Stranger Things - Darkness on the Edge of Town - version poche

Méfiez-vous des apparences. Derrière mon charme se cachent de funestes envies. Derrière mes yeux, ce ne sont pas les fenêtres de mon âme qui s'ouvriront à vous, mais bien les portes de mon enfer. Pourtant, elle, jeune et fragile, l'a deviné au premier regard... alors pourquoi ne s'enfuit-elle pas ? Pour quelle raison ai-je décidé de l'épargner ? Que me vaudra cette décision ?

1989, a 23-year-old French woman, an English student with a burdensome family background, leaves for Northern Ireland. She's on her way to start her French assistant job. She discovers this unknown part of Ireland, so underestimated and still plunged into civil war. There, she settles down and blossoms until she decides she actually wants to live there. An unexpected event will bring her back to France in 1991, but the link with this country will carry on until the Brexit announcement in 2016, and well beyond. An intimate journey to the core of Irish History, that reaches the depths of its wars, its men, its women, a journey at the very heart of the past. "A page of history - and of my history - is turning and it throws me off."

This is the first modern translation of Moses Mendelssohn's classic work of 1767, the Phädon. It includes Mendelssohn's own introduction and appendix, as well as footnotes and explanatory introduction by David Shavin. (Charles Cullen's translation of 1789 is the only other extant translation.) The "modern Socrates" of the German classical period, Mendelssohn has created a beautiful translation and elaboration of Plato's Phädo led to a revolution in thought, and a subsequent renaissance in Germany. The debt of the German classical period to ancient Greece is embodied in Mendelssohn's Phädon, as is the promise of the American Revolution. The translation and accompanying notes recapture Mendelssohn's unique marriage of depth of thought and breadth of appeal.

Voilà un an que Becca s'est installée sur l'île de Whidbey, après avoir fui son dangereux beau-père. Elle espère toujours des nouvelles de sa mère, partie chercher un endroit où elles pourraient, ensemble, tout recommencer. En attendant, elle mène une vie normale de lycéenne avec Derric, son petit copain, et Jenn, sa meilleure amie. Une vie normale, ou presque. Depuis quelques semaines une série d'incendies criminels fait rage et la jeune fille a des soupçons sur l'identité du coupable. Mais, pour obtenir des preuves suffisant à son arrestation, elle va devoir apprendre à mieux contrôler son pouvoir, qui semble prendre une direction inattendue : elle entendait jusque-là des " murmures ", elle a maintenant des visions... Entre recherches, enquêtes et secrets, le quotidien de Becca n'a jamais été si mouvementé.

Tous les ans, à la même date, les habitants de Whidbey assistent avec émotion à un événement incroyable : l'arrivée sur l'île d'un phoque baptisé Nera, dont la particularité est d'être entièrement noir. Cet animal étrange suscite l'hystérie collective, mais aussi l'intérêt de la communauté scientifique. Anny Taylor, biologiste marine, est venue spécialement du continent pour étudier ce spécimen unique. Sa théorie ? Nera serait le fruit d'une mutation, conséquence d'une marée noire ayant eu lieu 17 ans auparavant. Elle encourage Jenn Daniels, l'ennemie jurée de Becca , à prendre des cours de plongée afin de l'assister dans ses recherches. De son côté, Ivar Thorndyke, président de l'association des observateurs de phoques, demande la même chose à Becca. Contre toute attente, les deux jeunes filles, que tout oppose, vont se rapprocher autour de cet animal mystérieux dont elle ne tardent pas à découvrir qu'il est bien plus qu'un simple phoque...

This book covers various aspects of African traditional cultures that include: communication, marriage ceremonies, funerals, traditional rites, witchcraft, traditional cultural activities, and traditional beliefs. It will undoubtedly appeal to anyone who wants to understand better our African cultures. The reading of some of the stories will certainly raise existential questions about the nature of spirits, truth, and the place of God in the collective mind of the Africans. Some of the questions are the following: how is it possible that a human being has his double in an animal known as his totem ? How corne that, for people who do not believe in reincarnation, it is the chief who determines the future of the soul of the deceased ? In "Mourning habits in the West province of Cameroon," it appears that, if the soul is not taken care of, it will cause physical havoc in the society. Could there be a link between our souls and the physical elements of nature ? Is skull worshiping among the Bamileke merely a traditional practice or are they really able to communicate with their ancestors through the skulls ? What has led the Aghem people to firmly believe that lakes can physically move, that the dead live in their lakes, that children live in their pre-human state as caterpillars and may transform into reptiles when they are still babies ? What makes it possible for the human mind to communicate with animais, exchange messages as is shown in "How animais and things can speak and communicate in the Yambassa culture" ? Apart from the physical world as we know it, could there truly be a spiritual world that witches and wizards have access to and which system of values could this spiritual world be subjected to ? Every single paper of the more than 80 papers and squibs this book comprises is truly an invitation to explore further the untapped richness of African cultures.

