The God of High School
Extraits
Photographes
The Stutter of History
This French-language catalogue accompanies a major retrospective exhibition of Thomas Demand's work at Jeu de Paume, Paris, as part of a worldwide tour. Thomas Demand has spent the last two and a half decades bringing together his talents as both a sculptor and a photographer to capture the feedback loop between the world we inhabit and the photographic documents of it which lie at the root of our contemporary image culture. Bringing together a wide-ranging survey of photographs that span the arc of his career, The Stutter of History provides both an overview of the artist's way of seeing the world and lesson in how we might approach the onslaught of historical events that we consume through the world of images. This extensive book displays the breadth and depth of Demand's artistic accomplishment, demonstrating in one volume why he is considered one of the world's foremost contemporary artists. Includes new short stories by award-winning authors Ali Smith and Maylis de Kerangal written in response to a work by Demand, as well as illuminating essays by Douglas Fogle, curator of the exhibition, and critic Margaret Iversen. All texts published in French language. Co-published with Jeu de Paume
05/2023
Comics divers
Dream of the Bat
Dans cette démolition du mythe super-héroïque, Josh Simmons et Patrick Keck dressent le portrait d'un héros aliéné par ses propres convictions et prêt à utiliser des moyens extrêmes et déviants pour changer une société qu'il considère comme pervertie. S'il était un exemple, voire une source d'espoir pour les faibles, il n'est plus que l'ombre de ce qu'il représentait autrefois et a abandonné toute raison et noblesse pour sombrer dans une folie dévorante et la dépression. Personnage pervers ayant abandonné toute morale, le héros est-il encore du côté du bien ?
03/2024
Fantasy
The City of Stardust
Les Everly sont maudits depuis des siècles. A chaque génération, le membre le plus prometteur de la famille est voué à disparaître, en réparation d'un crime dont nul ne se souvient. Celle qui vient les chercher, la mystérieuse et glaçante Penelope, ne connaît ni la vieillesse ni la maladie. Et pour elle, une dette est une dette. Lorsque sa mère se volatilise au beau milieu de la nuit, la malédiction s'abat sur Violet Everly... et il n'y a plus qu'elle pour en briser le cycle. Commence alors un voyage dans un monde magique et envoûtant, peuplé d'érudits avides de pouvoir, de divinités instables et de monstres en quête de vengeance. Sans oublier l'énigmatique assistant de Penelope, Aleksander, à qui Violet sait ne pouvoir faire confiance mais dont les secrets l'attirent irrésistiblement. La vie de Violet est en jeu, et le temps lui est compté. Aux confins du monde, elle espère trouver sa mère, mais aussi la cité de la poussière d'étoile, où tout a commencé pour les Everly... car après tout, les malédictions ne sont-elles pas faites pour être déjouées ? " Une merveille d'histoire, noire comme le ciel à minuit. Summers explore admirablement les mondes séparés du nôtre par des portes magiques et les change en contrées traîtresses, sombres et oniriques, où des monstres ailés exercent leur sanglante séduction. Et quand ces monstres veulent assouvir leur appétit, un choix s'impose entre aimer et trahir, survivre et se sacrifier. Captivant jusqu'à la dernière page. " Shelley Parker-Chan, Celle qui devint le soleil " Ouvrir ce roman, c'est entrer dans un univers à la Neil Gaiman, peuplé de génies manipulateurs et de dieux voleurs d'âmes, où la quête d'une jeune fille cherchant à comprendre l'absence de sa mère porte autant le récit que sa lutte contre une malédiction ancienne. Le fantôme de la cité, victime de sa propre arrogance et d'une promesse rompue, hante chaque page de ce mémorable premier roman, très maîtrisé. " Lucy Holland, Sistersong " Dès ses premières pages, The City of Stardust tisse un sort à l'image de la magie déployée dans le récit. Un premier roman dont l'atmosphère vénéneuse, riche en monstres, démiurges et malédictions, raconte en filigrane l'amour des siens et la fidélité qu'on leur voue. " Sangu Mandanna, La Société très secrète des Sorcières extraordinaires " Georgia Summers nous entraîne dans une aventure faisant la part belle à la magie, à la fatalité et aux clés. Que ferions-nous pour rompre une malédiction, fermer une porte, en ouvrir une autre ? Les lecteurs qui ont aimé La Mer sans étoiles ou Les Dix Mille Portes de January vont adorer le sombre enchantement de ce livre. " Kat Howard, An Unkindness of Magicians " Une histoire de magie et de malédictions, de lettrés et de dieux. Autant d'astres lui conférant une beauté ensorcelante. " M. A. Kuzniar, Midnight in Everwood " Un récit travaillé avec un soin d'orfèvre et servi par une écriture flamboyante. " Bea Fitzgerald, Girl, Goddess, Queen
04/2024
Divers
Music Queens. Une histoire du girl power et de la pop... en chansons !
