The Secret of Sounding Native
Extraits
Anglais apprentissage
Acacia thorn in my heart
I started writing "Acacia thorn in my heart" after reading the book of a white South African woman about her childhood in the same region as mine but relating a completely different experience. She had maids, her father drove her to school and she played with real toys. I lived in the heart of the country, away from everything and had to walk five miles to go to school. I was born in Natal. My father rented a plot of land from a white owner to do market gardening. Although Indian families tended not to educate daughters, our parents decided that education was a priority for us. Despite financial difficulties, they were able to send us to school. We had to get up at five o'clock in order to catch the school train. In winter, as we were scantily clad, we shivered all the way to the station.
09/2001
Non classé
Oaths, Vows and Promises in the first Part of the French Prose Lancelot Romance
This book examines the narrative use made of oaths, vows and promises in a thirteenth-century work of fictional literature, reviewing the textual prominence accorded them by the writer in the light of legal texts of the Middle Ages that deal with the same subject. Medieval society had to deal with highly complex problems that arose out of the central importance accorded the given word. Jurists wrestled with the problems in an attempt to solve them ; the writer of a work of narrative fiction can explore such problems in terms of human drama. The writer of the prose Lancelot was clearly aware of the legal debate, and he used both the characters and plot of his fictional text to construct narrative sequences that allowed him to depict the moral and psychological perplexities that faced both society and individuals over these matters.
02/1993
Science-fiction
The aumakua. The great white shark novel
Just as I finished grabbing it, a sharp pain suddenly was erupting on the inside edge of my lair ! Simultaneously, a tension as unbearable as it was horrifying blocked me trying to pull me towards the surface. The kanakäs had just intercepted me through this lethal decoy ! So, with all my mass and was arching my body with all my strength in the opposite direction, I was regained some slack on this terribly resistant link, feeling all the mass of the platform preventing me from probing like the dontokä before. However, I was determined to show them which of us would be most worthy of remaining in the Incompressible, when with a devastating lateral movement, I severed with a sharp blow the lethal and imperceptible tether ! By this counter blow, I was as if immediately ejected : the perfidious artifact still embedded in my lair lying painfully like a relic of this ubiquitous creature of the System.
09/2023
Histoire de France
CRASH IN BAYEUX - The Last Flight of Sergeant Ferguson
Normandy, France, January 15, 1943. The weather is clear, the sun is shining. Two Royal Canadian Air Force aircraft fly over the Bayeux-Caen railroad. The target is a German freight train - and its locomotive. Aboard the first Spitfire, Sergeant Ferguson is aligning his gun sights on the target. It is 02 : 30 p. m. This will be his very last flight... HARASSING THE OCCUPYING FORCES TO PREPARE THE INVASION The RAF and RCAF had been flying hundreds of similar sorties over France for months, in order to weaken the German forces, particularly the Luftwaffe. The pilots of No. 401 Squadron were among those who took part in this patient work, made up of constant patrols and attacks. Among the 63 men mentioned in this book, 25 were killed in action between 1942 and 1944. A CRASH THAT AWOKE THE SPIRIT OF RESISTANCE Touched by William Ferguson's sacrifice, some French citizens decided to bury the young Canadian flier with dignity, honour and respect. The Germans took this as a provocation. A few weeks later, the Sipo-SD (the "Gestapo") arrested a dozen of them. They were sent to concentration camps - some of them later died in Büchenwald, Dachau and Mauthausen. Others did survive, including Paul Le Caër. He is the one who has supported the author and told him what happened. Today, he is signing the preface of this book. UNPUBLISHED DOCUMENTS AND TESTIMONIES Based on an in-depth analysis of unpublished documents, including the Fergusons' archives and No. 401 Squadron Operation Record Book, this work depicts the very last flight of the young Canadian pilot in detail. With a striking truthfulness, you will relive the squadron's daily life, the faith of the pilots, as well as the beginning of the sortie and "Bill" Ferguson's last minutes. FIVE YEARS OF RESEARCH AND EMOTION A young and talented historian involved in the field of remembrance in Normandy, François Oxéant has spent over five years fitting the pieces of the puzzle together. This book will help you discover all aspects of his fascinating investigation with a methodical and rigorous approach. He has met some of the last witnesses of the events and has been in touch with the pilot's family for a few years, making us share his emotion and admiration for Bill, who was barely younger than himself.
