Hokuto no Ken - Fist of the North Star Tome 5

In these times of increasing public budgetary constraints and of shifting governmental priorities, a keen interest in efficiency problems in higher education can be observed not only in the Federal Republic of Germany, but also in many other Western European countries. Problems of the internal economics of institutions of higher education are an integral part of the economics of higher education ; issues of how to identify and measure inputs and outputs, costs and returns, are clearly related to productivity and efficiency concepts in higher education.

Ce recueil rassemble quarante-sept chansons dont huit sont initialement écrites en kabyle. Elles sont toutes traduites du français en anglais. Quarante de ces chansons figurent dans la trilogie "Le murmure du figuier bleu". Elles évoquent tour à tour la nostalgie du pays natal, la solitude, la nature, l'amour, la tendresse, le jardin d'enfant, Venise, les voyages, la vieillesse, le temps perdu et bien d'autres thèmes encore. Ce sont des fenêtres, des lignes de fuite, des accès vers d'autres mondes quand celui dans lequel nous luttons ne nous apporte plus la bonne respiration. This collection gathers forty seven songs among which eight are initially written in Kabyle. They are all translated from French in English. Forty of these songs appear in the trilogy "The rustle of the blue fig tree". They evoke alternately the nostalgia for the native country, the solitude, the nature, love, tenderness, child's garden, Venice, journeys, old age, the lost time and many others themes still. They are windows, base lines, accesses towards other worlds when the one in which we fight does not bring us anymore the good breath.

"Maana barma ge" is a collection of traditional stories and fables told by the Bagirmi people of central Chad. They are published in the original Bagirmi language, preserving the unique oral and dialectic character of each story as it was told. They are i

Chronic liver infection due to viral hepatitis B and C is a major public health problem. Worldwide, an estimated 750 million people are carriers of these two viruses. Alpha-interferons, such as RoferonI-A, are currently the therapy of choice in chronic viral hepatitis B and C. They are effective in preventing disease progression and life-threatening sequelae : liver cirrhosis, ascites, hepatic encephalopathy, and variceal hemorrhage and/or hepatocellular carcinoma. On the other hand, discussion has been raised on the potentially enormous cost impact of these genetically engineered drugs in the treatment of an already costly disease. This study identifies and evaluates the long-term clinical and economic effects of RoferonI-A treatment in chronic viral hepatitis B and C over a time period of 10 to 20 years. Clinical and epidemiological data, as well as the detailed health care resource use and cost assessment, reflect the clinical and economic reality in Germany in 1993. A Markov model is used to predict the long-term clinical benefits of RoferonI-A therapy in terms of reduced morbidity and mortality. Based on this, direct costs, savings, and cost-effectiveness are analysed, including : RoferonI-A therapy initiation and follow-up, physician services, laboratory services, medicotechnical services, drug therapy, hospitalization as well as surgical interventions (liver transplantations).