Chaque épisode présente le contexte historique dans lequel la chanson a été écrite, l'importance qu'elle a dans la vie de la chanteuse, et explique pourquoi et comment elle a changé la société. Au menu : Janis Joplin, Piece of my heart Nina Simone, Ain't got no, I got life Anne Sylvestre, Non tu n'as pas de nom Marianne Faithfull, The ballad of Lucy Jordan Patti Smith, Gloria Blondie, Heart of Glass Madonna, Like a virgin Bikini Kill, Rebel girl Queen Latifah, UNITY Beyoncé, Run the world (girls)
05/2023
Littérature française
Sri Krishna and His Gospel, Sri Krishna’s flute calls you to love
Sri Krishna and His Gospel We dedicate this Book to Sri Krishna the World teacher whose Gita is the World-Gospel. This was written during a long Yogic communion with the Lord Krishna, by his fervent devotee Yogi Shuddhananda Bharati who lives and loves the Gita. Saint Shuddhananda Bharati invoked Sri Krishna in his meditation and took inspiration from that Supreme Grace for every line of the Holy Book. Thus this is Sri Krishna's treatise on His Gita. This is a book for all. We have not put any picture of Krishna in the book for who can paint his universal beauty ? The Nature-universe is his Visvarupa. So dear readers, see him in Nature's beauty and contemplate upon each line of this book. This book teaches you how to live in God-consciousness. It is a real pleasure and a great privilege for me to present this treatise on Sri Krishna and His Gospel to you. Thank you, Dr. Shuddhananda Bharati for having transmitted Sri Krishna and His Gospel to us. The first edition of this book is dated on 24th November 1943. Editions ASSA, Christian Piaget
07/2009
Manhua
TODAG T15 - Tales Of Demons and Gods. Tales of Demons and Gods
Ce nouveau monde a des règles bien étranges et barbares. Encore une fois Nie Li va pouvoir montrer qu'il est revenu dans le passé avec comme intention de changer la situation présente !
04/2022
Sociologie
Marital Separation in Contemporary Ireland
This book is based on detailed interviews with a group of Irish women who have experienced marital separation. It links the women's accounts with literature on the values and beliefs about marriage, women and family which were prevalent when they were growing up in Ireland in the 1950s and 1960s. The book chronicles their young adult years, the early stages of their marriages and the events and processes which led to their separations. It explores the women's emotional reactions at the time of separating, the types of support which they found beneficial and the personal, social and financial consequences of having separated. Although the book is written from a sociological perspective, the combination of theory and practical insights make it accessible to a wide variety of readers. It aims to generate discussion and deepen understanding of an area into which there has been minimal research in Ireland and which poses a range of important questions for future researchers, practitioners and policy-makers.
12/2015
Littérature française
Maana Barma ge 1
"Maana barma ge" is a collection of traditional stories and fables told by the Bagirmi people of central Chad. They are published in the original Bagirmi language, preserving the unique oral and dialectic character of each story as it was told. They are i
06/2017
Littérature française
Handicapped
The mere fact of existing is already a battle of every moment, but that of being born a woman is seen as the most arduous of battles, in a society that considers women not only less than men, but below men. The simple attributes devolved to human being are sometimes denied to them, under the indifferent eye of the society. Who is to blame for this general contemptuous attitude vis-à-vis the woman ? The man ? Society ? Or the woman herself ? Woman parenthood, excision, rape, sexual harassment, the prison, early marriages and widowhood are core points tackled in the seven short stories of this book where the main characters ; Micheline, Amina, Jenaëlle, Ann-Lise, Lucie, Violet and Bernadette shall each take the reader through their stories using their own words. Based on true stories, these fictions are a personal move to throw more light on the stumbling blocks faced by the woman in her struggle for optimal fulfillment. Through the life stories clearly depicted in this book, most readers can picture their own lives, the lives of a mother, a sister, a friend or a daughter. Two objectives constitute the backbone of this book ; draw attention on the way the woman is perceived by the African society and Cameroon in particular and raise awareness in the woman so that she can come to understand that the key to her destiny lies within herself and nowhere else. Hence the need to portray womanhood as society sees it : a handicap.