09/2014
Histoire ancienne
THE ROMAN CAVALRY. From the First to the Third Century AD
The cavalry was a vital part of the army of Rome and played a significant role in the expansion and success of the Roman Empire. Karen R. Dixon and Par Southern describe the origins of the mounted units of the Roman army and trace their development from temporary allied troops to the regular alae and cohorts. They have drawn together evidence from a wide variety of sources: archaeological, epigraphic and literary, as well as comparing ancient testimony with more recent experience of the use of cavalry.
Now available in paperback, the book covers the subject from the perspective of both the men and the horses. How were the horses selected and disposed of; how they trained, stabled and fed? How were the men recruited, organized and equipped; and what were the conditions of service for a Roman cavalryman?
The authors provide a comprehensive and unique examination of the Roman cavalry, which includes lavish and original illustrations, drawn by Karen R. Dixon.
01/1992
Littérature française
Saint Shuddhananda Bharati A visionary
Foreword To my friend, to my guide, to the mahatma of my heart, to the visionary of a united world living in peace and harmony in the earthly paradise that God has given us. Life and destiny is like an iceberg ; most of us is hidden, and for some, this is the start of the long path of questioning... For souls that are searching, the time then comes when the seeker finds what is being sought : the precursor, the one that has opened the path, cleared it out and illuminated the way. Thus in the deepest part of our Selves, at the centre of our soul, Joythi, the Divine Light is revealed and works on meeting all those who seek it. Kavi Yogi Maharshi Shuddhananda Bharati was a scholar, linguist, scientist, seer poet, saint and the sage of the Cosmic Age. He was ever agile and active, writing, singing, doing good and observed silence for 30 continuous years. He was a universalist, who was not bound to caste, religion, colour and race or geographic bounds. He was an apostle of Sama Yoga, which seeks for a synthesis of science and yoga, West and East, the actual and the ideal in life. Dr. Shuddhananda Bharati is the author of creative and literary works with diverse writing styles : epic and lyric writings, melodramas, operas, comedies, pastoral theologies, novels, short stories, biographies, notes on famous works, essays. Bharata Shakti Kavi Malayam is his magnum opus. Editions ASSA, Christianananda Bharati
11/2013
Philosophie
Interpreting Quebec’s Exile Within the Federation. Selected Political Essays
This book combines the approaches of political theory and of intellectual history to provide a lucid account of Québec's contemporary situation within the Canadian federation. Guy Laforest considers that the province of Québec, and its inhabitants, are exiled within Canada. They are not fully integrated, politically and constitutionally, nor are they leaving the federation, for now and for the foreseeable future. They are in between these two predicaments. Laforest provides insights into the current workings of the Canadian federation, and some of its key figures of the past fifty years, such as Pierre Elliott Trudeau, René Lévesque, Stephen Harper and Claude Ryan. The book also offers thought-provoking studies of thinkers and intellectuals such as James Tully, Michel Seymour and André Burelle. Laforest revisits some key historical documents and events, such as the Durham Report and the 1867 and 1982 constitutional documents. He offers political and constitutional proposals that could contribute to help Québec moving beyond the current predicament of internal exile.
12/1986
Non classé
From Scarcity to Sustainability
For futures studies and environmentalism the late 1960s and early 1970s were a heyday period of great publicity, and much scientific interest was devoted to them. The study 'Limits to Growth', commissioned by the Club of Rome, has played an important role for the further advancement of these fascinating fields. Each of them in its own way deals with the long term prospects of humankind and desirable future paths of humanity and the globe. This investigation illustrates a very important phase in the development of these two areas and writes a history of ideas and a history of impact of the Limits to Growth debate and other activities of the Club of Rome. It includes information that has so far only been known to a very limited number of directly involved individuals and looks into very recent stages of the sustainable development debate and newest developments of more pragmatic and critical futures studies. For the purpose of this study some 100 interviews have been made worldwide with very well known and often influential individuals. Among them are : Sicco Mansholt, Alexander King, Jan Tinbergen, Robert Jungk, Saburo Okita, Lord Kennet, Johan Galtung, Barry Commoner and Philip de Seynes.