After the Last Ship illustrates the author's own history, as well as its connection to the history of other women and children who left India and made the journey across the Kala Pani, the Indian Ocean, and lived as migrants in other countries. In this book the author brings greater understanding of how subjectivities are shaped through embodied experiences of ‘mixed race'. She bears witness to the oppressive policies of the fascist government in Portugal in the 1960's and 1970's and the effects of displacement and exile, by reconstructing her own passage from India to Mozambique and finally to Australia. Further, the author shows the devastation that labels such as ‘half-caste', ‘canecos' and ‘monhe' can cause, when they eat at your flesh, your being, and your body. She sheds light on how identity and culture can serve as vehicles of empowerment, how experiences of belonging can germinate and take root post-diaspora.

Oceania, particularly in Vanuatu, gardens are the evidence of an ancestral rural tradition in which food plants are at one and the same time an indispensable resource, the symbols of a community and the objects of baiter or trade. The ni-Vanuatu devote themselves with true passion to their gardens, within which they collect, select and diversify a rich botanical heritage. Perusing this abundantly illustrated work, the reader will discover the full diversity of Oceanian food plants as well as the many exotic species introduced by the great explorers of the 16th century. Each species is the subject of a detailed dossier that describes amongst other things the variability, morphology, mode of cultivation and production of the plant as well as its different uses. The CD-ROM that accompanies the book provides information in greater detail for the specialist : bibliographic references, details and descriptors of yams and taros, photos illustrating the morphological variability, and much more. With the aim of preserving this exceptional plant heritage to the greatest possible extent, this work will draw the attention of a wide public' to the gardens of Vanuatu, and to this Oceanian agriculture that combines a variety of multicultural contributions with great originality.

YAOUNDE BABA SCARED ? ... ME ? ... NO WAY ! YAOUNDE goes off in search of his little goat, BEEE, who, in spite of the young boy's watchful eye, has gone missing. On the way he meets ZOULÏA, a friendly mouse, and ARWANE, a little ant, who help him to find the little goat. Their search will lead them to an isolated hill where a very strange creature lives - a creature capable of transforming itself into unimaginably frightening shapes and forms to scare away anybody who dares to set foot on its steep hill. In order to find BEEE, YAOUNDE and his two friends will have little choice. They will have to cross its territory and confront this incredible and terrifying creature. 6 to 10 Years.

Y avait pas plus jolie fille au Jackson's que Minnie Waterfield. Les soirs où elle y chantait, y avait tant de monde, tant de types rassemblés au pied de la scène, qu'on aurait pu croire que tous les gars de Tremé et des autres quartiers s'étaient donné le mot. Y avait même des Blancs. Pour être sûrs d'avoir une place, on arrivait très en avance. Bien plus en avance qu'au boulot, ça...