10/2020
Non classé
The Philosophical Background to Friedrich Schiller's Aesthetics of Living Form
Schiller defined the object of beauty as "living form." He explicitly related his thesis to a rationalistic aesthetics of form and to an empiricistic aesthetics of life. First the problem of aesthetic theorizing is treated. In the light of this discussion, respectively, the aesthetics of life, form, and living form are analyzed. First the respective ontological universe of each aesthetic theory is developed, then the aesthetic universe in terms of ontological commitments, and finally the specific interpretation of beauty is outlined.
12/1982
Monographies
Diana Armfield. A Lyrical Eye
Diana Armfield RA Hon RWS NEAC a un attachement personnel pour ses sujets et une affinité subtile et distincte avec les rythmes de formes et de tons. Ces qualités font d'elle une personne influente et populaire dans l'art moderne britannique. Ses représentations de fleurs lui ont valu de grands éloges mais ce livre (créé pour marquer son 100ème anniversaire), représente pleinement sa sensibilité pour les paysages et les lieux. Sa vie fascinante d'artiste est actualisée dans ce livre qui regroupe un nombre exaltant de ses oeuvres les plus récentes. 'I think I was born making things', Diana comments to Andrew Lambirth, whose absorbing interview with her forms the narrative thread of Diana Armfi eld : A Lyrical Eye. Diana's was a creative childhood steeped in experiments with drawing, pottery and embroidery, played out against the backdrop of a picture-fi lled house, a lovely garden and an artistic family. She studied at Bournemouth, Slade and Central art schools, starting out as a talented textile designer - a legacy that lent her a unique approach to the geometry, cadences and colour qualities of a painting. After organising cultural activities for workers and troops in World War II, Diana became one half of a successful partnership designing textiles and wallpaper, whose work featured in the Festival of Britain in 1951. The 1960s brought a turn to painting and from 1966 Diana has been a regular exhibitor at the prestigious Royal Academy Summer Exhibition. She has continued to paint and draw throughout her life and, as this book clearly demonstrates, always thinks afresh about each subject she tackles in order to respond to it with a close, warm sincerity. Diana Armfield : A Lyrical Eye charts Diana's personal and artistic journey with over 200 beautiful reproductions of her work, tracing favourite subjects and events - from a Welsh landscape to an informal flower display or the much-loved location of a painting trip in Italy or France. Andrew Lambirth's interview also explores the unique bond with her husband, painter Bernard Dunstan, who died in 2017, looking at how two leading artists interwove their personal and creative lives over a marriage of almost 70 years. As well as this interview, Andrew has contributed an essay on Diana's work to the book. Diana's standing and popularity have led to regular exhibitions, especially at prominent London gallery Browse & Darby. Her work is held in private and public collections worldwide, from London's V&A to the Yale Center for British Art.
06/2021
Histoire internationale
To See the Dawn. Baku, 1920 - First Congress of the Peoples of the East
Comment les agriculteurs et les travailleurs dans le monde colonial peuvent-ils se libérer de l'exploitation impérialiste ? Comment peuvent-ils surmonter les divisions nationales et religieuses incitées par leurs propres classes dirigeantes, et combattre pour leurs intérêts de classe communs ? Alors que l'exemple de la révolution d'Octobre retentissait dans le monde entier, ces questions ont été posées par 2 000 délégués au Congrès des peuples de l'Est en 1920. " Fournit une information fondamentale pour aider à déchiffrer l'enchevêtrement des événements le long de la frontière sud de l'ancienne Union soviétique.
12/1993
BD tout public
SPAWN : ABDUCTION
In this eviscerating eigth volume of Tood McFarlane's Spawn saga, the most mecany hero of all finds himself caputred, on the operating table and under the knife... without anaesthetic !
Ever wondered what makes a Spawn tick, what fuels and sustains its necroplasmic body ? The curse has, ans he's about to conduct a little exploratory surgery to satisfy his curiosity. As for Spawn, he's about to have the limits of his powers ans his sanity stretched as never before. And his time, he may have gone too fare out on o limb.