12/1991
Comics Super-héros
Batman Mythology : Bruce Wayne
Le célibataire le plus en vue de Gotham City est également son célèbre protecteur : Batman. Mais quels sont les secrets qui entourent ce playboy milliardaire, dirigeant d'une des entreprises les plus florissantes des Etats-Unis. De son serment fait à ses parents à sa vie de businessman philanthrope, découvrez tous les reflets d'une vie déchirée par un drame il y a des années. Contenu : Secret Origins (1987) #6 ; Batman Chronicles #5 ; Detective Comics #155, 226, 614, 678 ; Batman #250, 383, 561 ; Legends of the Dark Knight #79 ; Legends of the Dark Knight 100-page Spectacular #2 ; Gotham Knights #32 ; Batman : Shadow of the Bat #45
05/2021
Livres 3 ans et +
Moorea, mon île coeur
"Aimeho a 10 ans. Elle habite a Moorea et vous invite a partager son petit univers. A travers des images lumineuses et des textes courts, elle vous raconte son île et ses traditions, sa famille et sa vie quotidienne dans ce bel environnement des îles du Pacifique sud. Un témoignage d'amour pour son île natale". "Aimeho is 10 years old. She lives in Moorea and she invites you to share her small universe. Through bright images and short texts, she tells about her island and its traditions, her family and her daily life in this beautiful environment of the islands of the South Pacific. A testimony of love for her native island". Ho'e 10 ('ahuru) matahiti to Aimeho. E noho 'Oia 'i Moorea. Teie tona 'a'amu iti, na roto atu i te mau fa'ati'a e te mau hoho'a peni huru rau ; te huru teie o tona orara a i roto i tona utuafare feti'i, te mau peu tumu i tape'ahia mai, te he'euri o tona fenua e ti'a 'i ropu i te mau motu o te moana Patitifa 'apato'a. E tapa'o teie no tona here i tona motu iti.
01/2020
Sculpteurs
Wang Keping. Edition bilingue français-anglais
Parmi les artistes chinois expatriés en France et aux Etats-Unis dans les années 1980, le sculpteur Wang Keping se distingue par l'invention d'un langage sculptural singulier aujourd'hui internationalement reconnu. Dans cette monographie qui met à l'honneur les oeuvres monumentales de la maturité, l'historienne d'art Virginie Perdrisot-Cassan analyse ce répertoire de signes au sein duquel l'universalité des motifs rencontre une éblouissante variété de formes, infinies variations autour de la féminité, de l'animalité, du couple, du désir, de la souffrance et de la finitude. Née d'un sensuel mariage entre la nature et le style, la générosité du bois et l'autorité de la main, l'oeuvre de Wang Keping incarne la quête de vérité d'un artiste au destin hors norme. Membre-fondateur du premier groupe d'avant-garde chinois, le "mouvement des Etoiles" , exilé politique, Wang Keping fait le choix à son arrivée en France d'emprunter le chemin ténu d'une radicale essentialisation des formes, dans la lignée de maîtres aussi divers que les artistes, cinéastes et écrivains Qi Baishi, Picasso, Matisse, Chaplin, Beckett, Zadkine, Brancusi. Le plasticien et activiste Ai Weiwei lui rend un vibrant hommage, témoignant de son admiration pour l'audace de son aîné au moment de l'exposition dissidente des Etoiles en 1979 et célébrant l'autonomie et l'intégrité de la création de celui que l'on surnomme "Le Maître du Bois" . Among Chinese artists who moved to France or the United States in the 1980s, sculptor Wang Keping stands out for his invention of a unique sculptural language, today recognized internationally. In this monograph, which gives pride of place to his mature monumental works, the art historian Virginie Perdrisot-Cassan analyzes this repertory of signs within which the universality of the motifs meets a dazzling variety of shapes, endless variations touching on femininity, animality, couples, desire, suffering, and finitude. Born of a sensual marriage between nature and style, the generosity of wood and the influence of the hand, Wang Keping's work incarnates the quest for truth of an artist with a destiny beyond the norm. A founding member of the first movement of Chinese avant-garde, "the Stars art group" and a political exile, Wang Keping followed the path of a radical essentialization of shapes upon his arrival in France, in the footsteps of masters as diverse as the artists, filmmakers and writers Qi Baishi, Picasso, Matisse, Chaplin, Beckett, Zadkine, and Brancusi. The artist and activist Ai Weiwei gives him a vibrant tribute, showing his admiration for his elder's audacity at the time of the Stars dissident exhibition in 1979, and celebrating the autonomy and integrity of creations by the man who is known as "The Master of Wood. "
02/2022
Littérature étrangère
Agatha Raisin and the Potted Gardener
Découvrez en VO de nouvelles aventures de Agatha Raisin, avec des traductions en marge pour vous aider à bien comprendre le texte original. When a series of mysterious assaults on the town's finest gardens is followed by a shocking murder, Agatha gets her wish. Seizing the moment, she immediately starts yanking up village secrets by their roots and digging up details about the victim-who, as it turns out, may just have some hidden dirt of her own...
