Sota : state of the art. Une anthologie d'Art Numérique
Extraits
Littérature française
Sons of Fantasy
When we were children, we believed anything was possible... This book is a fantasy novel originally written for children. But, if you are a father or a mother, a teacher or a writer, if you still have some bits of fantasy in your soul... then, this novel is for you too. We all know how geniuses changed the world with their childlike Imagination, and how people use creative thinking to solve problems. This is a story about hope ; "Sons of Fantasy" shares the story of M. Alger, a father grieving for the loss of his dear wife, who left him with two beautiful kids. Norris and Socrates were adjusting to life without Mom... But things got more complicated when one of them was paralyzed because of a severe psychological trauma due to an overdose of fantasy... This family has a very interesting neighbor who lives a few feet away. He has a weird little hobby, reading books in the most unlikely places... He for example travelled to Romania and read "Dracula" by Bram Stoker in the Castelul Bran Castle, because it's said that the main character Dracula lived in it. And then all of a sudden he stopped travelling... He got a month ago a big long hat that belongs to the greatest witch that lived during the middle ages, "Moje Gayla". In fact, after being burned by the church, one of her relatives kept her belongings inside a wooden box... and in the twentieth century one of her grandchildren donated the box to "The Magic Square Museum" in London. Genius bought the hat at a public auction as an art relic to decorate one of his rooms. Could this weird neighbor be the reason of Socrates' psychological trauma ? Or maybe he is the one who will cure him ? And what has the hat to do with all this ?
08/2018
Romance sexy
At the end of the tunnel
Une rencontre va bouleverser tout le quotidien de Lawrence. Romancier à succès, Lawrence s'interroge sur ses choix, son identité, sa vie, après avoir fait la connaissance de Carolanne à un moment crucial de leurs vies. Qui est-il vraiment, que désire-t-il ? Entre doutes et douleur de vivre une vie qu'il n'a pas choisie, un changement s'opère et l'espoir renaît. Commence alors le chemin pour retrouver le bonheur. Une romance atypique
08/2021
Monographies
Defaced! Money, Conflict, Protest
This fully illustrated catalogue is the first of its kind to examine the relationship between money, power, resistance and dissent. It accompanies major exhibitions at The Fitzwilliam Museum in Cambridge and the Art Gallery of Ontario in Toronto. War, revolution and protest are defining themes in all periods of world history, shaping national identities and influencing material and visual culture in myriad ways. The ubiquity of money makes it a powerful vehicle for diseminating the messages of the state to the public, but the symbolic and nationalistic iconography of currency could also be subverted or mutilated in powerful acts of defiance, rebellion and propaganda. Beginning in Britain in the wake of the American and French Revolutions, the exhibition explores the political and social tensions present in society, and communicated through the production or defacement of money, over the past 200 years. It contrasts the use of money by the radicals of the nineteenth and early twentieth century, such as Thomas Spence, and the Suffragette movement, with the money produced by European empires as they scrambled to dominate the rest of the world. The currency histories of the two World Wars reveal the subversion of the very nature of what money is, and highlight the role of money as the tool of occupation, imprisonment, resistance and remembrance. The coins countermarked during the Troubles in Northern Ireland hint at the polarised nature of political discourse and sectarian violence. The exhibition culminates with the work of contemporary artists and activists who use money to highlight the challenges of the modern world, both locally and globally - as a canvas, as a raw material, or as a powerful means of communication. From a unique coin commemorating the Peterloo Massacre of 1819 to a Syrian banknote refashioned to raise awareness of the refugee crisis, this publication showcases many newly acquired objects from the Fitzwilliam Museum collection, alongside materials from the Archive of Modern Conflict. These objects are enhanced by a number of important loans from museums and private collections, including the cannon used at the Battle of Mafeking, an exploded transit van and contemporary art works that take money, its authority and destruction as their theme. Each object constitutes a witness statement to its time and its conflict, and each section has its own story to tell. The chapters - by archaeologists, historians, curators, and artists - create a rich context for the more than 130 objects in the catalogue, most of which have never been studied in depth or published before.