Plus, more mad science in the shape of Cy-Gor and the Freak, two all-new nemeses for Spawn.
03/1999
Histoire antique
Les élites de cour de Constantinople (450-610). Une approche prosopographique des relations de pouvoir
L'histoire politique de l'Empire romain d'Orient au temps de Justinien (527-565) est d'ordinaire illustrée par quelques souverains à la postérité contrastée. Cet ouvrage étudie l'envers du décor de la cour de Constantinople entre 450 et 610, à l'époque où elle acquiert son existence propre. Il conduit donc du règne de Marcien, le promoteur du concile de Chalcédoine (451), à celui de Phocas, que l'on peut tenir pour le dernier empereur antique. Il repose sur une prosopographie des élites de cour connues pour leurs relations politiques avec les empereurs, mais aussi pour leurs liens familiaux, leurs origines géographiques et leurs orientation religieuses. Au sujet des individus répondant à ces critères, il discute le détail des carrières en particulier vis-à-vis des notices de la Prosopography of the Later Roman Empire. La question est abordée de manière chronologique. selon la succession des règnes impériaux : qui ont chacun valeur de test pour la configuration des élites de cour. L'origine géographique et l'orientation religieuse de ces élites font apparaître des groupes dominants et présentant une cohérence liée à ces deux facteurs. Les Balkans, l'Asie Mineure, le Proche-Orient et l'Egypte, tout comme le chalcédonisme et le monophysisme, occupent ainsi la scène des luttes de pouvoir dont la cour est le théâtre. Les solidarités familiales jouent un rôle longtemps sous-estimé et assez comparable à leur place dans l'histoire postérieure de Byzance. Des révoltes récurrentes invoquèrent souvent la légitimité des empereurs précédents. Mais ces contestation furent plus dangereuses dans les provinces que dans la capitale, et finalement peu menaçantes pour le pouvoir impérial, sauf au début du VIIe siècle. Si le personnel politique se renouvela fréquemment, il exista ainsi une permanence de certaines factions à la cour de Constantinople, qui acquit dans cette période une forme de stabilité. Le visage de la cour protobyzantine contribue ainsi à la connaissance de la culture politique européenne. The political history of the Eastern Roman Empire under Justinien is unusually embodied by few rulers with ambivalent legacies. This work studies the Constantinople court behind the scenes from 450 to 610, at the moment when it grew into a distinct entity. It thus spans the period from the rule of Marcian, the promoter of the Council of Chalcedon (451) to that of Phocas, who may be considered as the last Emperor of Antiquity. The approach relies on a prosopography of court elites known for their political ties with emperors. but also for their family bonds, geographical origins, and religious options. For each of the individuals meeting these criteria, career details are discussed, particularly in contrast with the entries of Prosopography of the later Roman Empire. The perspective is chronological and follows the successive imperial rule, each of them being studied with regard to the specific configuration of its court The geographical origin and religion orientation of these court Bites are main parameters delineating the dominant groups and cementing their cohesiveness The Balkans, Asia Minor, the Near East and Egypt were just as central as Chalcedonism and Monophysitism to the power struggles playing out in the court The importance of kinship loyalty during that period has long been underestimated, although it is similar to what is observed in the later history of the Byzantine Empire. Recurrent rebellion often harked back to the legitimacy of former Emperors. But these protests were more radical in the provinces than in the capital and ultimately proved to be only a tumor threat to the imperial power, except in the early seventh century. While the political personnel experienced a high turnover, certain faction still enjoyed relative longevity at the court of Constantinople, which gained a form of stability over the period. Studying the variation of the Byzantine court thus enriches our knowledge of European political culture.