Inge ARTEEL Biographie einer Biographielosen Based on my experiences writing a monographical biography of Friederike Mayröcker I explore some dilemma's and paradoxes of biographical writing, both in the texts of Mayröcker herself and in the writing about her texts. In her prose texts as well as in paratexts Mayröcker cites and parodies conventions of (auto)biographical literature ; referential truth is both suggested and thwarted. When writing a biographical portrait, these ambivalences should be taken into account. En me fondant sur mon expérience d'écrire une biographie monographique de Friederike Mayröcker, j'examinerai quelques dilemmes et paradoxes de l'écriture biographique dans les textes de Mayröcker même et dans les écrits qui traitent de ses textes. Dans ses textes en prose ainsi que dans les paratextes, Mayröcker cite et parodie des conventions de la littérature (auto)biographique ; la vérité référentielle est en même temps suggérée et troublée/contrariée. Lors de l'écriture d'un portrait biographique, ces ambivalences doivent être prises en compte. Klaus KASTBERGER Geheimnisse des Archivs Friederike Mayröcker und ihre Wohnung The Essay deals with photographs of Friederike Mayröcker's apartment in Vienna, where the author is immersed in slips of paper, manuscripts, newspaper cuttings, brochures, folders and books. The spatiality of the room is held to be an important condition for the specific appearance and an appropriate understanding of Mayröcker's literature. The guest, who is invited to the cramped room, can be seen as a deputy of the reader. Both of them have to step onto areas, which show narrow contacts between the body of the author and the hoarded materials. In that way, Friederike Mayröcker is a challenge for literary criticism as well as for modern archival theory. Le présent article traite de photographies de l'appartement viennois de Friederike Mayröcker dans lequel l'auteure est immergée dans des morceaux de papier, des manuscrits, des coupures de journaux, des brochures, des prospectus et des livres. La spatialité de la pièce apparaît comme une condition importante pour appréhender cet aspect spécifique et comme un moyen approprié pour comprendre la littérature mayröckerienne. L'hôte qui est invité dans la pièce exiguë peut être considéré comme un représentant du lecteur. Tous deux doivent avancer dans des espaces qui révèlent d'étroits contacts entre le corps de l'auteure et la masse de matériaux. A cet égard, Friederike Mayröcker constitue un défi pour la critique littéraire aussi bien que pour la théorie moderne d'archivage. Aurélie LE NEE Friederike Mayröcker et le surréalisme selon André Breton Friederike Mayröcker's work has often been defined as "surreal", even if the signification of the adjective remains vague. This paper tries to clarify this concept by referring to Breton's Theorization of Surrealism in the two manifestoes, and to highlight Friederike Mayröcker's relation to this movement. The confrontation of Breton's manifestoes with extracts from Mayröcker's Magische Blätter and Gesammelte Gedichte leads to an analysis of keywords of Surrealism such as madness, dream, psychic automatism, association of ideas, magic, surreality, and reveals not only similarities, but also important differences in Breton's and Friederike Mayröcker's conception and practice of their art. Friederike Mayröckers Werk wird oft als "surreal" bezeichnet, wobei die Bedeutung des Adjektivs vage bleibt. Der vorliegende Artikel versucht, den Begriff zu präzisieren, indem er sich auf Bretons Theoretisierung des Surrealismus in den beiden Manifesten bezieht, und Friederike Mayröckers Verhältnis zu dieser Strömung hervorzuheben. Die Gegenüberstellung der Manifeste Bretons mit Auszügen aus den Magischen Blättern und Gesammelten Gedichten Mayröckers führt zu einer Analyse von Kernbegriffen des Surrealismus wie Wahnsinn, Traum, automatischem Schreiben, Ideenassoziation, Magie, Surrealität, und bringt mehrere Ähnlichkeiten, aber auch wichtige Unterschiede zwischen Bretons und Friederike Mayröckers Kunstauffassung und -praxis ans Licht. Michael HAMMERSCHMID Stilleben. Reflexionen zur Ding-, Schreib- und Sprachwahrnehmung bei Friederike Mayröcker und mit Francis Ponge My essay focuses on the thing (Ding) as an entity (or thing itself) which crosses Friederike Mayröcker's work and is questioned deeply in "Stilleben" (1991) where Friederike Mayröcker refers to art and art history as well as to the status of language, writing, the book and the perception and creation of these entities. As a referring point the research of Francis Ponge in the field of things and their "visualization" in language helped a lot to open a space by comparing the poetics of these two great poets. The formulation of six thesis to Friederike Mayröcker's "Stilleben" tries to outline six views that interact with each other, so that the question of how we see things and their relation to language and what literature can thereby show us could be traced out more clearly. 1) The thing of "Stilleben" is the book, 2) The thing "book" is dissolved, 3) The image of "Stilleben" is the thing, 4) The thing must be created, 5) The "I" is a subject-object, 6) The thing is not the thing, but the poetic. Mon article se concentre sur la chose (Ding), comprise comme une entité (ou chose en soi) qui traverse l'oeuvre de Friederike Mayröcker et est interrogée de manière approfondie dans Stilleben (1991), ouvrage dans lequel Friederike Mayröcker se refère à l'art et à l'histoire de l'art aussi bien qu'au statut du langage, rattachant le livre, la perception et la création à ces entités. Prises comme point de référence, les recherches de Francis Ponge dans le domaine des choses et de leur "visualisation" dans le langage ont contribué à une comparaison entre les poétiques de ces deux grands auteurs. La formulation de six thèses sur Stilleben de Friederike Mayröcker tente d'esquisser six postulats qui interagissent les uns les autres de telle sorte que l'on peut cerner de manière plus précise la question de savoir comment nous percevons les choses et leur relation au langage et ce que la littérature peut nous montrer dans ce cas. 1) La chose de Stilleben est le livre, 2) La chose "livre" est dissoute, 3) L'image de Stilleben est la chose, 4) La chose doit être créée, 5) Le "je" est un sujet-objet, 6) La chose n'est pas la chose, mais la poétique. Françoise LARTILLOT Lire le poststructuralisme en poète. Résistance tropologique de Friederike Mayröcker dans les étu-des (2013) In études, Mayröcker's art establishes itself once again in a remarkable way with the specific use of French verbal and cultural fragments which enhance Mayröcker's tropological style. It reminds certainly of post-structuralist figurality (which is itself a result of the renewed interpretation