Agnès DERAIL-IMBERT Eros et Arès : les enfants de la guerre dans Billy Budd, Sailor de Melville Cette étude se propose de lire Billy Budd, Sailor comme une fable juridique qui dramatise, dans un double contexte de guerre et de mutinerie, le conflit entre la violence d'une innocence exceptionnelle (Billy) et celle du mal absolu (Claggart). L'une et l'autre, hors la loi, recèle une menace insurrectionnelle que la souveraineté politique (celle du capitaine Vere), pour se maintenir, doit réprimer. Le jugement de Vere - l'exécution de Budd -, s'exerçant au nom de la violence légale, met en oeuvre une stratégie qui enrôle la puissance cohésive d'Eros au service de la loi mar- tiale, dans une opération qui vise à naturaliser et à sublimer la violence arbitraire de l'état d'exception. Against a backdrop of war and mutiny, Billy Budd, Sailor can be read as a juridical drama staging the conflict between the exceptional violence of utmost innocence (Billy's) and that of absolute evil (Claggart's). Both infringe the law and both are pregnant with a threat of insurrection which political sovereignty (captain Vere's) must eradicate for the sake of its own integrity. Vere's sentence condemning Budd to death in the name of legal violence partakes of a complex strategy whose aim is to summon Eros's cohesive power in order to buttress martial law and to naturalize and sublimate the arbitrary violence of the state of exception. Michael GILLESPIE The Picture of Dorian Gray as a Postmodern Work Despite the wide range of interpretative approaches to The Picture of Dorian Gray that have appeared since its publication, all seem to assume that a particular set of values or beliefs-traditional Judeo-Christian morality, cultural attitudes, nationa- list dispositions, or queer inclinations-is integral to Wilde's narrative. This essay challenges the value of any metaphysical reading by asserting that the world of The Picture of Dorian Gray is delineated in strictly physical terms and so is best as a Post-Modern work. Through close reading, this essay shows key points in the narrative that highlight the absence of all values and that underscore the view that characters behave according to strictly material considerations. In the end the essay concludes that Wilde presents a world as grim and bleak as anything found in the works of Samuel Beckett. Malgré les nombreuses interprétations dont a fait l'objet The Picture of Dorian Gray depuis sa publication, tous les critiques semblent penser qu'un ensemble de valeurs ou de croyances-qu'il s'agisse de la morale judéo-chrétienne, de positions culturelles, de dispositions nationalistes ou de l'homosexualité-fait partie inté- grante du roman de Wilde. Cet essai remet en question la pertinence de toute lec- ture métaphysique en affirmant que le monde de The Picture of Dorian Gray est délimité en termes strictement physiques et que l'on ici affaire plutôt à une oeuvre post-moderne. En se fondant sur une lecture détaillée, cet essai montre que des points-clés dans le récit mettent en évidence l'absence de toute valeur et soulignent l'idée que les personnages se comportent en fonction de considérations purement matérielles. En conclusion, cet article souligne que Wilde donne à voir un monde aussi sombre que celui de Samuel Beckett. Christopher S. NASSAAR Hidden Meanings and the Failure of Art : Wilde's A Woman of No Importance Complexity is the hallmark of Oscar Wilde's mature works. From "Lord Arthur Savile's Crime" through The Picture of Dorian Gray and Salome, there is an incre- dible amount of complexity wherever we look. When we reach A Woman of No Importance, however, the complexity apparently disappears, and the play is usually read as a conventional Victorian melodrama. A deeper look at the play reveals veiled references to Farquhar, Hawthorne, Arbuthnot and Baudelaire. The refe- rences point to a deep hidden meaning in the play. Traced carefully, they reveal Mrs. Arbuthnot as a deeply corrupt woman who is unaware of the dark recesses of evil within herself. Unfortunately, this suppressed undercurrent of meaning is too dee- ply buried and very difficult to detect, which has led people in general to accept the surface meaning as the true one. The play is thus a stylistic failure, although its veiled thematic content is quite profound. La complexité caractérise les oeuvres d'Oscar Wilde, de "Lord Arthur Savile's Crime" jusqu'à The Picture of Dorian Gray et Salome, alors que, dans A Woman of No Importance, celle-ci paraît moins évidente, la pièce étant le plus souvent lue comme un mélodrame victorien conventionnel. Cependant, si on analyse la pièce de plus près, on y décèle des références voilées à Farquhar, Hawthorne, Arbuthnot et Baudelaire. Celles-ci soulignent qu'il y a dans la pièce un sens caché, et une analyse détaillée révèle que Mrs Arbuthnot est en fait une femme corrompue et inconsciente du mal tapi en elle. Malheureusement, parce que celui-ci est profondément enfoui, on s'en est souvent tenu à une lecture superficielle de la pièce. Celle-ci est donc, en un sens, un échec stylistique en dépit de sa profondeur thématique. Nathalie SAUDO-WELBY Narratorial authority in Sarah Grand's Beth Book (1897) The Beth Book, a partly autobiographical narrative, is a feminist Bildungsroman told in the third person. Historical, religious and scientifc discourses combine to give authority to the narrator's vision of Beth, so that the narrator is fnally in a position to award Beth the title of female genius. Yet, very little is said of the con- tent of Beth's "art for man's sake ;" the title and the content of her non-fction book are not described ; and the novel's last words are the name of her "Knight, " a writer who believes in woman's genius to reveal man's own. Avoiding the most direct form of didacticism, Sarah Grand has shifted the emphasis away from Beth's message to women to the narrator's work of authorizing Beth to progress to her position of public speaker. In the process, this narrator is given a historical consciousness and a sex. The Beth Book est un roman d'apprentissage féministe au contenu en partie auto- biographique. Fondant son autorité sur une analyse historique et un discours reli- gieux et scientifque, l'instance narrative fnit par octroyer à Beth le titre de génie féminin. Pourtant, un vide entoure le contenu de "l'art pour l'homme" de Beth ; de son ouvrage, on ne sait ni le titre ni le contenu mais seulement qu'il ne s'agit pas de fction ; les derniers mots du roman sont le nom de son "Chevalier" , un écri- vain qui croit que le génie des femmes consiste à susciter celui des hommes. Tout en évitant les formes de didactisme les plus directes, Sarah Grand a placé au centre de son roman engagé la tâche de la narratrice omnisciente qui va faire progresser Beth en position d'orateur de génie. Au cours de ce processus, la narratrice acquiert une conscience historique et un sexe. Pierre LONGUENESSE Yeats et le mélange des genres : du texte à la scène Dans le projet de "théâtre de l'imagination" formulé par Yeats dès 1890, le Verbe poétique est porteur d'un pouvoir visionnaire, par la performativité de son énoncia- tion concrète portée par le corps de ce que l'on n'appelle pas encore, avec Georges Banu, un "acteur-poète" . Ce projet fait de l'écriture dramatique un objet multi- forme, où le drame n'a de sens que mis en tension par ce qui le "menace" dans sa pureté générique : la narration, le chant, la danse. ll conduit le dramaturge vers des collaborations audacieuses sur les scènes de ses créations, entre musiciens, compo- siteurs, et danseurs. En somme, loin de "menacer" son théâtre, ces figures d'un "hors-champ" artistique sont ce qui en constitue l'expression par excellence, puisque, par le théâtre, est dévolu au verbe le pouvoir extra-ordinaire de faire sur- gir, par sa physicalité propre, aussi bien le souffle du chant que le rythme du corps dansant. In the "Theatre of Imagination" conceived by Yeats in the 1890s, the poetic Verb is given the power to create visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an "acteur-poète". This project transforms dramatic writing process into the creation of a multiform object, in which the issue of the drama is brought out by the tension between oppo- site mediums : theatre on the one hand, singing, dance, tale on the other hand... This exploration involves Yeats in original collaborations on stage with composers, musicians, and dancers. In short, these manifestations of an artistic "hors-champ, " far from threatening the drama, become on the contrary the core of its expression, as a new power is, on stage, devoted to the Verb : the extra-ordinary power to arise the pneuma of singing as well as the rhythm of the dancing body. Anne MOUNIC "To tell and be told" : war poetry as the "transmission of sympathy" War poetry raises a paradox : the destructive collective imposition which weighed upon each soldier during the Great War triggered off new individual awareness and led to a questioning of the values that had prevailed until then, and notably idealis- tic philosophy. Discussing the paradox, we shall oppose tragedy and the individual epic, catharsis and empathy, the choice of death and the choice of life. The Great War writings will be placed in their literary and philosophical context, before and after. La poésie de guerre soulève un paradoxe : la contrainte collective de destruction qui pesa sur chaque soldat durant la Grande Guerre suscita une nouvelle conscience singulière, menant à un questionnement des valeurs et, notamment, de la philoso- phie idéaliste. Discutant ce paradoxe, nous opposerons la tragédie à l'épopée indi- viduelle, la catharsis à l'empathie, le choix de la mort à celui de la vie. Les écrits de la Grande Guerre seront placés dans leur contexte littéraire et philosophique, avant et après. Olivier HERCEND Cinema, the mind and the reader in Virginia Woolf's The Mark On the Wall Taking up David Trotter's Cinema and Modernism, this article emphasises the strong links that exist between Virginia Woolf's thoughts on cinema and the new techniques and notions that she develops in "The Mark on the Wall. " Indeed, her depiction of the mind's process fosters the image of a fragmented world, a succes- sion of images that come under no authoritative order or meaning : a mere mon- tage. But cinema also contains the promise of an artistic answer to the fragmentation of the modern condition. Through a renewal of textual co-operation, Woolf opens her reader to the possibilities of what I choose to call an "aesthetics of juxtaposi- tion. " Reprenant les idées exprimées dans Cinema and Modernism, de David Trotter, cet article relie la pensée de Virginia Woolf sur le cinéma aux techniques et aux notions nouvelles qu'elle développe dans "The Mark on the Wall" . De fait, en tentant de décrire le fonctionnement de l'esprit, elle fait naître l'image d'un monde fragmenté, une succession d'images qui ne tombent sous l'autorité d'aucun ordre ni d'aucune signification essentiels : en un mot, un montage. Mais le cinéma est également la source d'une réponse artistique à la fragmentation de la condition moderne. En renouvelant les modalités de la coopération textuelle, Woolf ouvre son lecteur aux possibilités d'une "esthétique de la juxtaposition" . Antonia RIGAUD Les Europeras de John Cage : de l'opéra au cirque Cet article interroge le rapport ambigu qu'entretint John Cage avec le théâtre tout au long de sa carrière. Influencé très tôt par Artaud et Stein, il ne cesse de faire référence au théâtre et conçoit son art comme une réflexion sur la théâtralité et la notion de performance. Ses Europeras, à la fin de sa carrière, permettent de mettre en avant la manière dont il a cherché à la fois à inscrire ses expérimentations artis- tiques dans le champ théâtral tout en faisant sortir le théâtre des codes mêmes de la scène. La place centrale que Cage donne au théâtre, bien qu'il ne produise que de très rares oeuvres théâtrales, témoigne de son désir de penser le théâtre non pas en tant que médium mais en tant que lieu d'expérimentation. This article addresses John Cage's ambiguous relationship with theatre throughout his career. Influenced early by Artaud and Stein, he often referred to theatre and understood his own art project as a reflection on theatricality and performance. The Europeras, written late in his career, testify to his attempt to associate his artistic experimentation with theater while pushing on the limits of theatre. The prominent position Cage gave to the theatre in contrast to the rarity of his theatrical work pieces is emblematic of his ambition to re-think the theatre as a locus of experimentation.