12/2022
Non classé
Lessons in Beauty
Lessons in Beauty explores the connections between art and education, and, more specifically, the links among the art of painting, the training of artists and the education of adults. From a historical point of view, five kinds of relationships are examined in this volume. In each case, one can speak of 'lessons in beauty', be it the transmission of moral messages through visual means, the professional training of painters, the aesthetic edification of the working class, the educational activities of museums or the attempts to indoctrinate adults in matters of art. Growing attention to these and similar topics can be explained by an increasing interest in the aesthetic element within contemporary postmodern society. In each essay, therefore, an association is made with present-day developments and ideas.
07/1997
Développement durable-Ecologie
Native Land, Stop Eject. Edition en anglais
Created by the Fondation Cartier pour l'art contemporain, the exhibition Native Land, Stop Eject proposes a dialogue between filmmaker Raymond Depardon and philosopher Paul Virilio on the notions of being rooted and uprooted today, an epoch in which human migration flows are taking place on an unprecedented scale. In his film Hear Them Speak, created with Claudine Nougaret, Raymond Depardon gives a voice to those who wish to remain on their land but are threatened with exile. Diller Scofidio + Renfro, Mark Hansen, Laura Kurgan, and Ben Rubin give form to Paul Virilio's concepts in six dynamic maps which examine new trends in contemporary human movement due to environmental, political, and economic factors. The texts included here, published for the first time in the catalog Native Land, Stop Eject (Prix Nomad's 2009), offer a chance to explore the themes raised in the exhibition. Accompanied by exhibition views, they incite contemplation on the meaning of sedentariness and nomadism, as well as related questions of identity.
05/2010
Religion
Corporatism and the Stability of Capitalist Democracies
This dissertation treats a problem which originally stems from Marxist political economic thinking : why do representatives of the working-class compromise with representatives of the capitalist class on major socio-economic topics on a national level, and what do such compromises look like ? The author establishes the claim that macro-economic compromises between organized classes are both likely to result and unstable in their nature. It is shown how the state may act as an actor supporting the establishment of an institutionalized class compromise and how it may try to prevent the breakdown of it. After elaborating these claims in a dynamic macro-economic model, the author describes developments of class compromises in post World War II Sweden, Austria and the Netherlands to illustrate the theory.
02/1991
Histoire de France
The Borders of Schengen
Currently, we are witnessing a "border game" with participants on a global scale. The massive movement of illegal immigrants and refugees who have arrived in Europe over the last few months has led political leaders, activists' movements and anonymous citizens to rethink practices and discourses. The media have multiplied news stories about mobilization initiatives that go well beyond the sphere of the state and even operate on the fringes of the law. Nationalism and identity issues have found their way onto the EU and its member-states' agenda while the international community argues about the urgency to collaborate to address one of the greatest problems seen in Europe since the Second World War. Schengen borders have been suffering reconfigurations on an almost daily basis and Schengen has even been temporarily suspended in some countries, with the ghost of the end of the Union hovering over Europe. The series of multidisciplinary texts collected in this book offer the reader a variety of perspectives on the understanding of the Schengen area. Broadly speaking, this volume includes reflections on subjects that embrace the debates on the concept and practices of the free movement of persons within Europe, the security dimension of the European Union, illegal immigration and migration management, human rights and the role of various players and interests. This is the book to read if you wish to understand the latest developments in the Schengen area on its 30th anniversary.
09/1993
Grands textes illustrés
1001 Nights. Edition français-anglais-allemand
In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration : bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries. However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections. This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors-the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication.