04/2022
Histoire de l'art
Titian, the Della Rovere Dynasty, and His Portrait of Guidobaldo II and his Son. Edition
Le portrait Klesch, par Titien, de Guidobaldo II avec son fils Francesco Maria représente le duc d'Urbino dans ses pleins pouvoirs de commandant suprême des troupes papales avec son héritier à ses côtés. Ce rare double portrait en pied vient seulement d'être attribué à Titien après avoir entrepris des analyses et une restauration minutieuses qui révèlent une belle peinture au style "non finito" avec de superbes touches d'empâtement totalement typiques au maître. Tout ceci est illustré et développé dans ce nouveau livre. Titian provided portraits for the greatest men and women of Europe, Charles V and Philip II of Spain primary among them. For years the Klesch portrait was dismissed as a workshop product - partly because poor condition hid its true quality, but also because it was not believed that Titian could have deigned to create one for Guidobaldo, whose father Guidobaldo della Rovere (1514-1574) and family had a long history of patronizing the artist. Recent research, however, has thrown Guidobaldo's geopolitical significance into relief. He was supreme commander of Venice, the Papal States and then Spain. He sent thousands of soldiers to the major conflicts of his day, particularly the defense of Malta (1565) and the Battle of Lepanto (1571) and his engineers were sought throughout Europe for their ingenuity. In this volume full of new research, Ian Verstegen reveals that Guidobaldo was not peripheral but central to Italian politics and was regarded at several points in history as a key figure who could bring peace or who could influence major conflicts on the Italian peninsula, particularly the War of Siena, and then Pope Paul IV's offensive war against Spain. Anne-Marie Eze gives the first comprehensive examination of the painting's provenance, outlining the portrait's vicissitudes and reception at different moments in its near 500-year history, reexamining received wisdom about its past ownership, and presenting new documentary evidence to expand on and fill gaps in our knowledge of its whereabouts. Finally, Matthew Hayes and Ian Kennedy reflect on the technique, date, recent conservation, and authorship of the painting, proving it to be a masterpiece that only the great Titian could have created.
11/2021
Histoire et Philosophiesophie
Concepts of Mass in Contemporary Physics and Philosophy
The concept of mass is one of the most fundamental notions in physics, comparable in importance only to those of space and time. But in contrast to the latter, which are the subject of innumerable physical and philosophical studies, the concept of mass has been but rarely investigated. Here Max Jammer, a leading philosopher and historian of physics, provides a concise but comprehensive, coherent, and self-contained study of the concept of mass as it is defined, interpreted, and applied in contemporary physics and as it is critically examined in the modern philosophy of science. With its focus on theories proposed after the mid-1950s, the book is the first of its kind, covering the most recent experimental and theoretical investigations into the nature of mass and its role in modern physics, from the realm of elementary particles to the cosmology of galaxies.
The book begins with an analysis of the persistent difficulties of defining inertial mass in a noncircular manner and discusses the related question of whether mass is an observational or a theoretical concept. It then studies the notion of mass in special relativity and the delicate problem of whether the relativistic rest mass is the only legitimate notion of mass and whether it is identical with the classical (Newtonian) mass. This is followed by a critical analysis of the different derivations of the famous mass-energy relationship E = mc2 and its conflicting interpretations. Jammer then devotes a chapter to the distinction between inertial and gravitational mass and to the various versions of the so-called equivalence principle with which Newton initiated his Principia but which also became the starting point of Einstein's general relativity, which supersedes Newtonian physics. The book concludes with a presentation of recently proposed global and local dynamical theories of the origin and nature of mass.
Destined to become a much-consulted reference for philosophers and physicists, this book is also written for the nonprofessional general reader interested in the foundations of physics.
01/2000
Critique littéraire
Etudes anglaises N° 75/4, Octobre-décembre 2002 : Numéro spécial "Agrégation"
ARTICLES Claire GHEERAERT-GRAFFEUILLE et Aude DE MEZERACZANETTI : Emergence et transformation du puritanisme (1559- 1660) : quelques jalons historiographiques Claire BAZIN : Lockwood, le mal aimé (ou le mal aimant ? ) William BLAZEK : "My God, you're fun to kiss" : Love, Lust, and Liminality in Tender Is the Night VARIA Shelly CHARLES : Le roman comique du Dr Primrose ou l'art du travestissement dans The Vicar of Wakefield Bénédicte COSTE : La croyance dans le fumoir : "The Portrait of Mr. WH", l'éthique de la croyance de William Kingdon Clifford et l'assentiment selon John Henry Newman Comptes rendus Notes on Contributors Remerciements aux experts évaluateurs et auteurs de recensions Guidelines for Authors Table des matières - 2022.