Maison Lescop, a historic residence in Port-Louis, Brittany, has conserved its original eighteenth-century decor that was conceived for a French importer for the East Indian trading company. Today, it is the home and restoration project for the creative duo behind the Parisian design team Antoinette Poisson. Enchanted by the poetic beauty of hand-painted domino paper prints-from floral and fauna to geometric and ikat-they have appointed their new home with elegant decorative touches : handcrafted lampshades, wallpaper-lined cupboards, assorted table settings, and luxurious textiles. Celebrating a French lifestyle inspired by the charm of the eighteenth century-through its objects, gastronomy, and traditional savoir faire-the authors invite readers to share their art de vivre throughout the seasons- from gathering shellfish on the beach to shopping at the local market, from antiquing to foraging, and from indigo textile dyeing to block-printing on artisanal paper. This book is an ode to timeless pleasures and a life well-lived... à la française.

This collection contains new scholarly work on Hamlet, Shakespeare's most famous tragedy. Chapters discuss many of the most debated issues relating to the play, including its textual cruxes, its language and publication history, and its place in literary history. It offers extended analyses of key notions such as poison, nature, gender, and politics, and includes a section devoted to early modern and contemporary performances and adaptations, on stage and on screen, providing a complete picture of what the play has to offer to contemporary critics and thinkers. Hamlet continues to function as a key Shakespearean text of study and analysis : it plays a key role in Western thought and aesthetics, and has influenced our understanding on mankind and modernity. Written by well-known Shakespeare critics, this collection will prove essential for students, scholars, and readers looking for a comprehensive overview and introduction to the key issues, questions and debates that Hamlet inspires.