02/2022
Non classé
Read Ancient African scripts from any current African language. Volume 2
The son of Douaouf, the brilliant, scribe of the early XIIth Dynasty Xty " Khety " said this : "The man continues to subsist after reaching the haven of death and his actions are beside him in a heap. " If regression is the main cause of the alarming situation of Africa and its tails the perceptibles consequences at all levels, the solution to this problem is eminently political. It inevitably involves the constitution of a pan-African State. For men, there is no unity without memory of the past. In fact, the construction of a federal state inevitably involves the restoration of African historical consciousness. There is no national and federal identity without a common language. The unification of Africa will only be possible if it takes the measure of its linguistic unification issue. To a lesser extent but like Cheikh Anta Diop in his book titled the Cultural Unity, I was animated throughout this heuristic by the idea that only the true knowledge of the past can maintain the consciousness and the feeling of a historical continuity essential to the consolidation of a nation for the purpose of building a multinational state in line with its past. Like Cheikh Anta Diop, I build my sureness on the legitimate idea that a people who lost a significant part of their historical memory must engage in the investigation of their past in every possible way. This investigation can take the contours of a reconnection with its past through so-called old languages. But a people can not live only with by merely repeating of what others tell them about themselves. The investigation through its linguistic past allows especially a direct knowledge of oneself. In addition to the fact that this knowledge simply highlights its weaknesses, it allows also to become aware by an introspective and therefore reflective of its real abilities and strengths. It structures being and the consciousness of being to resist any form of servile and degrading ideology. This quest for the past, not founded on blind passion but objectivity, nourishes a healthy ambition for a real universalism. To know one's past is already to project one's future. To know one's past is to give oneself the capacity to be able to bring to others in a perspective of giving and receiving. To know one's past is to refuse intellectual guardianship and wait-and-seeism. To know one's past is to be reborn.
05/2020
Non classé
Read Ancient African scripts from any current African language. Volume 1
The son of Douaouf, the brilliant, scribe of the early XIIth Dynasty Xty " Khety " said this : "The man continues to subsist after reaching the haven of death and his actions are beside him in a heap. " If regression is the main cause of the alarming situation of Africa and its tails the perceptibles consequences at all levels, the solution to this problem is eminently political. It inevitably involves the constitution of a pan-African State. For men, there is no unity without memory of the past. In fact, the construction of a federal state inevitably involves the restoration of African historical consciousness. There is no national and federal identity without a common language. The unification of Africa will only be possible if it takes the measure of its linguistic unification issue. To a lesser extent but like Cheikh Anta Diop in his book titled the Cultural Unity, I was animated throughout this heuristic by the idea that only the true knowledge of the past can maintain the consciousness and the feeling of a historical continuity essential to the consolidation of a nation for the purpose of building a multinational state in line with its past. Like Cheikh Anta Diop, I build my sureness on the legitimate idea that a people who lost a significant part of their historical memory must engage in the investigation of their past in every possible way. This investigation can take the contours of a reconnection with its past through so-called old languages. But a people can not live only with by merely repeating of what others tell them about themselves. The investigation through its linguistic past allows especially a direct knowledge of oneself. In addition to the fact that this knowledge simply highlights its weaknesses, it allows also to become aware by an introspective and therefore reflective of its real abilities and strengths. It structures being and the consciousness of being to resist any form of servile and degrading ideology. This quest for the past, not founded on blind passion but objectivity, nourishes a healthy ambition for a real universalism. To know one's past is already to project one's future. To know one's past is to give oneself the capacity to be able to bring to others in a perspective of giving and receiving. To know one's past is to refuse intellectual guardianship and wait-and-seeism. To know one's past is to be reborn.