06/2023
Mathématiques
La simulation numérique. Un art de la prédiction
La modélisation numérique s'impose comme une technique d'importance majeure. Elle participe fortement à l'innovation du secteur industriel en répondant aux objectifs de maîtrise des risques techniques et de performance économique. Si les cursus d'ingénieurs intègrent aujourd'hui des formations qui lui sont dédiées, la simulation numérique reste cependant peu connue de certains secteurs économiques, et moins encore du grand public. Elle change pourtant la pratique de nombreuses disciplines scientifiques et dialogue avec l'informatique, la science des données et l'intelligence artificielle. Agrémenté d'une riche iconographie, d'exemples concrets et d'entretiens, cet ouvrage didactique examine les principes et les enjeux de la simulation numérique, cet "art de la prédiction" mal connu.
01/2019
Beaux arts
Autodidacts. From Van Gogh to Pirosmani, 1e édition
The symposium will focus on two examples of autodidacts from the nineteenth century, Vincent van Gogh (1853-1890) and Niko Pirosmani (1862-1918), as well as on the issues surrounding this notion today. The model of the autodidact appears as a figure that sheds light on our value systems and our patterns of recognition and learning in a world where different conceptions of culture coexist. Over two days, art historians, critics, writers, artists and teachers will gather to discuss autodidacticism through multiple perspectives. The term "autodidact" is generally used to describe someone who has acquired knowledge or skills through their own reading, observations and practice - an approach that is radically different from academic study in the arts, for example, that is validated by institutions. Yet what can we possibly learn if we sacrifice brilliant cultural values on the altar of all- round relativism, where everything is equally valid ? Faced with this relativism, what does one make of the canonical in a globalised and fragmented world ? What to make of an unlearning that cripples the authority of the keepers of knowledge ? These different "cultures of knowledge" presuppose diverse geopolitical realities that are worth interrogating.
01/2021
Non classé
Stages of Exile
This book brings together twelve specially commissioned essays that showcase current research on Spanish Republican exile theatre and performance, including work by some of the foremost scholars in the field. Covering a range of periods, geographical locations and theatrical phenomena, the essays are united by the common question of what it means to ‘stage exile', exploring the relationship between space, identity and performance in order to excavate the place of theatre in Spanish Republican exile production. Each chapter takes a particular case study as a starting point in order to assess the place of a particular text, practitioner or performance within Hispanic theatre tradition and then goes on to examine the case study's relationship with the specific sociocultural context in which it was located and/or produced. The authors investigate wider issues concerning the recovery and performability of these documentary traces, addressing their position within the contemporary debate over historical and cultural memory, their relationship to the contemporary stage, the insights they offer into the experience and performance of exile, and their contribution to contemporary configurations of identity and community in the Hispanic world. Through this commitment to interdisciplinary debate, the volume offers a new and invigorating reimagination of twentieth-century Hispanic theatre from the margins.
09/2011
Non classé
Read Ancient African scripts from any current African language. Volume 2
The son of Douaouf, the brilliant, scribe of the early XIIth Dynasty Xty " Khety " said this : "The man continues to subsist after reaching the haven of death and his actions are beside him in a heap. " If regression is the main cause of the alarming situation of Africa and its tails the perceptibles consequences at all levels, the solution to this problem is eminently political. It inevitably involves the constitution of a pan-African State. For men, there is no unity without memory of the past. In fact, the construction of a federal state inevitably involves the restoration of African historical consciousness. There is no national and federal identity without a common language. The unification of Africa will only be possible if it takes the measure of its linguistic unification issue. To a lesser extent but like Cheikh Anta Diop in his book titled the Cultural Unity, I was animated throughout this heuristic by the idea that only the true knowledge of the past can maintain the consciousness and the feeling of a historical continuity essential to the consolidation of a nation for the purpose of building a multinational state in line with its past. Like Cheikh Anta Diop, I build my sureness on the legitimate idea that a people who lost a significant part of their historical memory must engage in the investigation of their past in every possible way. This investigation can take the contours of a reconnection with its past through so-called old languages. But a people can not live only with by merely repeating of what others tell them about themselves. The investigation through its linguistic past allows especially a direct knowledge of oneself. In addition to the fact that this knowledge simply highlights its weaknesses, it allows also to become aware by an introspective and therefore reflective of its real abilities and strengths. It structures being and the consciousness of being to resist any form of servile and degrading ideology. This quest for the past, not founded on blind passion but objectivity, nourishes a healthy ambition for a real universalism. To know one's past is already to project one's future. To know one's past is to give oneself the capacity to be able to bring to others in a perspective of giving and receiving. To know one's past is to refuse intellectual guardianship and wait-and-seeism. To know one's past is to be reborn.