Born in China in 1968 and living in France since 2001, Li Fang capture in her paintings the oscillations of the contemporary world. Although her work is figurative, her technique, which uses large flat areas of colour like blocks sculpted from pictorial matter, clearly forges a link with abstraction. This stylistic unity unfolds in a variety of series that reflect her life and our times : portraits of loved ones, scenes of swimming, anonymous urban crowds, resistance to Chinese censorship, the tragedy of migrants in the Mediterranean Sea... Despite being current or seemingly simple, her themes echo universal feelings : the loneliness of modern society, the choice of exile, the tenderness of childhood, the power of water or the vitality of bodies in nature. Whether light or profound, joyful or tragic, Li Fang's work is timeless and open-ended, and this first monograph reveals its full richness.

In Memoriam Michèle Casanova par R. Vallet, S. Dibo, P. Abrahami, C. Breniquet, B. Lion, C. Michel, C. Marro... ... ... ... ... . 5-8 Articles M. Price, M. Fisher and G. Stein Animal Production and Secondary Products in the Fifth Millennium BC in Northern Mesopotamia. New Data from Tell Surezha (Iraqi Kurdistan)... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . 9-41 M. Freikman, D. Ben-Shlomo and Y. Garfinkel The "Violin-Shaped' Figurines of Tel Tsaf. New Light on Anthropomorphic Imagery in the Late Prehistoric Southern Levant... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . . 43-59 M. Freikman, D. Ben-Shlomo and Y. Garfinkel Architectural Models from Tel Tsaf, Central Jordan Valley, Israel. A Glimpse of the Superstructure and Roof of Late Prehistoric Buildings... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 61-74 S. Swerida, E. N. Dollarhide and R. Jensen Settlement and Chronology in the Early Bronze Age of Southeastern Arabia. The view from Umm an-Nar period Bat, Oman... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . 75-96 M. Vidale, F. Desset and I. Caldana The Ceramic Context of a "Jiroft' Style Chlorite Vessel from a Damaged Grave of Mahtoutabad (Konar Sandal South, Kerman, Iran)... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 97-108 Recensions... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . 109-129

George Stubbs (1724-1806) produced exceptional images of animals and people throughout his career. These were a product of his keen scientific eye and uncommon sense of compassion. Rather than trust to history and the untested example of his precursors, he championed doing as a way of thinking and deployed picture-making in pursuit of reality. On the title page of The Anatomy of the Horse, his groundbreaking publication that rewrote our understanding of equine biology, Stubbs confirmed that everything that followed was "all done from Nature" - meaning that it all derived from his own painstaking analysis of the subject in front of him. This book accompanies a major exhibition of Stubbs's work at MK Gallery in Milton Keynes and the Mauritshuis in The Hague and includes new writing on the artist by Nicholas Clee, Martin Myrone, Martin Postle, Roger Robinson, Jenny Uglow and Alison E. Wright.

Jefferson and Nature is the first comprehensive study to take Jefferson completely at his word-his favorite word. Nature-the term and the many ideas associated with it-pervades Jefferson's life and writings. It sets hem apart from his colleagues in the American Enlightenment and provides the distinctive gateway to his thought and action. By no means consistent and at tunes apparently opportunistic in his use of the term, Jefferson nevertheless draws nearly every realm of life back to this essential word and idea. Charles Miller's book tells why this is so.