02/2023
Sociologie
Cahiers du LLL n° 12 bis – Telepresence teaching (and learning). From the immersive to the virtual classroom
Hybrid or fully online ? Synchronous or asynchronous ? Unimodal, bimodal, comodal or multimodal ? The all-out development of distance learning has led to the creation of appropriate digital systems, either by using what was already in place (such as video conferencing classrooms and web conferencing software supporting virtual classrooms) or introducing innovative environments (such as immersive telepresence classrooms). To use these versatile, multi-functional technologies, teachers need to take a step back to enable them to adapt their teaching methods and offer learners a suitable environment that overcomes physical and geographical distances. As for students, the need to "be there" and "be together" while learning remotely has to be taken into account to maintain their commitment and ensure they continue to contribute, despite the fact they are apart. The COVID-19 pandemic has shown us the importance of the professional, collegial and friendship connections we have with those we usually meet face-to-face in a traditional classroom. Telepresence systems enable all these people to come together remotely (and synchronously) and make it possible to use active teaching methods, driven by the self-regulation of the learners. But what is telepresence ? Do teachers need any special training ? How do you attend lessons remotely ? How do participants learn in a telepresence setting ? What type of student assessment can be used in such an environment ? The result of international collaboration, this short guide looks at these questions from both a research and a practical perspective, inviting you to explore telepresence teaching and learning.
06/2022
Histoire internationale
The power of hope. The First Lady of Burundi. My story
She was born in Mwumba, in the north of Burundi. Shy and hardworking, Denise Bucumi met a man, Pierre Nkurunziza. But in 1993, war broke out in this central African country formely known as "the Switzerland of Africa", taking with it the dream of a peaceful household. When the family's father left for the bush, Denise found herself face to face with her worst enemy : loneliness. What a lot of fighting and many tears to reunite her again with her family for a more beautiful destiny : the Presidential Palace.
07/2013
Histoire et Philosophiesophie
SCIENCE AND TECHNOLOGY IN WORLD HISTORY. An introduction
In modern industrial society, the tic between science and technology seems clear, even inevitable. But historically, as James E. McClellan III and Harold Dorn remind us, the connection was far less apparent. For much of human history, technology depended more on the innovation of skilled artisans than it did on the speculation of scientists. Technology as "applied science," the authors argue, emerged relatively recently, as industry and governments began funding scientific research that would lead directly to new or improved technologies. In Science and Technology in World History, McClellan and Dorn offer an introduction to this changing relationship.
McClellan and Dorn review the historical record beginning with the thinking and tool making of prehistoric humans. Neolithic people, for example, developed metallurgy of a sort, using naturally occurring raw copper, and kept systematic records of the moon's phases. Neolithic craftsmen possessed practical knowledge of the behavior of clay, fire, and other elements of their environment, but though they may have had explanations for the phenomena of their crafts, they toiled without any systematic science of materials or the self-conscious application of theory to practice.
Without neglecting important figures of Western science such as Newton and Einstein, the authors demonstrate the great achievements of non-Western cultures. They remind us that scientific traditions took root in China, India, and Central and South America, as well as in a series of Near Eastern empires, during late antiquity and the Middle Ages, including the vast region that formed the Islamic conquest. From this comparative perspective, the authors explore the emergence of Europe as a scientific and technological power. Continuing their narrative through the Manhattan Project, NASA, and modern medical research, the authors weave the converging histories of science and technology into an integrated, perceptive, and highly readable narrative.
"Professors McClellan and Dorn have written a survey that does not present the historical development of science simply as a Western phenomenon but as the result of wide-ranging human curiosity about nature and attempts to harness its powers in order to serve human needs. This is an impressive amount of material to organize in a single textbook."
- Paula Findlen, Stanford University
01/1999
Littérature française
Logistikos
Carla déteste la routine et change de vie tous les six mois. Nouvelle maison, nouveaux amis, nouveaux collègues, rien ne reste mais rien ne part vraiment. Elle n'oublie aucun lieu ni aucune âme. Partout où elle passe, elle raconte des histoires nourries de sa riche expérience. Carla est douée mais paresseuse. Alors elle a mis au point une technique infaillible. Régulièrement, elle fait des promesses à son entourage et comme elle est très fière, elle arrive toujours à les tenir. Carla hates routine and changes her life every six months. A new house, new friends, new colleagues, nothing stays the same but then nothing is really left behind either. She doesn't forget any of the places or people she has known. Wherever she goes, she tells stories based on her rich experience. Carla is gifted but somewhat lazy, so she has developed a technique that never fails. She regularly makes promises to those around her, that, because of her pride in herself, she always somehow manages to keep. Ouvrage de fiction conçu, annoté et commenté avec le concours de collaborateurs d'une entreprise de logistique. This is a work of fiction designed, annotated and commented with the contribution of supply chain professionals.