05/2020
Livres 3 ans et +
Penelope at the Louvre
Penelope and Grandpa visit the Louvre Museum : the Mona Lisa, the mummies, the Venus de Milo... Penelope wants to see everything ! And what if she gives a pen to the Egyptian scribe... Penelope is full of good ideas... Would you like to help ? It's easy to do with the magic tabs.
01/2009
Non classé
Studies in Elizabethan Audience Response to the Theatre
The aim of this volume is to give an analytic description of how Elizabethan Spectators in documentary evidence responded to the theatre performances they watched or knew to be about. It also considers why they responded in that way. Opposing dual consciousness to the reification of the character (its 'ideal presence'), the author concludes that Elizabethan spectators were predominantly interested in the characters' 'ideal presence'. Why they were, is explained by relating their statements to the Renaissance theory of visual perception, (demonic) transformation, and ideas on acting.
02/1993
Philosophie
Agencies of the Good in the Work of Iris Murdoch
In part one Iris Murdoch's work is set against its contemporary background. Her concept of Man, as seen both in her fiction and in her philosophical work, is discussed with special attention being paid to the influence of Plato, J.P. Sartre, Simone Weil, Gabriel Marcel and the linguistic philosophers. Murdoch's views on the Good, and on Love, Death and Art, her main agencies of the Good, are then dealt with in greater detail. In part two five novels, which are representative of her literary output, are examined in greater depth.
10/1991
12 ans et +
The Book of Ivy Tome 2 : The Revolution of Ivy
Condamnée à l’exil pour ses crimes, Ivy se retrouve seule au-delà de la barrière qui protège les siens d’un monde hostile, dévasté par l’arme atomique des décennies plus tôt. Trahie par sa famille, abandonnée par Bishop, elle doit quitter Westfall et s’enfonce dans la nature sauvage et découvre qu’elle est habitée. Cette année, mon tour est venu. Mais la ville où elle est née se tord dans les convulsions d’un coup d’Etat, et le chaos ne tarde pas à régner. C’est un Bishop différent qui débarque dans le camp où Ivy s’est réfugiée, un Bishop qui a découvert, entretemps, plus d’une vérité. Il est temps pour la jeune fille de décider ce qu’elle compte faire : se venger ou faire la révolution ? Le deuxième et dernier tome de la série The Book of Ivy clôt une saga dystopique où survie en milieu hostile, complots meurtrier et manipulations politiques se mettent en travers du chemin d’un duo à l’alchimie saisissante. Découvrez l’aventure finale d’Ivy, assassin devenue survivante !
11/2015
Littérature française
La jangada. .
"La Jangada" is a novel written by the renowned French author Jules Verne. This adventure novel is part of Verne's extraordinary voyages series and features the Amazon River as its central setting. The story follows the journey of a Brazilian family aboard the riverboat Jangada. As they navigate the mighty Amazon River, they encounter various adventures, challenges, and mysteries. The novel combines elements of exploration, adventure, and romance as the characters explore the exotic and dangerous landscapes of the Amazon rainforest. "La Jangada" is known for its vivid descriptions of the Amazon River and the surrounding environment, offering readers a captivating and immersive experience of this unique setting.