This book presents six interviews with young, upwardly mobile blacks from the state of Georgia, USA, as a contribution to American oral history and culture. The time span covered comprises the years 1960 to 1975, a period which marked a transitional phase in race relations. The interviewees state their experiences with and feelings on desegregation, their political and ethnic loyalties, their aspirations in life, and their value systems. Despite a varied socio-economic background, they show a heightened sense of racial and cultural identity and an integrationist orientation with Martin Luther King as a culture hero.

Hello and welcome to this nice journey, More than anything I want the journey to show how easy and sane humor & fun are, they very often give us relief from the burden of Blessedness and Ugliness. We should laugh at the absurdity of it all. I'm afraid this book does not offer concrete solutions. However, I'm quite sure these nice reflections would help you spotting amazing cases and strange situations whenever you want to laugh at everything, whenever you want some relief, whenever you want humor... It's always worthwhile to wear a smile. All the best SalmaMichele

"We all know that our world has become very indebted over the past decades and that its 'financialization' has reached proportions never observed before, at least in peacetime. But how serious is this phenomenon ? What are its consequences on the solidity of our financial system, on the functioning of our economy and on the future of our society ? Above all, we must understand how our world has surreptitiously changed its model for the past two decades. It has slipped to a strange paradigm, one in which the bulk of economic activity is now reflected in the rise in the value of financial assets at the expense of growth, wage income and productive investment. It is time to put an end to the reign of illusion and to reinstate the fundamental economic springs without which there can be no real growth. " J. de L. "No one alive today combines Jacques de Larosière's experience with an acuity about global finance. His sharp and cogent expression of alarm in this timely volume deserves and even demands the attention of the global financial community. " Lawrence Summers, Former Secretary of the United States Treasury and President Emeritus of Harvard "This is a must-read for those who want to understand the 'economic illusions' hiding in plain sight. And for those who are prepared to step-up to the benefit of a new generation. " Kevin Warsh, member of the Federal Reserve Board (2006-2018), and professor at Stanford "The book is a harsh criticism of the fairy tales that have guided monetary theory and the actions of central bankers in recent decades. " Vito Tanzi, Honorary President of the International Institute of Public Finance

Stéphane Lovighi-Bourgogne et Stéphane Ménétrier se sont rencontrés en 1996, à Barjols, dans l'arrière-pays varois. Stéphane Ménétrier qui avait promené ses objectifs par-delà les frontières fut tout de suite subjugué par les toiles, pleines de mondes, d'un jeune Lovighi. A cette époque, un premier recueil, tiré à compte d'auteur, mêlant les dessins de l'un et les photos de l'autre, voit le jour ; comme une trace nécessaire pour sceller cette amitié devenue inévitable. Quelques années après, Stéphane Lovighi-Bourgogne installe son atelier à Cotignac, et commence, dès lors, ces rendez-vous plus réguliers entre ces deux Stéphane, où quand l'un, photographie, l'autre, dessine sa peinture. Deux regards croisés - l'un sur l'autre - pour deux voyages créatifs mais qui, au fond, racontent une seule et même aventure : celle d'une mâle tendresse, toute contenue, entre ces deux écorchés qui se sont bien trouvés. Stéphane Lovighi-Bourgogne and Stéphane Ménétrier met in 1996 in Barjols, in the Var countryside. Stéphane Ménétrier, who had travelled far and wide with his camera, was immediately captivated by the paintings, filled with different worlds, of a young Lovighi. It was at this time that a first self-published collection combining the drawings of one and the photographs of the other was created, like a necessary trace sealing a friendship that had become inevitable. A few years later, Stéphane Lovighi-Bourgogne set up his studio in Cotignac and from then on, more regular meetings between the two Stéphanes began, where one photographed and the other drew his paintings. Two perspectives - one on the other - for two creative journeys, but which, in the end, tell one and the same adventure : that of a masculine tenderness, all reined in, between these two hypersensitive souls who have chosen each other.