02/2021
Non classé
Fast Darkness III: Moonwords. Sextet for flute, clarinet, piano and string trio. flute, clarinet, piano, violin, viola, cello. Partition et parties.
Fast Darkness III is the last part of the trilogy Fast Darkness, 2020-2022. Written in 2022, it is a 16 minutes long virtuosic, wild, and overgrown exploration. Fast gestures, drawn by a sharp pen and loaded with excited energy inform the listener of a large universe that they are enveloping. Just like an entangled climbing branch may give a sense of the house it is climbing on, the energy-laden gestures in Fast Darkness III, reveal the presence of the universe they are enveloping. This revelation never comes to be heard in the piece, but hopefully, it is an after-effect of it. Chaya Czernowin Instrumentation : flute, clarinet, piano, violin, viola, cello
03/2023
Religion
The Threat of Logical Mathematism
The present survey of the critique of mathematical logic in Germany at the turn of the 20th century attempts to answer several interesting questions : How did the contemporary German philosophers see the role and significance of logic ? What kind of relationships did they claim to exist between logic, mathematics, linguistics and psychology ? Pulkkinen starts by giving a historical survey of the development of German logic 1830-1920 as it appears against the background of German academic philosophy. Next he studies the interrelationships between logic and psychology, logic and linguistics, and logic and mathematics. After this the author presents the general features of the reception of mathematical logic in Germany between 1880 and 1920. This is followed by a more detailed account of the arguments of three individual critics : Fritz Mauthner, Heinrich Rickert, and Theodor Ziehen.
07/1994
Non classé
A Life of Her Own
This study reconstructs Brittain's feminist theory, which mainly refutes assumptions made about women, supports companionate marriage, and demands the communal reorganization of child care and domestic work to enable a married woman to work outside her home. It compares her theory to her five novels. Doing so, it uncovers revealing feminist 'flaws', above all that marriage remains, the sine qua non for a woman's happiness. The study describes Brittain's way to the top as a formidable obstacle race, in which she constantly had to fight the men she loved, her children, her parents, and resulting domesticity in order to find time to write "the book of the decade". She reached her goal with the publication of Testament of Youth in 1933.
11/1996
Monographies
Fuseli and the Modern Woman. Fashion, Fantasy, Fetishism
This catalogue accompanies the first exhibition devoted to a fascinating group of drawings by the Anglo-Swiss Henry Fuseli (1741-1825), one of eighteenth-century Europe's most idiosyncratic, original and controversial artists. Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad. Fuseli's contemporaries might have thought him even crazier had they been aware that in private he harboured an obsessive preoccupation with the figure of the modern woman, which he pursued almost exclusively in his drawings. Where one might have expected idealised bodies with the grace and proportions of classical statues, here instead we encounter figures whose anatomies have been shaped by stiff bodices, waistbands, puffed sleeves, and pointed shoes, and whose heads are crowned by coiffures of the most bizarre and complicated sort. Often based on the artist's wife Sophia Rawlins, the women who populate Fuseli's graphic work tend to adopt brazenly aggressive attitudes, either fixing their gaze directly on the viewer or ignoring our presence altogether. Usually they appear on their own, in isolation on the page ; sometimes they are grouped together to form disturbing narratives, erotic fantasies that may be mysterious, vaguely menacing, or overtly transgressive, but where women always play a dominant role. Among the many intriguing questions raised by these works is the extent to which his wife Sophia was actively involved in fashioning her appearance for her own pleasure, as well as for the benefit of her husband. By bringing together more than fifty of these studies (roughly a third of the known total), The Courtauld Gallery will give audiences an unprecedented opportunity to see one of the finest Romantic-period draughtsmen at his most innovative and exciting. Visitors to the show and readers of the lavishly illustrated catalogue will further be invited to consider how Fuseli's drawings of women, as products of the turbulent aftermath of the American and French Revolutions, speak to concerns about gender and sexuality that have never been more relevant than they are today. The exhibition showcases drawings brought together from international collections, including the Kunsthaus in Zurich, the Auckland Art Gallery in New Zealand, and from other European and North American institutions.