06/1981
Religion
God's People: Instruments of Healing
The future impact of the churches on the societies in which they are situated depends on how they are experienced as healing and solidarizing communities (concerning their religious and social praxis) within themselves and to the outside. Exactly this is the question of the diaconical dimension of the church : the question of how much love (in terms of mercy and justice) and freedom (to the individual and to society) are being spread by the churches in this world. Theologically this book refers not only to the biblical foundations but also to the latest theology of the II Vatican Council (and of the appropriate understanding of the term "Evangelization") within the Catholic Church, without suggesting that this theological position is something exclusive in the ecumenical sphere. It rather may support similar theologies emerging from other churches, as a kind of offer to solidarize with each other looking for the possibilities of substantiating the Christian faith.
07/1993
Mouvements artistiques
Frank Auerbach. The Charcoal Heads
Accompanying an exhibition at the Courtauld Gallery, London, Frank Auerbach : The Charcoal Heads presents a remarkable series of hauntingly beautiful largescale drawings by the artist. The catalogue includes a new piece of writing on one of the drawings from critically acclaimed novelist Colm Tóibín. This catalogue explores one of Frank Auerbach's most remarkable bodies of work - a series of large-scale portrait heads made in charcoal, produced during his early years as a young artist in postwar London. Auerbach (b. 1931) spent months on each drawing, working and reworking them during numerous sessions with his sitters. This prolonged and vigorous process of creation is evident in the finished drawings, which are richly textured and layered. Auerbach would sometimes even break through the paper and patch it up before carrying on. His heads thus emerge from the darkness of the charcoal with burning vitality, born of an artistic as well as a physical struggle with the medium. The process of repeated creation and destruction, of which these images bear the visible scars, speaks profoundly of their times, as people rebuilt their lives after the ruination and upending of the war. The exhibition will be the first time Auerbach's extraordinary drawings, made in the 1950s and early 1960s, have been brought together as a comprehensive group. They will be shown together with a selection of paintings he made of the same sitters ; for the artist, painting and drawing have always been deeply entwined. The accompanying catalogue - by Deputy Head of The Courtauld Gallery, Barnaby Wright, and with an essay by one of the greatest contemporary voices in the English language, Colm Tóibín - is the first publication to explore in depth this magnificent series. Tóibín spent several hours one afternoon in front of Auerbach's Self-Portrait (1958), which features on the front cover of the book, looking closely and taking notes. His essay is an account of his experience and offers new insights into the work and the nature of self-portaiture.
03/2024
Sciences de la terre et de la
Coral reef ascidians of New Caledonia
Ascidians are common marine animals present on all types of substrata but abundant and highly diversified in warm oceans. They represent a large portion of the underwater pictures taken by divers of the ORSTOM center in Noumea.
One millimeter to some decimeters in size, cryptic or brightly coloured, motionless, often in the shade, ascidians are not well known, but are present everywhere. They are surprising not only in their variable shapes but also in their unique biological characteristics. They represent the boundary between invertebrates and vertebrates, although the adults look like stones or sponges.
With a beautiful selection of photographs, the authors discuss the essential anatomy, the modes of budding, the pigments, and the spicules. The ecological requirements are detailed and symbionts, parasites and predators are reviewed. The relationship with man concerns fouling species on ships, their use as food end as a source of pharmacological products.
The final section provides a key for the identification of the most common or spectacular species.
08/1991
Sociologie
The Search for Meaning in the Australian Novel
This thesis grew out of an epistemological interest centered on the search for meaning in literature, and out of a reading of Australian novels. Reaching beyond signification, the creation of meaning in literature refers to the significance a text acquires for the recipient's existence. The potential of this meaningfulness fluctuates between a process of explanation, of uncovering hidden meaning, and deception. Assuming that this range is best demonstrated in the literary treatment of negative experiences in human existence, of pain and suffering, we analyse how Australian novelists and critics set paradigms of meaning against the "Non-Sense" in experienced reality, who and what the agents of meaningfulness in Australian literature are, how they relate to each other and how they affect our reading experience.
10/1991
Non classé
Fiction, or the language of our discontent
This study concentrates on metafictional novels by Angus Wilson, Lawrence Durrell and Doris Lessing. The various methods and degrees of the built-in novelists' attempts to transform autobiographical experience into fiction are surveyed and followed by a discussion of the validity of mimetic presuppositions about fiction. The alternatives to realism are then discussed against the background of recent narratological theories.