La triste nouvelle inacceptable ! Après être rentrée pleine d'enthousiasme à Taïwan, Lele est accueillie par la triste nouvelle du décès de sa grand-mère bien aimée !! Ne pouvant pardonner à sa tante de lui avoir caché la vérité, Lele, sous le choc, tombe dans le coma.

Subject of this volume is the summing up of the 1st European Conference On Psychotherapy Research, which was organized by the "SPR" in Trier (FRG) in September 1981. The first volume was dedicated to methodology in psychotherapy research. The chapters of this volume are : Selected papers on psychoanalysis ; client-centered psychotherapy : An overview ; selected papers on cognitive psychotherapy ; selected papers on psychosomatic ; selected papers on psychotherapy for severe disoders.

The author, like a painter, paints the poetic portrait of his first muse, Bahareh !

The aim of this volume is to extend some of the classical results of Kondratiev, Maz'ya-Plamenevskii, Grisvard and Dauge, about the singular behaviour of the weak solution of a boundary value problem in a nonsmooth domain to the setting of boundary value problems on a two-dimensional polygonal topological network (roughly speaking it is a network such that each face is a polygon). Some mechanical phenomena were recently described by boundary value problems on such networks : let us quote vibrating folded membranes, composite plates, folded plates, junctions in elastic multi-structures. In view to numerical applications, the singularities, as well as their coefficients (the so-called stress intensity factors) are described explicitly. The obtained decomposition into regular and singular parts also leads to the Fredholm property of the associated operator between appropriate Sobolev spaces.

The present book which is devoted to Parifera or Sponges and profusely illustrated allows bring to light the most characteristic species of the New Caledonian lagoon with all the scientific rigor necessary. It is also well documented on the structure and function of Sponges. the scientific rigor necessary. It is also well documented on the structure and function of Sponges. Books like the present one are so important in educating the world community about the unique biodiversity contained within isolated island ecosystems, and we hope that they contribute in some way to careful management and preservation of these unique environments. Cet ouvrage consacré aux Spongiaires ou Eponges, abondamment illustré, permet de faire connaître avec toute la rigueur scientifique, nécessaire les espèces spécifiques les plus caractéristiques du lagon de Nouvelle-Calédonie. Il offre également une importante documentation sur la structure et le fonctionnement des Eponges. Un tel ouvrage a aussi une vocation éducative : en révélant la fascinante biodiversité des écosystèmes récifaux, il incite à la préservation de ces milieux uniques.

Richard Cantillon : Last of the Premoderns, by Michael Gaul Reviewing the Development of Malthus's Ideas on Educational and Parliamentary Reforms from 1803 to 1806, by Nabuhico Nakazawa Emancipation of all senses in Marx's communist day, by Michele Bee L'apport de Pigou pour réinventer la fiscalité incitative, par Julien Pharo L'apport de la théorie des émotions de John Dewey à la nouvelle économie institutionnelle de Douglas North, par Jérôme Ballet et Emmanuel Petit Entre spontanéité et contrôle : ce que Hayek se refusait à penser, par Hannah Bensussan Michael Assous et Vincent Carret, Modeling Economic Instability. A History of Early Macroeconomics, Springer Studies in the History of Economic Thought, Cham : Springer, 2022, by Goulven Rubin François Dannequin, Schumpeter, théoricien du capitalisme, Paris : Classiques Garnier, 2022, par Tristan Velardo Guillaume-François Le Trosne, Les lois naturelles de l'ordre social, présentation et transcription par Thérence Carvalho, Genève : Editions Slatkine, 2019, par Thierry Demals Claudio Napoleoni, Discours sur l'économie politique, édition critique de Massimo Amato et traduction de Massimo Amato et Dominique Saatdjian, Paris : Classiques Garnier, 2019, par Odile Lakomski-Laguerre et Olivier Rosell

Dans le monde du spectacle, le mensonge est une arme ! La cinquième partie " pièce de théâtre adaptée d'un manga " bat son plein. La première représentation est proche. Au départ, Abiko Samejima, la mangaka de Tokyo Blade avait refusé en bloc le texte de la pièce, mais elle a finalement trouvé un terrain d'entente avec GOA le dramaturge qui a écrit la pièce et ensemble ils élaborent un script qui les satisfait tous les deux. Les comédiens sauront-ils s'emparer du texte pour en faire une pièce digne de ce nom ? Soucieux d'offrir une performance convaincante, Aqua devra se confronter à son traumatisme et à la perte d'Aï.