of Symbolism), but it is combined with a sensitive and sensuous fabric : with this hybridization, Mayröcker fits into this tradition in an original way, and she resists the scourges of the contemporary era. In études behauptet sich Mayröckers Kunst durch den Einsatz von französischen Sprach- und Kulturfragmenten erneut auf beeindruckende Weise. Der darin aufscheinende tropologische Schreibduktus erinnert zwar an die poststrukturalistische Figuralität (als Ergebnis einer erneuten Deutung des Symbolismus), ist bei Mayröcker jedoch sinnlich und sensibel unterwandert : durch diese Anverwandlung reiht sich Mayröcker eigenwillig in diese Tradition ein und leistet Widerstand gegen die Plagen der kontemporären Zeit. Valérie BAUMANN "Tous frères (de) Grimm" , Jacques et Jean. Place du nom dans l'écriture de Friederike Mayröcker This paper proposes a close reading of a passage from Friederike Mayröcker's text entitled vom Umhalsen der Sperlingswand, oder 1 Schumannwahnsinn. This analysis will explain how the proper noun lost its raison d'être in Mayröcker's writing (particularly in this very text of poetic prose). The issue of "the monolingualism of the other" (Derrida) is confronted with a perception of things which discerns meaning as "point of flight of jouissance" (Barthes/Nancy). Diese Lektüre untersucht in der Weise vom close reading einen Auszug aus Friederike Mayröckers vom Umhalsen der Sperlingswand, oder 1 Schumannwahnsinn. Der Kommentar verdeutlicht, wie der Name (Eigenname) im Verfall liegt, was den Schreibgestus des "Schumannwahnsinns" anbelangt. Die nachvollziehbare Herausforderung vom "Monolinguismus des Anderen" (Derrida) bildet allerdings die Spannung zum Wahrhaben des Sinnes als "Fluchtpunktes der sinnlichen Lusterfahrung" (Barthes/Nancy). Andrei CORBEA-HOISIE Paul Celan Student an der Sorbonne The paper represents the first biographical synthesis dedicated to the university studies of the young Paul Celan, registered at Sorbonne immediately after his arrival in Paris in the summer of 1945, that is more than half of year after he had left Romania. The path towards obtaining the degree in "humanities" and his intentions to elaborate a PhD-thesis are placed in the larger context of his efforts to integrate himself in the French society on the one hand and in the context of his efforts to establish himself as a German-speaking poet, on the other. We exploit here a number of unpublished documentary materials from the French archive, as well as a number of interviews, again unpublished, that we took between 1998 and 2000 with a number of persons close at that time to Paul Celan. Cette étude est une première synthèse biographique consacrée aux études universitaires du jeune Paul Celan, qui s'est fait inscrire à la Sorbonne dès son arrivée à Paris pendant l'été 1948, plus de six mois après avoir quitté la Roumanie. Le trajet sur lequel il s'inscrivit pour l'obtention d'une maîtrise ès "Lettres" et son projet de thèse de doctorat sont placés dans le contexte plus large de son désir de s'intégrer à la société française mais aussi de s'affirmer en tant que poète de langue allemande. Cette étude exploite toute une série de documents inédits des archives françaises ainsi que des interviews, elles aussi inédites, que l'auteur a réalisées entre 1998 et 2000 auprès de personnalités qui faisaient partie à cette époque du cercle des proches de Paul Celan. Laurent DEDRYVERE Les guerres du Schleswig-Holstein, lieu de mémoire nationaliste dans l'Allemagne wilhelminienne The present paper deals with German nationalist "lieux de mémoire" (sites of memory) related to the Schleswig-Holstein wars (1848-1851 and 1864) in the German Empire. Eight historical novels, published between 1881 and 1914, were used as primary sources for this article. These books played an important part in the popula-rization of the historical arguments justifying the an-nexation of both duchies by Prussia. Most novels were written either while Köller was Oberpräsident of the Prussian province of Schleswig-Holstein, or a little later, and they can only be understood in the light of the Germanization policy which was carried out in this province. In the case of Northern Schleswig, nationalist intellectuals were confronted with two difficulties. Firstly, even the champions of the German cause in Northern Schleswig spoke a Danish dialect as their mother tongue. Secondly, individual members of one and the same family sometimes declared their support for different national camps. So neither the mother tongue and the national-political opinions, nor the "lineage" and the national-political opinions could be automatically equated. Most authors payed attention to the national peculiarities of Northern Schleswig in their work, whilst at the same time supporting the Germanization policy. The detour via the German history allowed a legitimation of the Köllerian politics. Some radical völkisch novelists apparently promoted a German-Danish reconciliation. But this was not aimed at the "real" Danish speakers. An imagined union of all Germanic peoples was at stake, not the political rights of an ethnic minority. Der vorliegende Artikel untersucht die deutschen nationalistischen Erinnerungsorte der beiden schleswig-holsteinischen Kriege (1848-1851 und 1864) im Deutschen Kaiserreich. Als Quelle dienen acht historische Romane, die zwischen 1881 und 1914 veröffentlicht wurden. Eine wesentliche Funktion dieser Werke bestand darin, historische Argumente für einen Verzicht Dänemarks auf die Herzogtümer und für ihre Abtretung an Preußen in populärer Form anzuführen. Die meisten Romane wurden während Köllers Oberpräsidentschaft in Schleswig-Holstein oder kurz danach verfasst und sind nur vor dem Hintergrund der Germanisierungspolitik in Nordschleswig zu verstehen. Die nationalistischen Intellektuellen waren im Falle Nordschleswigs mit zwei Schwierigkeiten konfrontiert. Erstens hatten selbst die Vorkämpfer der deutschen Sache in Nordschleswig einen dänischen Dialekt als Muttersprache. Zweitens bekannten sich manchmal Mitglieder ein und derselben Familie zu unterschiedlichen nationalen Lagern. Es gab also weder zwischen Muttersprache und national-politischer Gesinnung noch zwischen "Abstammung" und national-politischer Gesinnung eine systematische Korrelation. Die meisten Verfasser beachten in ihren Werken die nationalen Besonderheiten Schleswigs, sprechen sich aber gleichzeitig für die Germanisierungspolitik aus. Der Umweg über die jüngste deutsche Geschichte dient also der Legitimierung der Köllerschen Politik. Manche radikal völkischen Schriftsteller treten für eine deutsch-dänische Versöhnung ein. In keinem Fall sind aber die wirklichen Dänischsprachigen gemeint. Es geht um ein erträumtes Bündnis aller Germanen, nicht um die politischen Rechte einer ethnischen Minderheit.