05/2020
Non classé
Read Ancient African scripts from any current African language. Volume 1
The son of Douaouf, the brilliant, scribe of the early XIIth Dynasty Xty " Khety " said this : "The man continues to subsist after reaching the haven of death and his actions are beside him in a heap. " If regression is the main cause of the alarming situation of Africa and its tails the perceptibles consequences at all levels, the solution to this problem is eminently political. It inevitably involves the constitution of a pan-African State. For men, there is no unity without memory of the past. In fact, the construction of a federal state inevitably involves the restoration of African historical consciousness. There is no national and federal identity without a common language. The unification of Africa will only be possible if it takes the measure of its linguistic unification issue. To a lesser extent but like Cheikh Anta Diop in his book titled the Cultural Unity, I was animated throughout this heuristic by the idea that only the true knowledge of the past can maintain the consciousness and the feeling of a historical continuity essential to the consolidation of a nation for the purpose of building a multinational state in line with its past. Like Cheikh Anta Diop, I build my sureness on the legitimate idea that a people who lost a significant part of their historical memory must engage in the investigation of their past in every possible way. This investigation can take the contours of a reconnection with its past through so-called old languages. But a people can not live only with by merely repeating of what others tell them about themselves. The investigation through its linguistic past allows especially a direct knowledge of oneself. In addition to the fact that this knowledge simply highlights its weaknesses, it allows also to become aware by an introspective and therefore reflective of its real abilities and strengths. It structures being and the consciousness of being to resist any form of servile and degrading ideology. This quest for the past, not founded on blind passion but objectivity, nourishes a healthy ambition for a real universalism. To know one's past is already to project one's future. To know one's past is to give oneself the capacity to be able to bring to others in a perspective of giving and receiving. To know one's past is to refuse intellectual guardianship and wait-and-seeism. To know one's past is to be reborn.
05/2020
Non classé
Henry VIII in History, Historiography and Literature
If this anthology on the literary appreciation of the life and times of Henry VIII can show how history, historiography and the history of literature are woven together as threads in a tapestry, if this book can show how varied the sources are from which historical images are fed, especially those of significant historical figures, then it will have surely fulfilled its purpose.
01/1993
Non classé
Confrontation with Exile: Studies in the German Novel
These studies are linked together by a central theme, namely the state of exile created by the Nazi rise to power. Each novel is examined against the socio-political background of the exile scene. Traditional artistic concepts and ideologies, carried over into the new environment, reveal problems of form and content which are treated in detail through individual analysis.
12/1976
Non classé
Southern Sudan
Southern Sudan is little known to the world - especially in terms of its economic development. This book fills that gap of knowledge to some extent. Due to the persistence of war conditions (since 1955), economic analysis has been done together with the resultant dictates of war and destruction in the area. The sources of data and methodology have of necessity transcended conventional economics embracing political, social, etc. aspects. This multidisciplinarity in approach has enabled the author to provide the foundations for future development of Southern Sudan. The book thus offers a state of the art analysis of the war consequences on society, subsistence and their accompanying economic structures.
04/1994
Monographies
Street Art. Casablanca's new urban energy
For some years, street artworks have appeared across the walls of Casablanca. From the city's downtown to its outskirts, young people are expressing themselves and reinventing the face of their hometown. This book aims to recognise the work of these artists as well as the urban heritage of the city of Casablanca. This work retraces the development of street art in the city, its history, its artists, and its events. Separated into 16 sections illustrated by photos of wall murals, and accompanied by brief, dynamic texts. The latest work in the Vivacité collection, STREET ART, Casablanca's New Urban Energy follows in the footsteps of STREET FOOD IN MOROCCO, Authentic Flavour, Cafés du Maroc, Miroirs des cultures urbaines, and the upcoming HOMEFOOD, The Art of Moroccan Hospitality in Morocco.
