puis : que tout est vain. Jacques Roubaud.

Bu pratik ve özlü kitapla Myers-Briggs Tip Göstergesini (MBTI) nasil kullanacaginizi sadece 50 dakikada ögrenin. MBTI, baskin kisilik özelliklerinizi belirlemenize ve bulgularinizi daha akilli kariyer seçimleri yapmak için kullanmaniza olanak taniyan güçlü bir araçtir. Her yil milyonlarca insan psikolojik profillerini belirlemek için MBTI'i kullaniyor ve bu, kisisel farkindaliginizi artirmaniza, is arkadaslarinizla iliskilerinizi gelistirmenize ve is yerinde daha etkili iletisim kurmaniza yardimci olabilir. Bu kitapta MBTI'in kisisel gelisim, insan kaynaklari, liderlik ve organizasyon alanlarindaki uygulamalarini ögreneceksiniz. Ayrica, kisilik tipinizi anlamak ve bulgularinizi kendi durumunuza uygulamak için ihtiyaç duydugunuz her seyi size sunan bu kitapta, enstrümanin 16 profiline kisa bir genel bakis, pratik uygulamalara iliskin bir tartisma ve sonuçlarinizi yorumlamaya yönelik tavsiyeler de yer almaktadir.

Xiaoming is a pickpocket. He is really good at stealing. But he only steals from rich people. He never touches those who are poor, and doesn't let other thieves steal from poor people either. Xia Yu is a college freshman. She lost her purse at a railway station. Xiaoming got the purse back for her from the thief. Another time, a thief stole an old woman's wallet on a bus. Xiaoming stole the wallet back from the thief and put into the lady's jacket unobserved. More surprisingly, when Xiaoming is falling in love with Xia Yu, he lands into a big trouble alter stealing a wallet from a very rich man. Will Xiaoming the pickpocket win the love of Xia Yu, a pretty college student ?.

Her Majesty ne sait pas quoi faire pour sa fête du Nouvel An. Heureusement, ses amies du club Glitterati sont là pour l'aider. Et si l'enthousiaste Sk8er Grrrl et la créative Splatters s'en mêlent, la fête ne peut qu'être éblouissante...

Agatha Christie (1890-1976) was an inveterate user of proverbs in her fictional writings, the sales of which number in excess of one billion. An active writer for fifty-four years, Christie used proverbs in a manner that both reflected and shaped contemporary British speech. This lexicographical book examines 3,290 proverbs and proverbial sayings uttered by 785 characters in sixty-six novels, 142 short stories, seventeen dramas, and six romances. The author's premise is that Christie modeled all her fictional works on the well-made play formula and that proverbs are employed not in isolation, but as a function of plot, character, and thought. In addition to an introductory essay, the book contains a list of the distribution of Christie's proverbs according to title, a keyword index with citations of standard authorities, and an appendix containing six statistical tables.