12/1985
Beaux arts
Karem Arrieta. Edition bilingue français-anglais
Le temps ne s'égrène pas linéairement dans les toiles de Karem Arrieta. Il est cyclique ou revient comme un boomerang. Les époques se mêlent et s'effacent. Des spectres de l'Histoire de l'art passent, tout droit sortis de la Renaissance italienne ou flamande. Chérubins joufflus et moqueurs et autres putti à l'air goguenard. Femmes à la chevelure flamboyante et aux robes de velours échappées d'un Cranach. Ils sont les anges gardiens qui auréolent les bambins. Avec ces références, Karem Arrieta brise la chronologie et se place dans l'Histoire de l'art. Une histoire écrite par et pour l'Europe, dont les références ont infusé les cultures autochtones de l'Amérique latine, dans un syncrétisme parfois anachronique. "Notre appartenance au monde des images est plus forte, plus constitutive de notre être que notre appartenance au monde des idées." (Gaston Bachelard) / Time does not pass linearily in Karem Arrieta's artwork. It works in cycles, or comes back like a boomerang. Eras mingle and fade. Ghosts from the history of Art are passing by, coming straight out of the Italian or Flemish Renaissance. Chubby cherubins and classical "putti" with mocking eyes. Women with flamboyant hair in their velvet dresses, coming out of a Cranach. They're the guardian angels that crown their children. With these references, Karem Arrieta breaks free from the chronology and places herself in the history of Art—history written by and for Europe, and whose references influenced native cultures in Latin America, in a syncretism that can sometimes be anachronical. "Our belonging to the world of Images is stronger, more constituent to our being, than our belonging to the world of Ideas." (Gaston Bachelard) Barbara Tissier.
11/2019
Théâtre
Impossible lovers
CLAIRE is in charge of a jewelry store. FRANK is a small time hood. A jeweler, who dreams of prince charming, holds up as hostage the man who attempted to break her jewelry. CLAIRE, head of jewelry who has just been let down by a lover she hardly knew, believes that work is her one and only way out. Disappointed, despite the late hour, and after a few drinks, she returns to her jewelry, breaking a store policy, she has disabled security and the guards by pretending that she wants to take advantage of the quiet of the night to update her work. At the same moment, a young ex-con who just got thrown out of a bistro and is passing in front of the jewelry store and decides to break in. Rather than call the police or security, CLAIRE let him in.
02/2013
Actualité et médias
Performance post-crise
Today's professional environment is dramatically different from that which existed just twenty years ago. The digital revolution is in full swing, and working practices are undergoing some of the biggest changes in history. In addition to this background of change, COVID 19 has had an unprecedented impact on every aspect of modern professional life. This background of change, combined with an additional sudden shock is generating novel challenges, which present difficult questions. What organisational structure is best placed to handle crises such as this ? What are the ingredients of successful remote work ? What is the best way to manage a team remotely ? How should leaders communicate in a crisis ? Beyond these critical issues—and perhaps even more importantly—leaders also need to prepare for the future. How do they ensure the success of an organisation in an uncertain future ? How are they going to secure the talent they need ? To address these questions, this collection brings together contributors from a rich variety of backgrounds, drawing on many combined decades of leadership experience. In addition to sharing answers to many contemporary questions and their personal experience of the recent crisis, they outline their vision of the future of the world of work.