Dans le monde du spectacle, le mensonge est une arme ! Le docteur Gorô est obstétricien dans un hôpital de campagne. Il est loin du monde de paillettes dans lequel évolue Aï Hoshino, une chanteuse au succès grandissant dont il est "un fan absolu'. Ces deux-là vont se rencontrer dans des circonstances exceptionnelles, ce qui changera leur vie à jamais !

Dans le monde du spectacle, le mensonge est une arme ! Voici enfin la première représentation de la pièce adaptée du célèbre manga Tokyo Blade. Rivales depuis leur plus jeune âge, Kana Arima, ancienne enfant star, et Akane Kurokawa, actuelle étoile montante de Lalalaï, s'affrontent sur scène chacune avec une façon de jouer bien à elle. Quant à Aqua, il va se servir de son traumatisme pour enfin mettre de l'émotion dans son jeu. Quel effet aura cette nouvelle expérience sur lui ? Quel genre d'acteur choisira-t-il de devenir ?

Une histoire 100% inédite dans l'univers féérique du jeu vidéo acclamé Ni No Kuni ! Pour Tasuku Arisawa, la vie tourne autour du club de Kendo, dans lequel il est très engagé, et de son petit frère Tsubasa, la seule famille qu'il lui reste depuis la mort de leurs parents. Un jour, un mystérieux homme vêtu de noir l'attaque, et le lycéen se retrouve projeté dans le monde parallèle de Ni No Kuni ! Les habitants de ce royaume enchanteur - où la magie est omniprésente - semblent voir en Tasuku un sauveur destiné à triompher du belliqueux roi Sham et de sa horde de démons... Mais quels secrets se cachent réellement à Ni No Kuni ? Après les jeux vidéo et le film d'animation, cette histoire inédite est une nouvelle occasion de parcourir le monde merveilleux créé par Level-5 !

Dans le monde du spectacle, le mensonge est une arme ! Une émission "? spécial cosplay ? " diffusée sur une chaîne de télévision en ligne, pour laquelle Ruby travaille comme reporter, a provoqué un tollé en raison du manque de considération à l'égard des cosplayeurs. Animée par son désir de vengeance, Ruby essaiera-t-elle d'utiliser cette agitation à son avantage ?? Aqua quant à lui est sur le point de faire toute la lumière sur le meurtre d'Aï.

Le mensonge est une arme pour se défendre dans le monde du show-biz. Réincarnés dans la peau des enfants de leurs idole, Ai Hoshino, les jumeaux Aqua et Ruby vivent leur meilleure vie de bébé. Malheureusement, ce bonheur n'est que passager...

Dans le monde du spectacle, le mensonge est une arme ! Le docteur Gorô est obstétricien dans un hôpital de campagne. Il est loin du monde de paillettes dans lequel évolue Aï Hoshino, une chanteuse au succès grandissant dont il est "un fan absolu'. Ces deux-là vont se rencontrer dans des circonstances exceptionnelles, ce qui changera leur vie à jamais !

Dans le monde du spectacle, le mensonge est une arme ! Le docteur Gorô est obstétricien dans un hôpital de campagne. Il est loin du monde de paillettes dans lequel évolue Aï Hoshino, une chanteuse au succès grandissant dont il est "un fan absolu'. Ces deux-là vont se rencontrer dans des circonstances exceptionnelles, ce qui changera leur vie à jamais !