12/2078
Monographies
Vaux-le-Vicomte. A Private Invitation
A masterpiece of French seventeenthcentury art and architecture, the Château de Vaux-le-Vicomte is the largest privately owned historic monument in France. The man who commissioned it, Nicolas Fouquet, who was Louis XIV ? s Superintendent of Finances, surrounded himself with the most brilliant artists of his time-the architect Louis Le Vau, garden designer André Le Nôtre, and artist Charles Le Brun-to create a perfect fusion of architecture and landscape that would soon be celebrated as a model of the artistic genius of the Grand Siècle. Protected and restored by a succession of owners over the centuries, Vaux is now owned by the de Vogüé family, who are passionate in their pursuit of ambitious strategies for the conservation of this outstanding legacy. Illustrated with breathtaking photography by Bruno Ehrs, this volume is a private invitation to experience the wonders of a unique French estate. Christian Lacroix, whose definition of elegance and haute-couture design have been inspired by eighteenth-century culture and court dress, shares his passion for Vaux-le-Vicomte in the foreword.
09/2021
Art mural, graffitis, tags
Street Art. Arts urbains en Bretagne
De Rennes à Brest en passant par Nantes, Saint-Nazaire, Redon, Vannes ou Saint-Brieuc, certaines signatures sont devenues des valeurs sûres dans le domaine des arts urbains. Si la plupart des artistes ont commencé dans la rue, dans l'urgence de la création et l'illégalité, ils confirment aujourd'hui une maturité artistique. Brez, Bims, Dino Voodoo, War, Pakone, Jone, Ador, Semor, Korsé, Persu, Wide, Jef, Greky, pour ne citer qu'eux, sont animés par une vraie passion pour la création artistique. Ce livre est une simple photographie de l'instant. Non exhaustif et non exclusif, il a pour ambition de vous donner envie d'ouvrir les yeux dans ces musées à ciel ouvert que sont les villes bretonnes et de poser un regard neuf et étonné sur tout ce qui vous entoure.
05/2022
Non classé
Efficiency of Income Redistribution through Agricultural Policy
Since government can use manifold policy instruments at various levels, which influence various social groups, the evaluation of the efficiency of income redistribution is not straight forward. The study in hand contributes to the literature by first applying a multimarket framework to recent theoretical developments in transfer efficiency analysis. A three-stage vertically-structured model including the bread grains market as well as agricultural input industries and the food processing industry is developed and econometrically estimated. This model and standard welfare measures are used to judge the Austrian agricultural policy. It is revealed that in addition to farmers, downstream and upstream industries benefit considerably from agricultural policy. Using nonlinear optimization procedures, it is shown that the applied policy is not Pareto efficient. Applying an optimal policy instead of the current one could Pareto improve the social state by 1.7 billion Austrian Shilling.
10/1997
Non classé
Experimental Social Dilemmas
Most of the papers on social dilemmas were presented at a conference on social dilemmas that was held at the University of Groningen in the spring of 1984. Social dilemmas are interpersonal situations that are characterized by a conflict between private and collective interest, i.e. in attempting to further their private interests, participants may end up worser off than if they had abandonned self-interest and worked for the good of the community. The chapters in this book describe efforts made by social psychologists, sociologists, and political scientists to advance our understanding of the psychological processes that influence people's behavior in social dilemmas. It is assumed that understanding of these processes can help our search for solutions.
12/1986
Histoire et Philosophiesophie
Thinking about Physics
Physical scientists are problem solvers. They are comfortable "doing" science: they find problems, solve them, and explain their solutions. Roger Newton believes that his fellow physicists might be too comfortable with their roles as solvers of problems. He argues that physicists should spend more time thinking about physics. If they did, he believes, they would become even more skilled at solving problems and "doing" science. As Newton points out in this thought-provoking book, problem solving is always influenced by the theoretical assumptions of the problem solver. Too often, though, he believes, physicists haven't subjected their assumptions to thorough scrutiny. Newton's goal is to provide a framework within which the fundamental theories of modem physics can be explored, interpreted, and understood.