01/2021
Monographies
Burmese Silver from the Colonial Period
This stunning catalogue presents an exceptional collection of rare Burmese silver. Accompanied by detailed photographs and explanatory texts, this ground-breaking book proposes a new way of looking at Burmese silver. Names, dates, places, and stories - identifying the who, when, where, and what of Burmese silver has been the focus of publications on the topic. Are these questions the best way to understand silver, however ? Alexandra Green argues that they are not. Too few pieces provide reliable information about silversmiths, production locations, and dates to allow for a comprehensive understanding of the subject. Instead, a close examination of silver patterns reveals strong links with Burmese art history reaching as far back as the Bagan period (11th to 13th centuries), connections with contemporary artistic trends, and participation within the wider world of silversmithing. The first European to write about Burmese silver was H L Tilly, a colonial official from the late 19th into the early 20th century. Tasked with collecting objects for various fairs and exhibitions, he took an interest in Burmese art, publishing articles and books from the 1880s onwards. While much of what he wrote was factually inaccurate and coloured by the prejudices and stereotypes common at the time, his two volumes on Burmese silver published in 1902 and 1904 contain pictures of pieces from the early to mid 19th century. These enable a reconstruction of how silver designs evolved as the country was absorbed into the Indian Raj, and British and other Westerners became consumers of local silver products. Tilly was also correct in his interest in silver designs. Green uses the visual information from his books to describe the continuities and innovations of designs found on silver from the mid 19th through the mid 20th century, and she places these trends within local, regional, and global flows of ideas. Many studies of Burmese silver have been plagued by a lack of understanding of the Burmese context. In contrast, Green examines silver from a local perspective, drawing on Burmese texts and information that allows for a nuanced view of the motifs, designs, and patterns that appear repetitively on silver pieces. Using Graham Honeybill's collection, formed over many years, as a basis, she explores how designs and patterns circulated around the country and were innovatively combined and recombined on pieces by silversmiths producing objects for Burmese, Western, and commercial clients.
09/2022
Sociologie
A Handbook of Global Citizenship Education. The Belgian perspective
Presented as a response to contemporary global issues (such as sustainable development, interculturality or democracy), Global Citizenship Education (GCE) aims to "open people's eyes and minds to the realities of the world and awaken them to bring about a world of greater justice, equity and human rights for all". Given that GCE is now perceived as a means of bringing contemporary world issues into classrooms, teachers and school principals are increasingly encouraged to adopt it. Indeed, new skills frameworks require students to develop knowledge on global issues, while students themselves are demanding this education because they seek the means to play a greater role in the world. Often addressed in the form of social or environmental issues perceived as being of serious concern, GCE is expected to feature increasingly in the curricula of schools and universities in the future. But in Belgium and around the world, Global Citizenship Education (GCE) has been the subject of debate in recent years. This handbook reflects these various debates. Initially published in French, it is, above all, an attempt to compensate for the absence of texts on the subject from the French-speaking world, notably from the Belgian research and practice world. This English version enhances the international visibility of the vital academic, institutional, and professional sectors addressing GCE in Belgium, and highlights the specific features of GCE in this country. It will be particularly useful for students, teachers and practitioners, and everyone who wants to understand the challenges of Global Citizenship Education today.
01/2023
Sculpture
The Riace Bronzes
The fourth volume in our "Hidden Treasures" series is dedicated to the Riace Bronzes, two of the very few ancient bronze statues that have survived to this day and now preserved in the National Archeological Museum in Reggio Calabria. This publication was designed to celebrate the fiftieth anniversary of their discovery. In it, Luigi Spina's photographic research dialogs with the texts written by Carmelo Malacrino. The photographer here develops a continued narrative, offering a direct comparison between the two sculptures, identified as A and B, exploring interpretations of the physicality of the two subjects as well as the three-dimensional quality of the bronze bodies, often concealed by the two-dimensional appearance of photographic images. Carmelo Malacrino and Riccardo Di Cesare analyse these famous 5th century BC masterpieces from two points of view : as ancient works of art on the one hand, and considering their significance for contemporary culture on the other. He retraces the story of the Bronzes beginning with their discovery in August, 1972, exploring the circumstances of their unearthing, the restoration they underwent, the exhibitions in which they were shown, as well as the impact they have had on the public, both nationally and internationally. Equally relevant is the reinterpretation of these two statues, beginning with their contextualization in the sphere of ancient Greek art, the related stylistic issues, and the reflection upon the practices and the knowledge possessed by Classical sculpture workshops. This volume will be a pleasant surprise for those of you who love Classical sculpture, for archaeology enthusiasts, and for all those who aren't satisfied with a quick glance when it comes to admiring a work of art.
10/2022