Ni vraiment une plante, ni vraiment un animal, pas tout à fait conscient mais clairement pas inerte, la créature qu'on appelle l'Homme-Chose est unique et solitaire, mais si vous le rencontrez, vous ne serez plus jamais pareil. Par empathie, l'Homme-Chose apparaît quand il faut combattre le mal, mais son visage inspire la peur. Or, tout ce qui éprouve la peur brûle au contact de l'Homme-Chose ! Dans la ligne des albums MARVEL OMNIBUS consacrés à Dracula ou aux monstres de l'univers Marvel, nous recueillons dans cet album plus de 1000 pages d'épisodes faisant intervenir l'une des créatures les plus étranges de la Maison des Idées, qu'on a pu apercevoir dans le moyen-métrage Werewolf By Night, sur Disney+. Un personnage qui a passionné les plus grands auteurs !

Beginning in the 1990s large numbers of women from Mainland China and Southeast Asia married men in Taiwan. They now number over 400,000, warranting some to call them "Taiwan's Fifth Ethnic Group". This book argues that the rise of these marriages is a gendered and relational phenomenon, linked to the forces of globalization. Traditional ideas of marriage, such as the belief that a woman "marries out" of her natal family to be dependent upon her husband and his family, and the idea that a man should "marry down" to a woman of a lesser social and economic status, have not kept pace with changes in women's educational and career opportunities. How these relationships are formed, how they impact gendered understandings of women and men, how families are constituted and relationships developed, and how they affect the children of these families and their education, are the issues explored in this book. It breaks new ground in our understanding of transnational and cross-border marriages by looking at the long-term effects of such marriages on communities, families, and individuals.