"Surely physics is more than a collection of experimental results, assembled to satisfy the curiosity of appreciative experts," Newton writes. Physics, according to Newton, has moved beyond the describing and naming of curious phenomena, which is the goal of some other branches of science. Physicists have spent a great part of the twentieth century searching for explanations of experimental findings. Newton agrees that experimental facts are vital to the study of physics, but only because they lead to the development of a theory that can explain them. Facts, he argues, should undergird theory.
Newton's explanatory sweep is both broad and deep. He covers such topics as quantum mechanics, classical mechanics, field theory, thermodynamics, the role of mathematics in physics, and the concepts of probability and causality. For Newton the fundamental entity in quantum theory is the field, from which physicists can explain the particle-like and wave-like properties that are observed in experiments. He grounds his explanations in the quantum field.
Although this is not designed as a standalone textbook, it is essential reading for advanced undergraduate students, graduate students, professors, and researchers. This is a clear, concise, up-to-date book about the concepts and theories that underlie the study of contemporary physics. Readers will find that they will become better-informed physicists and, therefore, better thinkers and problem solvers, too.
01/2000
Ethnologie
Glimpses of african cultures. Echos des cultures africaines, Edition bilingue français-anglais
This book covers various aspects of African traditional cultures that include: communication, marriage ceremonies, funerals, traditional rites, witchcraft, traditional cultural activities, and traditional beliefs. It will undoubtedly appeal to anyone who wants to understand better our African cultures. The reading of some of the stories will certainly raise existential questions about the nature of spirits, truth, and the place of God in the collective mind of the Africans. Some of the questions are the following: how is it possible that a human being has his double in an animal known as his totem ? How corne that, for people who do not believe in reincarnation, it is the chief who determines the future of the soul of the deceased ? In "Mourning habits in the West province of Cameroon," it appears that, if the soul is not taken care of, it will cause physical havoc in the society. Could there be a link between our souls and the physical elements of nature ? Is skull worshiping among the Bamileke merely a traditional practice or are they really able to communicate with their ancestors through the skulls ? What has led the Aghem people to firmly believe that lakes can physically move, that the dead live in their lakes, that children live in their pre-human state as caterpillars and may transform into reptiles when they are still babies ? What makes it possible for the human mind to communicate with animais, exchange messages as is shown in "How animais and things can speak and communicate in the Yambassa culture" ? Apart from the physical world as we know it, could there truly be a spiritual world that witches and wizards have access to and which system of values could this spiritual world be subjected to ? Every single paper of the more than 80 papers and squibs this book comprises is truly an invitation to explore further the untapped richness of African cultures.
04/2011
Décoration
Total Geek-Art. Une anthologie artistique de la pop culture
Enfants des années 1980 ou millenials connectés, ils ont tous grandi avec la pop culture. Qu'il s'agisse de Star Wars ou Stranger Things, de X-Files ou X-Men, les personnages de ces univers, venus de la bande dessinée, du cinéma, de la télé ou du jeu vidéo, les ont accompagnés pour finalement faire partie à jamais de leur imaginaire. Devenus artistes, c'est tout naturellement qu'ils les ont intégrés dans leur oeuvre, donnant naissance à un nouveau courant artistique pan entière le GEEK-ART. Cette compilation de 416 pages recueille les travaux de près de 80 peintres, illustrateurs, sculpteurs pour offrir an panorama international de cette expression. Elle propose aussi le portrait de ses plus grands fondateurs ainsi que des éclairages sur les modes les plus récentes, comme le retour des pin's, le développement de la photographie de jouets ou la consécration de l'art vidéoludique.
09/2019
Mouvements artistiques
The Medieval Body
This fascinating and richly illustrated book accompanies The Medieval Body, the
third in a series of vanguard exhibitions that places medieval masterpieces within
a contemporary context.