12/2022
Manga
Burning Hell & Kingdom of Gods
"Deux histoires en un seul volume ! BURNING HELL A l'époque d'Edo, une île déserte est le théâtre d'un affrontement sans merci entre un Japonais nommé Jû et un Coréen du nom de Han, deux criminels de la pire espèce. LE PAYS DES DIEUX Imun est le prince d'un royaume ravagé par de longues années de guerre et de famine. Seul et sans défense depuis qu'un groupe d'assassins a décimé sa garde rapprochée, le jeune garçon loue les services d'un brigand afin que celui-ci l'accompagne dans sa fuite. C'est le début d'un périple aussi palpitant qu'irréel !
11/2016
Romance sexy
Gods of love Tome 2
En brisant un coeur, ne risque-t-il pas de perdre le sien ? Pothos en a marre de l'amour. Pour un dieu dont c'est la mission, il rechigne pourtant à la tâche chaque fois qu'il descend sur Terre. Lui, il a de plus grandes ambitions : intégrer le conseil de l'Olympe et cesser de côtoyer des humains insipides. Dans l'espoir de parvenir à ses fins, il se résout à contacter Thanatos, mais sa rencontre avec le dieu de la mort est un échec monumental. Thanatos lui arrache ce qu'il a de plus précieux, le laissant démuni et ivre de douleur, et propose à Pothos un marché qu'il ne peut pas refuser : en échange d'un coeur meurtri, il lui rendra ce qui lui appartient. C'est Thalya qui le retrouve dans une ruelle de Seattle, seul et en sang. Impossible de l'abandonner là ! Mais au fur et à mesure qu'elle prend soin de lui, elle se rend compte que Pothos est peut-être plus qu'il ne le laisse paraître... Sauf que celui-ci est décidé à se débrouiller seul, et qu'il ne voit qu'une solution : enfreindre la règle la plus cruciale de toutes. Ne jamais briser le coeur d'un humain.
11/2022
Fantasy
Gods of Men Tome 3
Lesté du pouvoir incommensurable du Grand Imposteur, Azir Mubarék est désormais plus puissant que jamais. Alors que Trier est détruite, il se prépare à mettre à genoux le reste des Cinq Provinces, comme il a déjà tenté de le faire plus de cent ans auparavant. Pour le vaincre, Imari et Jeric doivent rejoindre Corinthe au plus vite et lever une armée. Mais Jeric a laissé son pays il y a déjà plus de deux mois, et il craint que son trône n'ait été usurpé en son absence. Sans compter qu'Imari, dont le talla s'est malencontreusement brisé, doit trouver un autre moyen de canaliser son pouvoir si elle veut espérer jouer son rôle dans la bataille qui menace de tout engloutir. Le dernier combat pour la liberté. Le dernier chant pour sa destinée.
11/2022
Fantasy
Gods of Men Tome 2
Sable a été démasquée : elle est en réalité Imari, la fille illégitime du zar d'Istraa, et une Liagée, née avec le pouvoir interdit du Shah. Après dix ans passés à se cacher dans le froid glacial des Landes Sauvages, elle rentre enfin chez elle. Pleine d'espoir, elle compte bien venir en aide aux ouvriers sol veloriens asservis depuis plus de cent ans. Mais un mystérieux chef liagé sévit dans l'ombre d'Istraa, attaquant villages et temples, incendiant et écrasant tout sur son passage, et Imari n'a d'autre choix que d'apprendre à maîtriser son pouvoir si elle veut éviter la destruction de son peuple.
06/2021
Beaux arts
GOYA. Edition en anglais
Goya (1746-1828) is one of Spain's most famous artists and is widely acknowledged as an outstanding painter in the European tradition, often called the last of the Old Masters and the first of the Modems. He is appreciated as a portrait painter; a creator of menacing and melancholy images in oils; a master of enigmatic, satirical and revolutionary drawing and etching; the champion of the Spanish
people in their struggle against oppression and the recorder of their life and sufferings in war. This book brings out many of Goya's moods, from the gaiety and tenderness of the tapestry cartoons to
the mysterious ferocity of the Black Paintings made in his old age.
Enriqueta Harris, former Curator of the Photographic Collection of the Warburg Institute. University of London, is a world-renowned expert on Spanish art. She has curated numerous exhibitions and is the author of Velazquez (Phaidon, 1982).
01/1994