Two long sets of scientific notes were made by Charles Darwin during the voyage of the Beagle. Those transcribed here are concerned with natural history, and although in 1839 he drew on them quite extensively in writing his famous " Journal of Researches ", neither they nor his geology notes have previously been published. He was a superb observer, and recorded vividly and accurately his first impressions of the appearance and behaviour of the wide range of animals, from ants to ostriches, encountered during his travels. Often he performed little experiments on the creatures that he captured, and he was never happy until he had exhaustively explored the why and wherefore of every one of his observations. During the long periods on board ship, he carried out a thorough analysis of hitherto unrecognised features of the internal anatomy of a variety of marine invertebrates, and made elegant pencil drawings of them under his dissecting microscope. The volume also includes his lists of 1 500 specimens preserved in Spirits of Wine, and some 3 500 not in Spirits, with impeccably accurate cross references to the main notes. Although his notes were made strictly for his own use, and were often highly technical, they were well written throughout, and contain many highly readable passages. Only towards the very end of the voyage were his first doubts about the immutability of species consciously pressed, but here are to be found the first seeds of his theory of evolution, and of the important new fields of behavioural and ecological study of which he was one of the principal founders.

Since the 1990s and the 2000s, Western social protection systems have experienced a turn towards activation. This turn consists of the multiplication of measures aimed at bringing those who are unemployed closer to participation in the labour market. These measures often induce a strengthening of the conditions that must be met in order to receive social benefits. It is in this well known context that the authors gathered in this book decided to take a closer look at the relationship between activation policies for the unemployed and the right and the duty to work. If activation measures are likely to increase transitions towards the labour market, we can also make the assumption that they may, particularly when they are marked with the seal of coercion, hinder or dramatically reduce the right to freely chosen work. In such circumstances, the realisation of the "right to work", which is often stated to be the aim of those who promote activation, tends in practice to be reduced to an increasing pressure being exerted on the unemployed. In this case, isn't it actually the duty to work that is particularly reinforced ? After an historical and philosophical perspective on the issue, this assumption is confronted with the developments observed in the United States and in France, and then with the guidelines laid down in international human rights instruments. What follows is a discussion of two alternatives to the dominant activation model : the basic income guarantee and the employment guarantee.

Planète Albion. Cataclysmes et guerres ont rendu sa surface inhabitable depuis plusieurs siècles. Les habitants, contraints de bâtir des villes au-dessus des nuages, ont finalement prospéré. Une jeune femme au desseins mystérieux décide pourtant d'aller à la surface, au péril de sa vie. Ce qu'elle découvrira changera définitivement le sort de la planète...

On dit que ta surface de la planète Albion est inhabitable depuis plusieurs siècles, et qu'il est impossible de franchir les Red Clouds sans perdre la vie. Nadia et ses amis choisissent pourtant de braver l'inconnu... Feront-ils voler des croyances en éclats, ou confirmeront-ils des vérités ?

Daniel Katz, No Future : Poetry of the Current British Crisis David Grundy, "The Arc of Struggle" : Poetry and Defeat in the Work of Sean Bonney Malachi McIntosh, Images of Transcendence : "Crisis Always" and the New Black British Poets Andrea Brady, The Anti-Austerity Poetics of the Archive : Jay Bernard's Surge and Holly Pester's go to reception and ask for Sara in red felt-tip Stephen Collis, "Things to address directly" : Border Politics and Contemporary British Poetry Michael Gardiner, Independence and Extinction in Scottish Wilderness Writing Shalini Sengupta, "Is the poet / An imperial dissident" : Migration and the Limits of Care in Bhanu Kapil's How to Wash a Heart Comptes rendus Notes on Contributors Guidelines for Authors

Le meilleur de la série STRANGER THINGS est réuni dans ce guide idéal pour accompagner ses errances, que ce soit à l'école, dans sa vie sociale, ou dans une dimension parallèle...