The title of the exhibition refers to both a literal thread of figuration that runs
throughout the works in the presentation, as well as the complex and often shifting
symbolism of the human body in the medieval period. For thinkers and artists of
that time, the human body served as a rich source of religious and philosophical
significance, one that was in a constant state of flux between idealism and
disfigurement. While the early Middle Ages reserved representations of suffering
bodies to the margins of their world, the later Middle Ages displayed wounded
bodies in the most central spaces of public life. The crucified body of Christ and the
wounded bodies of saints assumed important positions as they were displayed on
altars, in processions, and on the exteriors of churches.
The Medieval Body tells a unique story about the human form as both a physical
entity and a recognizable metaphor. Presenting works spanning the course of a
thousand years, this exhibition offers insight into the body as an essential imagemaking
tool with far-reaching implications for the development of art in the
European Middle Ages.
08/2022
Décoration
Geometric Design and Ornament. 374 Copyright-free Designs for Artists and Craftsmen
Combining the best elements of both geometric and Russian ornament, here are 374 of the infinite number of geometric designs that can be formed from a simple combination of lines with curves, selected from the work of the Russian designer Y. Chernikov.
The designs show dozens of different types of ornament and their intricate combinations and subdivisions: continuous and ribbon-like bands, enclosed spaces (panels), and unlimited flat patterns; networks, band motifs, diaper patterns; sectors, polygons and stars; squares and their subdivisions; octagons, triangles and hexagons; rhomboids and trapezoids; the circle and its subdivisions; etc. Designs range from simple black-and-white flat ornamentation to complex interweavings and tube-like maze figures. Some of the more important designs appear in full-page illustrations, while others are grouped together to show variations on a single element.
The peculiarly Russian influence on these designs is everywhere apparent-motifs stemming from the combination of primitive Russian folklore (seen in those delightful birds, fantastic animals and skirted figures found even today in Russian folk art) and the Byzantine style with the Christian influence brought to Russia by the Tartars between 1237 and 1480.
Others sec modern mathematics and its extension into op-art as the major inspiration of Chernikov's work, but whatever the source, the uses in today's art are almost limitless. Without further payment, permission or acknowledgment, you may use the designs in such media as textiles, crewel-work and needlework patterns, ornamental tiles, magazine, book and record cover art, greeting cards, and commercial packaging. The illustrations can serve equally well as a source of inspiration to the fine artist.
01/1969
Religion
A Study of Conversion Among The Angas of Plateau State of Nigeria With Emphasis on Christianity
This is so far the most-detailed information on the Angas (Ngas), the largest ethnic group on the Jos Plateau, Nigeria. The book draws up a sketch of both the political and ecclesiastical history of the people. This is followed by socio-anthropological data about the people including a description of the traditional religion of the Angas (Ngas). The material serves as the necessary springboard for discussing the factors that were responsible for the conversion of the Angas (Ngas) people of Nigeria. The author concludes his thesis by giving a theoretical analysis of some of the theories of conversion per se and opting for a Hortonian theory as the most cogent. It is certainly an indispensable work dealing with conversion to and from any religion although in this case Christianity is used as a focus.
01/1992
Monographies
Burmese Silver from the Colonial Period
This stunning catalogue presents an exceptional collection of rare Burmese silver. Accompanied by detailed photographs and explanatory texts, this ground-breaking book proposes a new way of looking at Burmese silver. Names, dates, places, and stories - identifying the who, when, where, and what of Burmese silver has been the focus of publications on the topic. Are these questions the best way to understand silver, however ? Alexandra Green argues that they are not. Too few pieces provide reliable information about silversmiths, production locations, and dates to allow for a comprehensive understanding of the subject. Instead, a close examination of silver patterns reveals strong links with Burmese art history reaching as far back as the Bagan period (11th to 13th centuries), connections with contemporary artistic trends, and participation within the wider world of silversmithing. The first European to write about Burmese silver was H L Tilly, a colonial official from the late 19th into the early 20th century. Tasked with collecting objects for various fairs and exhibitions, he took an interest in Burmese art, publishing articles and books from the 1880s onwards. While much of what he wrote was factually inaccurate and coloured by the prejudices and stereotypes common at the time, his two volumes on Burmese silver published in 1902 and 1904 contain pictures of pieces from the early to mid 19th century. These enable a reconstruction of how silver designs evolved as the country was absorbed into the Indian Raj, and British and other Westerners became consumers of local silver products. Tilly was also correct in his interest in silver designs. Green uses the visual information from his books to describe the continuities and innovations of designs found on silver from the mid 19th through the mid 20th century, and she places these trends within local, regional, and global flows of ideas. Many studies of Burmese silver have been plagued by a lack of understanding of the Burmese context. In contrast, Green examines silver from a local perspective, drawing on Burmese texts and information that allows for a nuanced view of the motifs, designs, and patterns that appear repetitively on silver pieces. Using Graham Honeybill's collection, formed over many years, as a basis, she explores how designs and patterns circulated around the country and were innovatively combined and recombined on pieces by silversmiths producing objects for Burmese, Western, and commercial clients.
09/2022
Cinéma
Cinéma, numérique, survie. L'art du temps
L'ouvrage répond à de nombreuses interrogations correspondant à la révolution numérique vécue par l'art cinématographique. Il aborde de façon critique les conséquences des mutations que le numérique amène dans cet art et, au-delà, dans la civilisation. Le numérique amplifierait ainsi les pouvoirs d'illusion et de simulation du cinéma pour leur faire prendre une forme nouvelle, par l'accélération, la démultiplication des écrans, l'hypervisibilité. Or cette transparence affecterait l'expérience esthétique et morale du cinéma, servirait les puissants de ce monde en protégeant leurs secrets là où le cinéma aurait davantage besoin d'ombre et rester une arme critique. Réalisateur, scénariste et rédacteur en chef des Cahiers du cinéma de 1966 à 1971, Jean-Louis Comolli propose ici un ouvrage qui intéressera tous les publics "spectateurs" , de l'intellectuel érudit au novice qui veut découvrir l'approche comollienne du cinéma et du monde.
01/2019
Sociologie
HyperUrbain 6. Art et ville post-numérique
Chaque jour, la ville connectée s'empare un peu plus de nos corps pour les transformer en produits communicants. Dans cette aventure indissociable des technologies numériques, menée avec l'architecture des flux et les systèmes de contrôle, quel peut être le rôle de l'Art ? Face à cet HyperUrbain, comment se conçoit notre territoire et / ou comment regagner un peu de terrain ? Quel est notre place en tant que vecteur subjectif de tous ces i-LISIBLES (dans le lisible de l'information, dans les flux qui nous traversent)? Et comment encore créer du lien social dans ces villes d'un nouveau genre à l'aide de, ou contre ces machines informationnelles disséminées tout autour de nous ? Ainsi, est-ce qu'il nous est encore possible de concevoir une nouvelle ère post-numérique ou de plus simplement s'emparer de ces machines algorytmiques afin de les détourner, retourner, disséquer vers un imaginaire créatif, voire de nouveaux terrains d'expérimentation pour retrouver enfin un pouvoir de mobilis-acteur ? Dans cette ouvrage, consacré à la ville post-numérique, nous questionnerons ainsi le rapport de l'art numérique à la ville ainsi que l'impact sur la vie urbaine de ces technologies qui transforment fondamentalement le rapport du corps à l'environnement, dans ce que Michel Foucault nomme comme des relations d'emplacement. Ces questions, à travers (l'art au sens large du terme) portent, par exemple, sur : - la place du corps et des interrelations qu'il entretient entre société, patrimoine et territoire numérique dans les villes contemporaines. - la multiplication des réponses citoyennes face à la géolocalisation des flux et leurs systèmes de contrôle. - l'interprétation artistique des réseaux sur la numérisation des formes, des flux et des informations. - la dynamique poétique de l'appropriation des territoires urbains.
03/2019