Although much attention has been given to the various social and psychological experiences of two essential parts of the adoption triad – adopted persons and birth parents – adoptive parents are largely overlooked in the literature. More particularly, sparse information has been collected on the issue of adoptive parents' spiritual narratives. Cultural and religious traditions significantly affect how adoptive parents interpret and make spiritual and theological meaning of their unique experiences. Ryan Noel Fraser's cutting-edge research uncovers the distinctive re-authoring process of Christian adoptive parents' faith narratives resulting from the experience of receiving a child through adoption. The Spiritual Narratives of Adoptive Parents is ideal for courses in family studies, marriage and the family, adoption studies, pastoral theology, pastoral counseling, Christian counseling, theological anthropology, and practical theology.

Political Communication in The United Kingdom, the United States and the Federal Republic of Germany differs in terms of what the peoples expect to take issue with, how they are prepared to talk about them, which choices they can make to solve problems and, finally, whom or which organizations they delegate to resolve them. This comparative media study of The Economist, Time and Der Spiegel attempts to extract the differences in politics of the three societies.

Désireuse d'échapper à l'emprise de son beau-père, Becca s'enfuit sur l'île de Whidbey afin de s'y cacher. Recherchant désespérément sa mère, elle doit redoubler d'efforts pour ne pas être démasquée. Becca pourra-t-elle se cacher encore longtemps ? Il est peut-être temps de réapparaître et de retrouver ses amis. D'autant que ces derniers ont plus que jamais besoin d'elle.

Découvrez en VO de nouvelles aventures de Agatha Raisin, avec des traductions en marge pour vous aider à bien comprendre le texte original. When a series of mysterious assaults on the town's finest gardens is followed by a shocking murder, Agatha gets her wish. Seizing the moment, she immediately starts yanking up village secrets by their roots and digging up details about the victim-who, as it turns out, may just have some hidden dirt of her own...

Diana Armfield RA Hon RWS NEAC a un attachement personnel pour ses sujets et une affinité subtile et distincte avec les rythmes de formes et de tons. Ces qualités font d'elle une personne influente et populaire dans l'art moderne britannique. Ses représentations de fleurs lui ont valu de grands éloges mais ce livre (créé pour marquer son 100ème anniversaire), représente pleinement sa sensibilité pour les paysages et les lieux. Sa vie fascinante d'artiste est actualisée dans ce livre qui regroupe un nombre exaltant de ses oeuvres les plus récentes. 'I think I was born making things', Diana comments to Andrew Lambirth, whose absorbing interview with her forms the narrative thread of Diana Armfi eld : A Lyrical Eye. Diana's was a creative childhood steeped in experiments with drawing, pottery and embroidery, played out against the backdrop of a picture-fi lled house, a lovely garden and an artistic family. She studied at Bournemouth, Slade and Central art schools, starting out as a talented textile designer - a legacy that lent her a unique approach to the geometry, cadences and colour qualities of a painting. After organising cultural activities for workers and troops in World War II, Diana became one half of a successful partnership designing textiles and wallpaper, whose work featured in the Festival of Britain in 1951. The 1960s brought a turn to painting and from 1966 Diana has been a regular exhibitor at the prestigious Royal Academy Summer Exhibition. She has continued to paint and draw throughout her life and, as this book clearly demonstrates, always thinks afresh about each subject she tackles in order to respond to it with a close, warm sincerity. Diana Armfield : A Lyrical Eye charts Diana's personal and artistic journey with over 200 beautiful reproductions of her work, tracing favourite subjects and events - from a Welsh landscape to an informal flower display or the much-loved location of a painting trip in Italy or France. Andrew Lambirth's interview also explores the unique bond with her husband, painter Bernard Dunstan, who died in 2017, looking at how two leading artists interwove their personal and creative lives over a marriage of almost 70 years. As well as this interview, Andrew has contributed an essay on Diana's work to the book. Diana's standing and popularity have led to regular exhibitions, especially at prominent London gallery Browse & Darby. Her work is held in private and public collections worldwide, from London's V&A to the Yale Center for British Art.

Débarrassé de la tutelle de Sonatine après les événements survenus au Museum d'histoire naturelle de New York, Jackie Estacado, tueur à gages et hôte du Darkness, prend conscience que ses nouveaux talents relèvent autant du don que de la malédiction. Après s'être découvert une multitude d'ennemis autres que l'Angélus, Jackie fait le choix de se rapprocher de sa famille de sang : la mafia. Faites comme Jackie Estacado : laissez-vous submergez par le côté obscur et (re)découvrez ce qui a fait de la création de Carth Ennis et Marc Silvestri une référence en matière de violence et d'humour noir.

En route vers Miami pour bénéficier du programme de protection des témoins, Jackie Estacado affronte la puissance de sa soeur. Il fait également la connaissance d'une belle jeune femme, Kamala, dont le fils peut ressentir son côté obscur Alors que ce dernier est enlevé par son drogué de père, Estacado met tout en oeuvre pour le libérer... Est-ce un premier pas vers la rédemption ou sa définitive damnation ?

Jackie Estacado - orphelin et protégé de Don Franchetti - est le tueur le plus redoutable de la mafia new-yorkaise. Cruel, expéditif et Don Juan irrécupérable, Jackie est un cauchemar pour ses rivaux. Le jour de ses 21 ans, il est choisi pour devenir l'hôte, malgré lui, du Darkness, une entité millénaire qui tire ses pouvoirs de l'obscurité. Il devient alors l'assassin parfait...

A series of intertextual short stories by Joyce Carol Oates, published in 1972, constitutes the subject-matter of the present work. Having entered into ‘literary marriages' with beloved masters, such as Kafka, Joyce, Thoreau, Flaubert, James and Chekhov, Oates has ‘re-imagined' their classic masterpieces. This study aims at finding out whether Oates remains ‘faithful' to the original versions. What elements besides the titles are retained, or added ? Why does a young American woman writer undertake a dialogue with deceased authors and their texts ? Why the short story genre ? What is Oates's relationship to intertextuality, literary tradition, or the very aesthetics of her own art ? Grounded in theories of intertextuality, comparative analyses show that Oates remains ‘faithful' in some of her spiritual unions, while committing ‘infidelities' in others. For a woman writer in the 1970s transgression was a necessity for survival ; these stories thus belong to the revisionary movement. While assimilating and engendering a strongly Eurocentred male literary tradition, Oates manages to unlock energy from the original stories transforming them into expressions of her very own distinct literary voice.

The Sagho djebel is the eastern extension of the Anti-Atlas, a volcanic mountain with granitic mamelons, basaltic organs, chaos of black shales, pink sandstones... at the gates of the Sahara. As far as the eye can see, large wild, arid spaces. A desolate land made for the lonely DPM. And for a thousand miles around, silence is the only companion. Absolute plenitude and the desire to take to the track. From flat expanses to rolling hills, from sharp relief to steep canyons : pure, original nature. The character is strong, rustic but the heart is soft. The colours are soft and gentle. Ochre, pink, brown, violet, the colour chart stretches in a gradation of shimmering pastels, sometimes accompanied by an overwhelming heat. Eldorado in the heart of the desert, rare are the oases ; modest green spots in the infinitely large, they are the reminders that we are on African soil. The wild charm of the Sagho is due to its exceptional geology : high cliffs and steep peaks, tabular escarpments and deep canyons in the middle of which caravans of camels and mules circulate. When you arrive on these immense plateaus, the lunar horizon is so vast that you want to go everywhere at once to see if it is really as beautiful elsewhere ! The Sagho also surprises by the richness of its lights : limpid like those of the nearby Sahara, or sometimes in half-tone, as in the neighbouring Dades valley. The Sagho is also the Morocco of the last Berber nomads, descendants of the ancient lords Aït Atta. In autumn, after leaving the snows of the High Atlas, they set up their dark wool tents on the slopes of the jebel until spring. They can neither read nor write, but they are sure of their way through the Atlas Mountains and the Moroccan desert. In the Sagho, they have built houses of unbaked stone, dug wells, planted almond trees, grown wheat, barley and various vegetables. Others built herds of goats and sheep, and caravans of camels. Most of them are now sedentary, semi-nomadic or nomadic...

Most of the papers on social dilemmas were presented at a conference on social dilemmas that was held at the University of Groningen in the spring of 1984. Social dilemmas are interpersonal situations that are characterized by a conflict between private and collective interest, i.e. in attempting to further their private interests, participants may end up worser off than if they had abandonned self-interest and worked for the good of the community. The chapters in this book describe efforts made by social psychologists, sociologists, and political scientists to advance our understanding of the psychological processes that influence people's behavior in social dilemmas. It is assumed that understanding of these processes can help our search for solutions.